Exemplos de uso de The texture em Inglês e suas traduções para o Português
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Official/political
It's the texture.
The texture of the body.
If you wish,you can colorize the texture.
Feel the texture of my skin?
In the Animals group select the texture with fish scale.
As pessoas também se traduzem
Map the texture onto the 3D object.
Techniques yourself a prefer andrarely pile on excess work simply by trying to affect the texture on your hair.
The texture of nylon fabric is not fine.
A negative value rotates the texture counterclockwise, a positive one- clockwise.
The texture is comfortable and non-greasy.
Techniques yourself a prefer anddon't pile on excess work by means of trying to customize the texture of your hair.
It's the texture of the skin, it's gross.
This article inquires into the societal dimensions of contemporary mutations of work, in particular their disconnection from employment mechanisms through various forms of casual work and outsourcing. In other words, it asks in what way the new realities of work(and non-work) redraw the social world, the relations of force andthe fields of practices that make up the texture of the city and its spaces.
The Texture Dust is has a hold factor of 1.
Set here the texture type to apply to image.
The texture is light, with a dry and smooth finish.
We can reduce the texture using AKVIS Noise Buster.
The texture is rich and provides instant comfort.
Preserves the texture and volume of the coat.
The texture will appear in the sample window.
That adds all the texture with none of the cruelty.
The texture is flowing and with blue application marker.
But they have the texture of celeryNcalories and have vital.
The texture is light and comfortable without greasy effect.
Then he patiently built up the texture of the fur with a variety of dark and light brushstrokes in both watercolour and bodycolour.
The texture is light and flowing for intense hydration.
I like the texture, and, uh, there's a lot of conflict.
The texture of Scripture is an historical texture. .
Only is the texture of the iconic french tower.
The texture of those voices is marked by signals that register the struggle and the tension emerged from heterogeneity an aspect previously hinted by Bakhtin and deepened by Authier-Revuz in her observations.