Examples of using Ropp in English and their translations into Danish
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Ropp confirms the agreement in writing.
Recipient Bertel Thorvaldsen Ropp is grateful that his works are finished.
Modtager Bertel Thorvaldsen Ropp takker for meddelelsen om, at hans værker er færdige.Ropp also owned a pencil-drawn portrait of Thorvaldsen; see here for more details.
Ropp ejede også et tegnet portræt af Thorvaldsen, læs mere om det her.List from after 5.7.1810 The end of 1810 Ropp requests an update on Thorvaldsen's work.
Liste efter 5.7.1810 Ultimo 1810 Ropp rykker for en opdatering på arbejdet.Once Ropp had received all ten works in Courland in 1817, he wrote a letter of profuse thanks to Thorvaldsen.
Da Ropp havde modtaget alle 10 værker i Kurland i 1817 skrev han og takkede Thorvaldsen i rosende vendinger.The commission of Venus According to Ropp family lore, as recorded in Clemen 1919, op. cit., p.
This indicates that if Ropp and Thorvaldsen did indeed view the Venus in Canova's studio jointly at some point in 1805, this cannot have been the event that triggered Thorvaldsen's desire to create a statue of Venus.
Hvis Ropp og Thorvaldsen sammen har beskuet Venus i Canovas værksted på et tidspunkt i 1805, kan det altså ikke have været denne begivenhed, der har udløst Thorvaldsens ønske om at fremstille en Venus.Nor is it even known with certainty that Ropp did in fact return to Rome in 1805, as Thiele claims.
Og endelig vides det heller ikke med sikkerhed, om Ropp faktisk var i Rom igen i 1805, sådan som Thiele hævder.It is possible that Ropp had already seen both Venus and Briseis and Achilles in plaster in Thorvaldsen's studio in 1804, and that he had altered his commission by letter.
Ropp kan have set både Venus og Briseis og Achilleus i gips i Thorvaldsens værksted allerede i 1804, og ændringen af bestillingen kan dermed være foregået pr. brev.Antagelig 2.2.1811 Sender Bertel Thorvaldsen Recipient Theodor von der Ropp Thorvaldsen thanks Ropp for the payment of his works.
Antagelig 2.2.1811 Afsender Bertel Thorvaldsen Modtager Theodor von der Ropp Thorvaldsen takker for betalingen af sine værker.According to Ropp family lore, as recorded in Clemen 1919, op. cit., p.
Om bestillingen af Venus -statuen fortæller Clemen 1919, op. cit., p.In both of these documents, the sculptor writes that Briseis andAchilles was first produced for Ropp, and only afterwards replicato per Conte de Ran[t]zow in Holstein.
Her skriver han begge steder, atBriseis og Achilleus først blev fremstillet for Ropp og derefter"replicato per Conte de Ran[t]zow in Holstein.In 1804-1805, Baron Theodor von der Ropp, a Baltic German nobleman from Mitau in Courland, commissioned ten works by Thorvaldsen.
Baltertyskeren, baron Theodor von der Ropp fra Mitau i Kurland bestilte 1804-05 10 værker hos Thorvaldsen.Hase 1821, op. cit. In approximately 1830, it is clear that at least the two"original" works by Thorvaldsen, Briseis and Achilles and Venus,were installed at Ropp's newly built manor house Pokroy/Pakruojis(south of Mitau, in what is today northern Lithuania) cf.
Hase 1821, op. cit. Herefter blev i al fald de to"originale" Thorvaldsen-værker, Briseis og Achilleus ogVenus omkring 1830 installerede på Ropps nyopførte herregård Pokroy/Pakruojis(syd for Mitau, i det nordlige Litauen) jf.Thorvaldsen insists that Ropp pay for and take delivery of the Jupiter Otricoli bust.
Thorvaldsen fastholder, at Ropp skal betale for og modtage Jupiter Otricoli -busten.The two remaining works are located in the National M.K. Čiurlionis Art Museum in Kaunas, Lithuania. Ropp also owned a pencil-drawn portrait of Thorvaldsen; see here for more details.
De to øvrige værker befinder sig i dag på National M.K. Čiurlionis Art Museum i Kaunas i Litauen. Ropp ejede også et tegnet portræt af Thorvaldsen, læs mere om det her.Automatic Multi head ROPP Cap sealing Machine is a compact model used for sealing of ROPP Caps on the bottle.
Automatisk multi-head ROPP Cap-tætningsmaskine er en kompakt model, der bruges til forsegling af ROPP-cap på flasken.When the works finally arrived in Courlanda few years later, in 1817, Ropp responded that he would naturally pay for the the bust of Jupiter.
