Eksempler på brug af Tunder på Engelsk og deres oversættelser til Dansk
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What man from Tunder?
With Tunder you avoid humiliation.
Man undgår ydmygelse med Tunder.I was with the guy from Tunder.
Jeg var sammen med en fyr fra Tunder.No, I know: Tunder! Gals, I want to ask you a favor!
Nej, jeg vil bede jer om at gøre mig en tjeneste. Tunder!Are you ready for Tunder?- Bye!- Bye!
Er I klar til Tunder? -Hej. -Hej!That's why my thing is less romanticism and more Tunder.
Derfor er jeg mere til Tunder end Franz Tunder was Buxtehude's predecessor in the post as organist at the Marienkirche in Lübeck.
Franz Tunder var Buxtehudes forgænger i organistembedet ved Mariakirken i Lübeck.Religious w… Translation: Tunder, Franz.
Religious w… Oversettelse: Tunder, Franz.He was sent to Lübeck as a young boy by his father who had been a pupil of Buxtehude's predecessor in Lübeck:Franz Tunder.
Han blev sendt til Lübeck som en ung dreng af sin far, som selv havde været elev af Buxtehudes forgænger,Franz Tunder.Tunder was not only his predecessor in the organist post, he was also his father-in-law, and the previous occupant of the family's house.
Tunder var ikke blot forgænger i organistembedet, han var også svigerfader og den tidligere beboer i familiens hus.She dated jinxed her or something like that? Carmen, do you think the guy from Tunder.
Tror du, at fyren fra Tunder forheksede hende eller sådan noget?Although Franz Tunder(1614-1667) had already died when Buxtehude arrived in Lübeck, he was a strong presence in Buxtehude's new life.
Selvom Franz Tunder(1614-1667) allerede var død, da Buxtehude ankom til Lübeck, har han været en præsent figur i Buxtehudes nye tilværelse.Buxtehude might later have studied with Heinrich Scheidemann in Hamburg or Franz Tunder in Lübeck.
At Buxtehude senere har studeret hos Heinrich Scheide-mann i Hamborg eller Franz Tunder i Lübeck.Six years later Tunder also took over the responsibility as Werkmeister- an administrative post that came with Buxtehude's position in the church.
Seks år senere overtog Tunder også ansvaret som Werkmeister- et administrativ hverv, der også fulgte med Buxtehudes stilling ved kirken.Weckmann returned to Dresden, but the next year, 1648, he visited Ham-burg and Lübeck,where he got married- with Franz Tunder as his best man.
Weckmann vendte tilbage til Dresden, men besøgte året efter, i 1648, Hamborg og Lübeck,hvor han blev gift- med Franz Tunder som sin forlover.We have just under a dozen cantatas from Tunder, all of them works of the highest quality, written in several of the common early Baroque styles.
Vi har kun et lille dusin kantater fra Tunders hånd, som alle er værker af højeste kvalitet skrevet i forskellige af de almindelige tidligbarokke stilarter.In accordance with the general practice of the time in northern Germany this further involvedmarrying his pre-decessor's daughter, Anna Margaretha Tunder, and the maintenance of Tunder's widow Elisabeth for the next ten years.
Med stillingen fulgte, efter almindelig praksis i Nordtyskland på den tid,også giftemålet med hans forgængers datter Anna Margaretha Tunder, samt underhold af Tunders enke Elisabeth i de følgende ti år.From 1632 Tunder was court organist at Gottorp in the Duchy of Schleswig, until 1641 when he won the position as organist in the Church of St. Mary in Lübeck.
Kapelmester ved det danske hof. Fra 1632 var Tunder hoforganist ved fyrstedømmet Gottorf i Slesvig, indtil han i 1641 vandt stillingen som organist ved Maria kirke i Lübeck.The position of organist and Werkmeister at St. Mary's,Lübeck, became vacant upon the death of Franz Tunder 5 November, 1667, and Dieterich Buxtehude was formally appointed the following April.
Stillingen som organist ogWerkmeister ved Marienkirche i Lübeck blev ledig ved Franz Tunders død den 5. november 1667, og Dietrich Buxtehude blev formelt udnævnt den efter-følgende april.Tunder had gradually added vocalists and instrumentalists to his organ performances, which are said to have taken place on Thursdays prior to the opening of the stock exchange.
Tunder havde gradvist udvidet sine orgelkoncerter med vokale og instrumentale indslag; det siges, at hans koncerter fandt sted på torsdage før åbningen af Børsen.He used these connections to initiate his ambitious plans for the church music.Although Franz Tunder(1614-1667) had already died when Buxtehude arrived in Lübeck, he was a strong presence in Buxtehude's new life.
