Her er et udvalg af de andre bogstaver:Francis Douce skriver om et enkelt bogstav: Bibliothecae Ecclesiasticae, V In Vol.
Here is a selection of the other initials:Francis Douce writes about a single initial letter: Bibliothecae Ecclesiasticae, V In Vol.
Douce skriver om denne udgivelse: No.
Douce writes about this publication: No.
Jeg bringer de fleste af dem forneden på denne side, for som Douce skriver, er de»well cut on wood«,»with much spirit« og»very finely engraved on wood«, og de er tydeligvis alle af den samme kunstner.
I bring most of them below on this page, for as Douce writes they are»well cut on wood«,»with much spirit« and»very finely engraved on wood«, and they were clearly executed by the same artist.
Douce skriver, at nederst på rammen med Tiden og Evigheden står der»Ab a Diepenbecke inu.
Douce writes that at the bottom of the frame with Time and Eternity is written»Ab a Diepenbecke inu.
Personligt synes jeg, H'et er ligeså humørfyldt som de andre bogstaver i Libro sotilissimo(som Douce skriver:»with considerable spirit«), og H'et er i reglen langt bedre trykt end de andre bogstaver i dette alfabet.
Personally I think the H is just as jocular as the other initials in Libro sotilissimo(as Douce writes:»with considerable spirit«), and the H is as a rule printed more clearly than the rest of the initials of this alphabet.
Rancis Douce skriver om forskellige dødedans-alfabeter efter Holbein.
Rancis Douce writes about different dance of death alphabets after Holbein.
I 1544 udkom så den Bibel, Douce omtaler:» Biblia sacrosancta Testamenti«. A'et ogC'et blev brugt, og som Douce skriver, kom der nu nye bogstaver: F, O, Q og S. Douce kalder dem grove, og det kan han have ret i, men de er ikke uden charme.
Then in 1544 came the Bible that Douce described:» Biblia sacrosancta Testamenti«. The A and C were used,and as Douce writes, there were new letters: F, O, Q and S. Douce calls them coarse and he may be right in this, but they are not without their charm.
Douce skriver i 1794(side 26), at han har set et dødedans-alfabet, hvor der nederst står" Hans Lützelburger Formschneider in Basel.
Douce writes in 1794(page 26) that he has seen a dance of death alphabet, which at the bottom is signed" Hans Lützelburger Formschneider in Basel.
Francis Douce, The dance of death exhibited in elegant engravings on wood,1833, side 71 Som Douce skriver, er dansen placeret nederst på hver side, og det som Douce ikke skærer ud i pap er, at disse 30 figurer er de samme som dem, vi kender fra Simon Vostre og fra den parisiske Danse Macabre.
Francis Douce, The dance of death exhibited in elegant engravings on wood, 1833,page 71 As Douce writes, the dance is placed at the bottom of each page, and even though Douce doesn't say it in so many words, these 30 figures are the same as those we know from Simon Vostre and from the Parisian Danse Macabre.
Douce skriver, at nederst på rammen med Tiden og Evigheden står der» Ab a Diepenbecke inu. W: Hollar fecit«, og det samme på rammen med Minerva og Herkules, hvor årstallet 1651 også er tilføjet.
Douce writes that at the bottom of the frame with Time and Eternity is written» Ab a Diepenbecke inu. W: Hollar fecit«, and the same on the frame with Minerva and Hercules, where the year 1651 has also been added.
Hans Holbein's Dødedans, Francis Douce,1858 Francis Douce, Genoptryk fra 1858 å siden om Francis Douce skriver jeg, at de træsnit med Holbein's dødedans, man finder på Nettet, i virkeligheden tit er kopier fremstillet til Douce's berømte bog fra 1833 og- vist nok- udført af Bonner& Byfield.
Hans Holbein's dance of death, Francis Douce, 1858 Francis Douce,Reprint from 1858 n the page about Francis Douce I write that the woodcuts from Holbein's dance of death that you will find on the Net, in fact very often are copies produced for Douce's famous book from 1833 and- probably- executed by Bonner& Byfield.
Som Douce skriver, er dansen placeret nederst på hver side, og det som Douce ikke skærer ud i pap er, at disse 30 figurer er de samme som dem, vi kender fra Simon Vostre og fra den parisiske Danse Macabre.
As Douce writes, the dance is placed at the bottom of each page, and even though Douce doesn't say it in so many words, these 30 figures are the same as those we know from Simon Vostre and from the Parisian Danse Macabre.
