Examples of using Gouaches in English and their translations into Danish
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Water colours, gouaches and pastels.
A(Akvareller, gouacher og pasteller)«.This detail is not included on the gouaches.
Denne detalje er ikke med i gouacherne.Gouaches signed by Jacob van Doordt 1623.
Gouacher signeret af Jacob van Doordt 1623.When it comes to the child and the Turk, these gouaches are simply our only picture-source.
Når det kommer til barnet og tyrkeren, er disse gouacher simpelthen vores eneste billedkilde.The gouaches are also our oldest picture-source, and they are even in colour.
Gouacherne er også vores ældste billedkilde, og ovenikøbet i farver.We have a transcription of the entire text by Ludwig Iselin from 1577, and colour gouaches from around 1600.
Vi har en transskription af hele teksten af Ludwig Iselin fra 1577, og farvede gouacher fra omkring 1600.Water-colours, gouaches and pastels executed entirely by hand on any material(1)';
Akvareller, gouacher og pasteller, der udelukkende er fremstillet som håndarbejde, uanset underlagets art(1).«.And if you add to it a special gel interspersed with sequins, designed specifically for gouaches, you get a stunningly beautiful crafts.
Og hvis du føjer til det en speciel gel spækket med glimmer designet specielt til gouacher, vil du få en fantastisk smuk håndværk.Ca.: The publication of colourful gouaches that are our only representation of the child and the Turk.
Ca.: Udgivelse af farverige gouacher, der er vores eneste gengivelse af barnet og tyrkeren.The gouaches reflect the changes to the mural that are thought to have been added by Hans Kluber in 1568- including all the changes that are influenced by Holbein's dance of death.
Gouacherne indeholder de ændringer til vægmaleriet, der menes at være tilføjet af Hans Kluber i 1568- inklusive alle de ændringer, der er influeret af Holbein's dødedans.Ludwig Iselin's manuscript from 1577, Der Todendantz, the gouaches and Frölich gives us one dialogue for the child and another for the mother/ paintress.
Ludwig Iselin's håndskrift fra 1577, Der Todendantz, gouacherne, og Frölich giver én dialog til barnet, og en anden til moderen/malerkonen.The gouaches are an independent witness about the text, and they appear to use a more local local dialect than our other text-witnesses.
Gouacherne er et uafhængigt vidne om teksterne, og de ser ud til at bruge en mere lokal dialekt end vores andre tekst-vidner.A licence will be needed hereafter for the export of watercolours, gouaches and pastels worth more than ECU 30 000 from their country of origin.
Fremover vil man skulle indhente eksporttilladelse for at kunne udfore akvarel-, gouache- og pastelmalerier til en værdi af over 30 000 ECU fra deres oprindelsesland.The gouaches have been bound in the 19th century but this has been done in a rather random fashion: Right after the preacher and the ossuary follow the child and the mayor.
Gouacherne er blevet indbundet i det 19. århundrede, men dette er sket på ret tilfældig vis: Umiddelbart efter prædikeren og benhuset følger barnet og borgmesteren.The model doesn't explain very well either,how a picture book with gouaches from 1600(which was unknown to Burckhardt-Biederman) can contain a picture of the child.
Modellen forklarer også dårligt,hvordan en billedbog med gouacher fra 1600(som Burckhardt-Biederman ikke kendte) kan indeholde et billede af barnet.This gouaches haven't received much attention, except that Giuseppe Vallardi described them in the book"Trionfo e Danza della Morte" from 1859, where he included a(good) reproduction of the child picture to the right.
Disse gouacher har ikke været genstand for den store opmærksomhed, bortset fra at Giuseppe Vallardi i bogen"Trionfo e Danza della Morte" fra 1859 bragte en(god) kopi af barnet billedet til højre.Burckhardt-Biederman hides this by writing"Painter's family", but the fact is that all our witnesses:Ludwig Iselin's manuscript from 1577, Der Todendantz, the gouaches and Frölich gives us one dialogue for the child and another for the mother/ paintress.
Burckhardt-Biederman skjuler dette ved at skrive"Malerfamilie", menalle vores kilder: Ludwig Iselin's håndskrift fra 1577, Der Todendantz, gouacherne, og Frölich giver én dialog til barnet, og en anden til moderen/malerkonen.Basel's dance of death, Coloured Gouaches Coloured Gouaches Copy from the book"Trionfo e Danza della Morte.
Basel's dødedans, Farvelagte The problem with this model is that it doesn't take the child into account. Burckhardt-Biederman hides this by writing"Painter's family", but the fact is that all our witnesses:Ludwig Iselin's manuscript from 1577, Der Todendantz, the gouaches and Frölich gives us one dialogue for the child and another for the mother/ paintress.
Problemet med denne model er, at den ikke tager højde for barnet. Burckhardt-Biederman skjuler dette ved at skrive"Malerfamilie", menalle vores kilder: Ludwig Iselin's håndskrift fra 1577, Der Todendantz, gouacherne, og Frölich giver én dialog til barnet, og en anden til moderen/malerkonen.Christian IV andKirsten Munk. Gouaches signed by Jacob van Doordt 1623. Sketches for now lost parade portraits; the King is wearing his coronation side-rapier no.3655.
Christian 4. ogKirsten Munk. Gouacher signeret af Jacob van Doordt 1623. Forlæg til nu tabte paradeportrætter; kongen bærer sin sidekårde fra kroningen nr. 3655.The exhibition contains oil paintings and gouaches with motives from ballet, tango and flamenco, and also landscape pictures from Denmark and travel pictures from Venice and Sicily.
Udstillingen vil omfatte oliemalerier og gouacher af ballet, tango og flamenco samt landskaber fra det Danmark og rejsebilleder fra Venedig og Sicilien.This detail is missing on the gouaches as well as in Klingental, which might be another proof that this little painting within the painting wasn't added before Emanuel Boch restored the mural in 1614-1616.
Denne detalje mangler både på gouacherne og i Klingental, hvilket kunne være et bevis for, at det lille maleri i maleriet først blev tilføjet da Emanuel Boch restaurerede vægmaleriet i 1614-1616.