Disse forbindelser udnyttede han bl.a. til at iværksætte sine ambitiøse planer for kirkemusikken.Selvom Franz Tunder(1614-1667) allerede var død, da Buxtehude ankom til Lübeck, har han været en præsent figur i Buxtehudes nye tilværelse.Tunder did not only create the best possible conditions, he was also the founder of the Abendmusik concerts in Lübeck, which should later become the platform of Buxtehude's musical performances.
Men Tunder skabte ikke blot de bedst tænkelige rammer, han var grundlagde også traditionen for de såkaldte Abendmusik-koncerter, som senere skulle blive platformen for Buxtehudes musikalske udfoldelser.It was probably through the German merchants of Elsinore that the rumour of the young Danish organ virtuoso reached Lübeck, and likewise that Buxtehude received the news of thedeath of the organist at the Church of St. Mary in Lübeck, Franz Tunder.
Det har sikkert været gennem Helsingørs tyske handelsfolk, at rygtet om den virtuose unge danske organist har nået Lübeck, og atBuxtehude modtog nyheden om organisten ved Maria kirke i Lübeck Franz Tunders død.As both administrator and organist Tunder bought instruments and scores for the church and created the base of the well established Kantorei that Buxtehude took over after Tunder's death in 1667.
Som både organist og administrator indkøbte Tunder musikinstrumenter og noder og skabte dermed grundlaget for det veletablerede kantori, som Buxtehude overtog efter Tunders død i 1667.Alternating with the instrumental ritornelli, the cantata as a whole becomes concertante-like and must be one of Buxtehude's most frequently performed vocal works.Franz Tunder was Buxtehude's predecessor in the post as organist at the Marienkirche in Lübeck.
Kombineret med den selvstændige kommenterende orkestersats får kantaten som helhed et koncertant præg og hører vel til blandt Buxtehudes oftest opførte vokalværker.Franz Tunder var Buxtehudes forgænger i organistembedet ved Mariakirken i Lübeck.But Tunder did not only create the best conceivable framework; he also laid the foundations for the so-called Abendmusiken, which were to be the most impor-tant platform for Buxtehude's musical expression.
Men Tunder skabte ikke blot de bedst tænkelige rammer, han lagde også grundstenene til de såkaldte Abendmusiken, som skulle blive den vigtigste platform for Buxtehudes musikalske udfoldelser.But on closer scrutiny a pattern of friendships, teacher-pupil relationships and even family memberships emerges: Diderich Buxtehude married Frans Tunder's daughter; Nico-laus Bruhns' father, Paul Bruhns,was a pupil of Franz Tunder; and his uncle Peter Bruhns was Buxtehude's regular violinist for many years.
Men ved et nærmere eftersyn viser der sig et mønster af venskaber, lærer-elev-forhold og sågar familiemæssige bånd: Diderich Buxtehude giftede sig med Frans Tunders datter. Nicolaus Bruhns' far, Paul Bruhns,var elev af Franz Tunder, og farbroderen Peter Bruhns var Buxtehudes faste violinist igennem en lang årrække.In his time Franz Tunder had built up the well-established Kantorei that Buxtehude took over and had even introduced the so-called Abendmusiken- evening music- which became Buxtehude's most important musical platform during his years in Lübeck.
Franz Tunder havde i sin tid både opbygget det veletablerede kantori, som Buxtehude overtog, og introducerede desuden de såkaldte Abendmusiken, som blev Buxtehudes vigtigste musikalske platform i hans år i Lübeck.In the years from 1664 until the 1680s Gustav Düben copied a large collection of the works of both Italian and German composers for the royal court chapel in Stockholm, including works by the composers represented on this release:Franz Tunder, Kaspar Förster, Christian Geist and not least Diderich Buxtehude.
I årene fra 1664 og helt frem til 1680'erne kopierede Gustav Düben en stor samling værker af både italienske og tyske komponister til Det Kgl. Kapel i Stockholm, heriblandt værker af de komponister, som er repræsenteret på denne udgivelse:Franz Tunder, Kaspar Förster, Christian Geist og ikke mindst Diderich Buxtehude.We have just under a dozen cantatas from Tunder, all of them works of the highest quality, written in several of the common early Baroque styles. Ein kleines Kindelein is a beautiful strophic aria with a ritornello in the strings.
Vi har kun et lille dusin kantater fra Tunders hånd, som alle er værker af højeste kvalitet skrevet i forskellige af de almindelige tidligbarokke stilarter. Ein kleines Kindelein er en skøn strofisk arie med stryger-ritornel.
