Eksempler på brug af Rée på Dansk og deres oversættelser til Engelsk
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Personer med efternavn RÉE.
Individuals with surname RÉE.Thjellesen, Rasmus(2016): Max Rée- En dansk pioner i Hollywood.
Hun knytter i den forbindelse et stærkt venskab med den aldrende Max Rée.
She formed, in that connection, a strong friendship with the ageing Max Rée.Anton Rée(Se skøjteløberen jager omkring)" blev offentliggjort for første gang December 1850.
Anton Rée(Se skøjteløberen jager omkring)"[Danish title] was first published December 1850.Cidrick Gibbons som ansvarlig for scenografien og Max Rée for kostumerne.
Cidrick Gibbons was responsible for the art direction and Max Rée for the costume design.I tiden efter RKO Pathe Pictures får Max Rée også ansættelse som underviser i arkitektur, stage.
In the time after his work for RKO Pathe Pictures, Max Rée was variously employed as a teacher of architecture and of stage.Alt hvad der filmes på, er underlagt en overordnet visuel stil, der kan tilskrives Max Rée.
Everything that was filmed was subject to an overall visual style attributable to Max Rée.I kraft af sit talent, sine sprogkundskaber ogbelevenhed bliver Max Rée hurtigt en populær kostumedesigner.
Due to his talent, his language skills andhis courteousness Max Rée became a popular costume designer.Herom fortæller Max Rée: Jeg har selv været med til de første Forsøg og har lavet adskillige Film med Farver.
About this Max Rée stated: I have personally been involved with the first attempts and have made several films with colour.Uddrag af radiotale i Statsradiofonien sendt 22/1 1936, Max Rée Samlingen, DFI.
Exerpt of radio talk on National Public Service Radio broadcast on 22/1 1936, Max Rée Collection, DFI.I løbet af årene på arkitektskolen deltager Max Rée i adskillige studierejser, opmålingsopgaver og konkurrencer.
During his years at architect school Max Rée embarked on several study trips, surveying tasks and competitions.Dermed kommer Max Rée også til at præge det amerikanske modebillede i takt med Greta Garbos stærkt stigende popularitet.
In this way Max Rée came to influence the American fashion image, in step with Greta Garbo's rapidly rising popularity.Dette gælder også art deco-kunstneren Erté med sine stærkt idealiserede kvindeportrætter,hvis spor Max Rée senere skulle krydse.
This also applies to the strongly idealised portraits of women by art deco artist Erté,whose path Max Rée would later cross.Foto med Max Rée i cirkusdekoration bygget på studie til Dixiana, RKO Radio Pictures, 1930. © Max Rée Samlingen, DFI.
Photo with Max Rée in the circus set built in the studio for Dixiana, RKO Radio Pictures, 1930© Max Rée Collection, DFI.Illustratoren Aubrey Beardsleys meget grafiske ogart noveau -beslægtede formsprog synes at have tjent som inspirationskilde for Max Rée.
The illustrator Aubrey Beardsley's highly graphic andart nouveau-related idiom appears to have served as a source of inspiration for Max Rée.Får Max Rée mulighed for at skabe raffinerede kostumer og fantasifulde dekorationer til foreningens forskellige revyer og fester.
Max Rée had the opportunity to create refined costumes and imaginative sceneries for the association's various revues and parties.Imidlertid står festlighederne i skyggen af faderens pludselige død kort tid forinden,og Max Rée når aldrig at dele denne triumf med sin far.
However, the festivities were marred by his father's sudden death shortly before;Max Rée was never able to share his triumph with his father.Max Rée på sit kontor i forbindelse med præ-produktionen af Cimarron, RKO Radio Pictures, 1930. © Max Rée Samlingen, DFI.
Max Rée in his office in connection with the pre-production of Cimarron, RKO Pathe Pictures, 1930© Max Rée Collection, DFI.Begge beskæftiger de sig med hver deresform for visuel historiefortælling; Cidrick Gibbons som ansvarlig for scenografien og Max Rée for kostumerne.
