Примери коришћења Cultural policies на Енглеском и њихови преводи на Српски
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Music and Cultural Policies.
On the contrary, he is a vocal critic of Serbia's cultural policies.
They set cultural policies.
After his return to the Soviet Union he accepted the cultural policies of the time.
Compendiums of cultural policies and trends in Europe.
These new methods were best employed within the educational and cultural policies of the central power.
On the other hand,European cultural policies suggest economic sustainability and independence from public sources of finance.
After his return to the Soviet Union he reluctantly embraced the cultural policies of the time.
Indeed, the absence of official cultural policies can itself be a source of attraction.
The wide array of films competing for awards thus ranges from works dealing with everyday life,the conflict between the modern and the traditional, to those addressing cultural policies and policies in culture.
In a liberal society, the absence of official cultural policies can itself be a source of attraction.
Recognising the needs of preserving national and cultural identity, recognising the needs of artists and their audiences, the Government andthe Ministry of Culture are committed to creating new cultural policies.
After his return to the Soviet Union he accepted the cultural policies of the time, although he was not permitted to leave the country.
It does this through support to projects that aim to foster the emergence of a dynamic cultural sector,primarily through activities facilitating the introduction of new cultural policies and cultural industries, or strengthening existing ones.
After his return to the Soviet Union he accepted the cultural policies of the time, although he was not permitted to leave the country.
While living in Ljubljana, he became involved with a group of young intellectuals, known as the Critical generation, which tried to open a space for public debate andchallenged the rigid cultural policies of the Titoist regime in the Socialist Republic of Slovenia.
The main theme of the issue 12/2012(XII)is Music and Cultural Policies, and the theme of the issue 13/2012(XII) is Music and Political Ideologies.
The program of the round table was structured into four sessions and the discussion reached from theoretical concepts of populism and its relation to representative democracy, over the debate about populism as a political style, discourse and mean of communication respectively,up to the question how populism is impacting cultural policies.
His fields of engagement were contemporary performing arts,European cultural policies, strategies of cultural development and international cultural cooperation, interculturalism and cultural memory.
The IFCD supports projects that aim to foster the emergence of a dynamic cultural sector,primarily by facilitating the introduction of new cultural policies and cultural industries, or strengthening existing ones.
If cultural institutions andlocal governments are to devise their cultural policies in accordance with a national programme of cultural development, there must be a national programme and a strategy of cultural development.
NEMO supports European museums in their aim to learn from each other by networking and co-operation andshows them ways to participate in the existing European cultural policies in its function as an information channel between European institutions and museums.
The program of the round table was structured into four sessions and the discussion reached from theoretical concepts of populism and its relation to representative democracy, over the debate about populism as a political style, discourse and mean of communication respectively,up to the question how populism is impacting cultural policies.
Pointing out possible engagement of knowledge that belongs to humanities in important social processes- in the fields of social and cultural policies, political practices, in the fields of economy(e.g. tourism), food industry, health care.
Don't Let Belgrade D(r)own brought together individuals andorganisations interested in urban and cultural policies, sustainable city development, fair use of common resources, and the involvement of citizens in the urban development.
Initiative Ne da(vi)mo Beograd* brings together organizations andindividuals interested in urban and cultural policies, sustainable city development, fair use of common resources, and the involvement of citizens in the urban development of their environment.
The topic of the third meeting within the‘Lab for European Project Making' educational programme are programmes and cultural policies with special emphasis on the programme development, European dimension and establishing the cooperation, budgeting and fundraising.
Initiative Ne da(vi)mo Beograd(Don't let Belgrade d(r)own) brings together individuals andorganizations interested in urban and cultural policies, sustainable city development, fair use of common resources, and the involvement of citizens in the urban development of their environment.