Examples of using Unity gain in English and their translations into Danish
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Unity gain is now easier to dial in on the level control, whilst the tone control now has more treble on tap.
With the 2B, the pedal boost acts as a set gain level,and requires a unity gain level when the pedal is off.
Operating as a unity gain device, the SGI includes discrete Class-A circuitry for excellent sound free from ground loop noise.
This is thanks to adjusting the level control,making dialling in unity gain significantly easier, which is perfect for when you're flipping clip-modes.
Unity gain is at about 2 o'clock, anything above will boost the signal. Tracking: Controls the amount of lag time between direct dry signal and the shifted wet signal.
If you don't have a buffer in the circuit, this unity gain can be wildly affected by the use of other pedals and by long cable runs.
An internal trimmer regulates the output level of the gain toggle switch, letting you choose between a boosted signal or a unity gain when in high gain mode.
Received updates to make it much easier to dial in unity gain Tone: Enables specific adjustment of high-end/treble frequencies.
Its volume control has been enhanced to make it easier to dial in unity gain, while the tone control features and improved high frequency response.
It also features a buffered bypass meaning that your signal will still drive long cable chains when the pedal is switched off andnot require a separate buffer to set your unity gain level.
You can set the Volume control to unity gain, or even apply a slight boost to make up for any perceived volume loss during compression.
A unique feature to the 560A is the'INFINITY+'inverse-compression mode which decreases the audio output level below unity gain, which helps to correct and control mix levels.
A selection of simplistic controls is all you need to shape the pedal's sound,with a level control acting as a booster to allow you to match the unity gain or other effect pedals in your signal chain.
The pedal includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output jack, plusan always-active Dry output jack that outputs your input signal at unity gain.
These reforms, as well as the strength and unity gained in the struggle for their realisation, will make it easier for the working people to deliver the final blow to the capitalist system.
Features Threshold control from -20 to +10 dBu Variable compression ratio from 0 to infinity Adjustable release time from 50m/sec to 3 sec"Old" or"new" compression settings Hard orsoft compression knee Always at unity gain, regardless of settings LED gain reduction meter API 2510 and API 2520 op-amps Transformer output to +28 dBu For more information on the 225L please refer to the PDFs above.
The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio. Duality: Mixes two discrete fuzz circuits.
Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio. Tone: Controls the high-frequency content of the sound.
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