Examples of using Amneris in English and their translations into German
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Raven Amneris is the Grail.
She gave her debut at the Wiener Staatsoper in 1995 as Amneris in Aida.
Amneris and Tutankhamun appear.
Delia and Felix want to listen to Rosie's advice andget in touch with Amneris.
Amneris hopes to be able to rescue Radamès.
But then Rosie will find another Amneris cries together and the whole house and makes the house ghost fixed.
Amneris regrets betraying her beloved.
Her repertoire also includes roles such asIdamante(Idomeneo), Carmen, Eboli(Don Carlos) and Amneris Aida.
Amneris prepares for the victory celebrations.
Bumbry made her operatic debut in 1960 when she sang Amneris at the Paris Opéra; that same year she joined the Basel Opera.
There Amneris makes visible and frightened Magnus enormous.
Shortly after accident Tutankhamun and his real wife, Ankhesenamun,avenged themselves of Amneris, whereupon she and her illegitimate daughter disappeared.
Princess Amneris fears the worst: is Radames in love with the slave Aïda?
She is also equally expressive and vocally dramatic when singing in French andItalian as Eboli, Amneris, Didon, Carmen und Santuzza.
The other threat they face is Amneris, the daughter of the King of Egypt, who is also in love with Radames.
The Egyptian commander Radamès has to decide between his love for her and his loyalty to Pharaoh andthe wedding with his daughter Amneris.
Ramfis leads Amneris into the temple of Isis to spend the night in prayer prior to her marriage to Radames introduction and prayer.
When Victor is Charlotte a room in the attic,looks Luzy the spirit of Amneris in the mirror and insists that Charlotte with her and Mara in the room sleeping.
Amneris reprises her role as a future Pharaoh by convincing her father to let the lovers die in the same tomb, an act of mercy for two people she has come to love.
According to the legend of Tutankhamun and his secret love, Amneris, Tutankhamun built out of love filled her in a secret location in Egypt with a love grave treasures.
Amneris and Radames learn from the Pharaoh that they are to marry in seven days, leaving the captain distraught that his days as an explorer have ended"Fortune Favors the Brave Reprise.
Her much heralded interpretations further range from Amneris in"Aida", the title role in"Carmen" to Serena in"Porgy and Bess" and Nen-Nen in Dominique Legendre's"The Bird of Night.
She has been an ensemble member at Cologne Opera since 1995, where her repertoire includes Lady Macbeth,Clytemnestra(“Elektra”), Amneris(“Aida”) and Eötvös'“Love and Other Demons”.
Roles(Selection)==* Medea in Medea* Tove in Gurre-Lieder* Aida/Amneris in Aida* Azucena in Il Trovatore* Amelia in Ein Maskenball* Ariadne in Ariadne auf Naxos* Elisabetta/Eboli in Don Carlos* Isolde in Tristan und Isolde, as approx.
In the Italian and French repertory as well, however, she is also recognized world-wide as a highly expressive interpreter, both vocally and dramatically,and much sought-after for such roles as Eboli, Amneris, Carmen and Santuzza.
While the two lovers bid farewell to the Earth, Amneris clothed in mourning robes, prostrates herself on the stone covering the entrance to the vault and beseeches the gods to grant peace to the man buried below. Venue.
She performs frequently at the Metropolitan Opera and the SanFrancisco Opera and many other opera houses in roles including Cinderella in"La Cenerentola", Marguérite in"La damnation de Faust", Eboli in"Don Carlos", Principessa in"Adriana Lecouvreur", Carmen in the opera of the same name, Marfa in"Khovanshchina", and Amneris in"Aida.
Previous season highlights include works such as The red Lantern by Christian Jost in the Zurich Opera House, Carmen at the Deutsche Opera Berlin, Judith in Bluebeard's Castle in the Vienna Festwoche as well as Lalos La Jacquerie at the Festival de Montpellier,Charlotte at the Liceu Barcelona and Amneris at the Théâtre Royal de la Monnaie in Brussels.
The winner of a number of international singing competitions, she began her professional career with permanent contracts at the Karlsruhe Staatstheater and at Vienna's two leading opera houses, before joining the Mannheim Nationaltheater, whereshe remained from 1993 to 2003, performing a repertory that included Eboli, Amneris, Santuzza, Countess Geschwitz, Venus, Ortrud and Kundry.
Characteristic statement:"Anna von Mildenburg was the first person through whose artistry Mahler was able to show the great female figures of the music drama in their entire shattering power: Brünnhilde and Isolde, Ortrud and Elisabeth, Fidelio, Gluck's Clytemnestra and Donna Anna;and also Amneris and Amelia, Milada in Dalibor, Pfitzner's Minneleide and Santuzza.