Hans Holbein's Dødedans-alfabet, Hans Schott(1477-1548) Hans Schott(1477-1548)Bogstavet M fra den lille serie Bogstavet M fra den store serie rancis Douce skriver om forskellige dødedans-alfabeter efter Holbein: They were badly copied, and with occasional variations, for books printed at Strasburg by J. Schott about 1540.
Hans Holbein's dance of death alphabet, Hans Schott(1477-1548) Hans Schott(1477-1548)The letter M from the little series The letter M from the big series rancis Douce writes about different dance of death alphabets after Holbein: They were badly copied, and with occasional variations, for books printed at Strasburg by J. Schott about 1540.
Å siden om Francis Douce skriver jeg, at de træsnit med Holbein's dødedans, man finder på Nettet, i virkeligheden tit er kopier fremstillet til Douce's berømte bog fra 1833 og- vist nok- udført af Bonner& Byfield.
N the page about Francis Douce I write that the woodcuts from Holbein's dance of death that you will find on the Net, in fact very often are copies produced for Douce's famous book from 1833 and- probably- executed by Bonner& Byfield.
A'et og C'et blev brugt, og som Douce skriver, kom der nu nye bogstaver: F, O, Q og S. Douce kalder dem grove, og det kan han have ret i, men de er ikke uden charme.
The A and C were used, and as Douce writes, there were new letters: F, O, Q and S. Douce calls them coarse and he may be right in this, but they are not without their charm.
Douce skriver:» executed in a style perhaps nowhere else to be met with«, og det har Douce ret i, for da han skrev det i 1833, var der stadig endnu et århundrede, til denne ekspressionistiske stil blev moderne.
Douce writes:» executed in a style perhaps nowhere else to be met with«, and Douce is right, for when wrote this in 1833, it would still take another century for this expressionistic style to come into fashion.
Francis Douce skriver om Holbeins initialer.
Francis Douce writes about Holbein's initials.
Francis Douce skriver om et enkelt bogstav.
Francis Douce writes about a single initial letter.
Ikke desto mindre var der næppe andre, der har fået den tanke, at Holbein's dødedans ikke var af Holbein, før Douce skrev sit værk.
Nevertheless hardly anybody had ever thought that Holbein's dance of death wasn't by Holbein, before Douce wrote his essay.
Douce og Holbein's Dødedans Bibel fra 1538 med Skabelsen af Holbein llerede i 1794 havde Douce skrevet et essay om dødedanse- nemlig som en indledning til et genoptryk af Hollars kobberstik.
Douce and Holbein's dance of Death Bible from 1538 with the Creation by Holbein ack in 1794 Douce had written an essay about dances of death- as a preface to an edition of Hollars etchings.
Denne ene beskrivelse var skrevet af Douce, og resultatet blev ret bizart se billedet til højre.
This one description was written by Douce, and the result was rather bizarre see picture to the right.
Det eneste Bodley's bibliotekar skulle gøre for at modtage den enorme samling var således at afsætte et rum og skrive"Douce" henover døren.
Thus all that Bodleian's Librarian had to do in order to receive this enormous collection was to dedicate a room and write"Douce" above the door.
Llerede i 1794 havde Douce skrevet et essay om dødedanse- nemlig som en indledning til et genoptryk af Hollars kobberstik.
Ack in 1794 Douce had written an essay about dances of death- as a preface to an edition of Hollars etchings.
Senere i den samme bog- på side 253 lige før de 49 træsnit præsenteres, skriver Douce så.
Later on in the same book- on page 253 just before the 49 woodcuts are presented, Douce writes.
Resultater: 27,
Tid: 0.0326
Sådan bruges "douce skriver" i en sætning
Douce skriver (side vi i indledningen): »a set of fac-similes of the abovementioned elegant designs, [...] have been executed with consummate skill and fidelity by Messrs.
Francis Douce skriver:
Fasciculus Geographicus, A, Gnieren
An A well cut on wood, representing Death striking a miser, who is counting his money at a table.
Douce skriver »Death […] holds in his hand what is not very distinguishable in Hollar's print ; in the original it is evidently a jaw-bone«.
Douce skriver om Dance aux aveugles side 232.
A'et og C'et blev brugt, og som Douce skriver, kom der nu nye bogstaver: F, O, Q og S.
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