Both dealt with his own form of visual story telling;Cidrick Gibbons was responsible for the art direction and Max Rée for the costume design.Max Rée på sit kontor foran en skala model af byggeriet til Cimarron, RKO Radio Pictures, 1930. © Max Rée Samlingen, DFI.
Max Rée in his office in front of a scale model of buildings for Cimarron, RKO Pathe Pictures, 1930© Max Rée Collection, DFI.En absolut Forstaaelse og Enighed mellem os er nødvendig.uddrag af radiotale sendt i Statsradiofonien 22/1 1936, Max Rée Samlingen, DFI.
An absolute understanding and agreement between us is necessary. Excerpt of radio talk broadcast on National Public ServiceRadio January 22 1936, Max Rée Collection, DFI.Til Højre: Max Rée(th) foran RKO Radio Pictures' administrationsbygning, N Gower St., ca. 1930 © Max Rée Samlingen, DFI.
Max Rée(on the right) in front of RKO Radio Pictures' administration building, N Gower St., around 1930© Max Rée Collection, DFI.Filmen byder også på et samarbejde med en af Hollywoods andre store danske personligheder; skuespilleren Jean Hersholt,der skulle blive en nær ven af Max Rée.
The film also offered a collaboration with one of the other great Danish personalities in Hollywood; the actor Jean Hersholt,who would become a close friend of Max Rée.Som øverste chef for scenografi- ogkostumeafdelingen får Max Rée ansvar for at konceptuere og kvalitetssikre samtlige produktioner i de efterfølgende år.
As the top boss for the art andcostume department Max Rée had responsibility for conceptualising and quality controlling all productions during the subsequent years.Igen er Max Rée på hjemmebane og kan trække på sin erfaring med stort opsatte teaterforestillinger, varietéer og revyer på førnævnte National Scala og tiden derefter sammen med Max Reinhardt.
Again Max Rée was on home turf and could draw on his experience with large-scale theatrical production, variety shows, and revues at the previously-mentioned National Scala and his subsequent time with Max Reinhardt.Efter forberedende undervisning på teknisk skole bliver Max Rée optaget på arkitektskolen ved Det Kgl. Danske Kunstakademi i 1911 og påbegynder studierne her.
After a preparatory education at technical college Max Rée was accepted at the Royal Danish Art Academy of Fine Arts School of Architecture in 1911 and began his studies there.Ude i kulden og erstattet af art director Van Nest Polglase, der kommer til at fejre store triumfer med RKO Pathe Pictures i de følgende år,begynder Max Rée en ny tilværelse med skiftende jobs og adresser.
Out in the cold and replaced by art director Van Nest Polglase, who would enjoy great triumphs with RKO Pathe Pictures in the following years,Max Rée embarked on a new existence marked by frequent changes of jobs and addresses.Ansvaret for kostumedesignet deler Max Rée med to andre, men det er almindelig kendt, at han alene står for skabelsen af flere af Garbos kostumer til denne film.
Max Rée shared the responsibility for costume design with two others but it was generally known that he alone had created several of Garbo's costumes for this film.Tegningerne stammer fra Vore Damer og avisen Dagens Nyheder,som Max Rée leverer vignetter, reklamer og forsideillustrationer til- ofte portrætter af elegante kvinder med store hatte og lange ben.
The drawings originate from Vore Damer and the newspaper Dagens Nyheder,for which Max Rée produced vignettes, advertisements and front page illustrations- often portraits of elegant women with large hats and long legs.I forbindelse med en folketælling har Max Rée oplyst en ugentlig arbejdstid på 60 timer, og man må formode at dette som minimum også har været gældende for alle hans år hos RKO Radio Pictures.
In connection with a census Max Rée stated that he worked 60 hours a week and one must presume that this as a minimum was also applicable to all his years at RKO Radio Pictures.