Nogle år senere i 1817, daværkerne endelig var ankommet til Kurland, meddelte Ropp, at han naturligvis ville betale for Jupiter-busten.That when, in 1805, Ropp"made his way to Rome to check on the busts[he had ordered, he also] commissioned" the relief Briseis and Achilles.
At da Ropp i 1805"… indfandt sig i Rom, for at see til sine Buster, gjorde han Bestilling…" på relieffet Briseis og Achilleus.If this is accurate(despite the numerous uncertainties),it indicates that Ropp must have sent his new, revised instructions for his commission prior to August 1805.
Hvis dette er korrekt(trods de mange usikre momenter),skulle Ropp have meddelt sin nye, reviderede bestilling før august 1805.It can thus be inferred that Ropp altered his commission at some point between September 1805 and the end of the same year-whether at a meeting in Rome, which could only have taken place after Thorvaldsen's return from Montenero on 21.9.1805, or via a letter that is no longer extant.
Ud fra disse kilder synes det at kunne udledes, at Ropp ændrede sin bestilling i tidsrummet fra september 1805 til slutningen af samme år- enten ved et møde i Rom, i så fald efter Thorvaldsens hjemkomst fra Montenero 21.9.1805, eller ved et ikke længere kendt brev.By this time, Thorvaldsen's assistants were not aware that Ropp had asked to remove the four colossal busts, including Jupiter Otricoli.
Thorvaldsens assistenter var altså på dette tidspunkt endnu ikke blevet informeret om Ropps afbestilling af de fire kolossalbuster, herunder Jupiter Otricoli.Ropp wished to replace four of the busts that he had originally commissioned with"original" Thorvaldsen works, namely, a Venus and a relief of Briseis and Achlles; see, e.g., his letter dated 23.1.1811. According to Thorvaldsen's letter dated 2.2.1811, the four busts to be removed from the commission were all colossal busts.
Ropp ønskede at erstatte fire af de oprindelige bestilte buster med"originale" Thorvaldsen-værker, nemlig en statue af Venus og et relief af Briseis og Achilleus, se fx hans brev af 23.1.1811. De fire afbestilte buster var ifølge Thorvaldsens brev af 2.2.1811 fire kolossalbuster.They must then have been transported to Germany,where Ropp's grandson Joachim von der Ropp was living, over the course of the 1920s jf. jour. nr.
I løbet af 1920'erne må busterne være blevet transporteret til Tyskland,hvor Ropps sønnesøn, Joachim von der Ropp opholdt sig jf. jour. nr.By this time, Thorvaldsen's assistants were not aware that Ropp had asked to remove the four colossal busts, including Jupiter Otricoli, from his commission. The first extant written source for Ropp's final commission is a list that Thorvaldsen penciled onto a letter from Nicolai Abildgaard, which had been sent from Copenhagen on 19.10.1805.
Thorvaldsens assistenter var altså på dette tidspunkt endnu ikke blevet informeret om Ropps afbestilling af de fire kolossalbuster, herunder Jupiter Otricoli. Den første kendte skriftlige kilde til den endelige bestilling er en liste, Thorvaldsen nedskrev på et brev fra Nicolai Abildgaard, som blev afsendt 19.10.1805 fra København. Brevet må være nået frem til Rom i løbet af ca.Thiele does not mention the Venus statue, which he evidently did not know Ropp had also commissioned; norwas he aware that Ropp had cancelled his order of four of the busts.
Thiele nævner ikke Venus -statuen, som han øjensynlig ikke vidste, atRecipient Bertel Thorvaldsen Ropp repeats in writing his commission for 10 marble busts after antique models and the restorati….
Modtager Bertel Thorvaldsen Ropp gentager på skrift sin mundtlige bestilling af 10 marmorbuster efter antikke forlæg og resta….In both of these documents, the sculptor writes that Briseis andAchilles was first produced for Ropp, and only afterwards replicato per Conte de Ran[t]zow in Holstein. If this indicates that Ropp's marble version of Briseis and Achilles had already been commissioned when Rantzau ordered his own this is the assumption at Thiele II, p.
Her skriver han begge steder, at Briseis ogAchilleus først blev fremstillet for Ropp og derefter"replicato per Conte de Ran[t]zow in Holstein". Hvis dette betyder, at Ropps marmorversion af Briseis og Achilleus var bestilt før, Rantzau bestilte sin dette antager Thiele II, p.
