Примери за използване на Madonnas на Английски и техните преводи на Български
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Two more Madonnas.
Madonnas Exhibition.
You're interested in Madonnas.
Madonnas… exactly like you, Mrs. Arbuthnot.
On those towers are the Madonnas.
The works of Giovanni Pisano,most especially his Madonnas, the exquisite small ivory statue, and the crucifix known as the Crocifisso d'Elci.
This is what made him the true painter of Madonnas.
There are also dozens of stories of Madonnas and other icons shedding tears.
Her female characters are not glossy beauties,they win us over through the melancholic grace of Madonnas.
Those famous madonnas of his, the swan-necked beauties with the oval eyes, glow with a transcendental light that feels like the opposite of decadence.
I was born in a country of churches, convents,Christs, Madonnas, saints.
Horses, flowers and madonnas- these are the favorite themes for Dencheva, which is now also known from the love lyric book"Only for you" by publishing haouse"Persey".".
Elzbieta Bienkowska: Yes they are, but you will not find enough Madonnas to fill them.
Raphael is also famed for the supreme grace of his portraits and Madonnas, and is regarded as one of the great trio of High Renaissance artists, along with Leonardo and Michelangelo.
Predominant in her work are village landscapes, still life paintings andportraits of Bulgarian women, madonnas.
The idealized world of his paintings brought to life goddesses, nymphs, bathers,shepherdesses, and madonnas in a way that appealed to wealthy art patrons of the era.
The light upon Laura should be distinct from the others,having a peculiar pristine clarity such as light used in early religious portraits of female saints or Madonnas.
Although he created an idealized world, his almost photo-realistic style brought to life his goddesses, nymphs, bathers,shepherdesses, and madonnas in a way which was very appealing to rich art patrons of his time.
The light on Laura is very distinct from the light on the other characters,having a clarity which resembles light used in early religious portraits of female saints or madonnas.
Certain statues of gods are accessible only to the priest in the cella; certain Madonnas remain covered nearly all year round; certain sculptures on medieval cathedrals are invisible to the spectator on ground level.
That for centuries oppressed me and restricted me to sculpting andpainting only Christ and Madonnas, that nearly killed Galileo.
The educated people of those circles of culture from which Raphael created his Madonnas recognized fully the idea of the Madonna, and in such a way that this idea of Madonnas lived in them.
For all these reasons I think one can associate the cult of ideal love with the ravishing beauty anddelicacy that one finds in the madonnas of the late-13th century.
This tradition, I feel,inspired the enigmatic Black Madonnas of Europe, which remember the‘Great Mother', the Queen Bee from ancient times and the meteorite stone that turned black and became known as the bee goddess, named Cybele.
Although Bouguereau created an idealized world, his photo-realistic style brought goddesses, nymphs, shepherdesses,bathers, and Madonnas to life in such a way that was appealing and liked by the art patrons of his time.
Just think how different wasthe attitude of the eighteenth and early nineteenth centuries to the Homeric figures from Raphael to the figures of the Madonnas or the other motives of the time!
As part of the Raphael anniversary celebrations in 2020,the Gemäldegalerie will be putting on a one-room show that brings together five Madonnas from their collection, which will be accompanied by loans from the National Gallery in London and the Kupferstichkabinett Berlin.
The gallery presents trans-regional phenomena from the 12th- 14th centuries, such as the distinction of figurative sculpture from architecture in the Romanesque era,Central European sculpture from the circle of the Madonnas on the Lion, so-called International Gothic referred to as a courtly style.
Therefore it is that an inner connection must be sought between all that in form and colour is created in our domain, and that which stirs our soul in its deepest depths as spiritual knowledge, as something that lives in our spirit, just as the Madonnas lived in Raphael, so thathe could thus become the painter of Madonnas, because they lived in him as they did in the scholar, the peasant and the artisan of his time.