Examples of using Bramkamp in English and their translations into German
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Colloquial
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Ecclesiastic
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Medicine
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
Bramkamp is her name.
The first full-length feature film by Robert Bramkamp.
Nevertheless, Bramkamp leaves the building and heads down the street.
Alexander Kluge in conversation with Robert Bramkamp about PRÃ FSTAND 7.
Robert Bramkamp is a filmmaker and professor at the University of Fine Arts Hamburg.
People also translate
Complete conversation between Robert Bramkamp and Sabine Riker Stuttgarter Zeitung.
Professor Bramkamp explains the cooperation with the DRK Göppingen at the Film Art Girls.
For 25 years the German filmmaker Robert Bramkamp has been caught between two stools.
Finally, Professor Bramkamp gives an outlook on his own life, which a film can develop in interaction with viewers after its completion.
The above-mentioned Germanic people from Essen are men whomeet dressed up somewhere in the forest of PeenemÃ1⁄4nde. But Bramkamp wouldn't be who he is if he didn't bring this all together.
In this chapter, Professor Bramkamp talks about the importance of sound design.
Teaching alongside me- in the same refurbished wing of an old hospital- are Professor Wim Wenders(fiction), Robert Bramkamp(experimental) and Udo Engel animation.
Featuring a garden and a terrace, Bramkamp Pension offers quiet accommodation in Dallgow-Döberitz.
Robert Bramkamp studied German studies from 1982 to 1988 at the Westfälische Wilhelms Universität and film at the Kunstakademie Münster, and was subsequently a student of Prof. Lutz Mommartz.
This unit presents the audiovisual sketch in which Robert Bramkamp and Inga Busch present the Art Girls project in moving image and sound.
Robert Bramkamp is a professor for experimental film at the film department of the HfbK Hamburg, which offers artistic BA- und MA-degrees in filmmaking.
After working as an independent director, cameraman and director, he completed a Master of Fine Arts qualification in film at the Hochschule für bildende Künste(HFBK) Hamburg,with Robert Bramkamp.
Of course, chef de cuisine Klaus Bramkamp and his team added a touch of big city glamour to the original recipe.
Film critic and author Georg Seeßlen talks about the attraction of being able to tell afilm on the occasion of a panel discussion with Robert Bramkamp, Susanne Weirich, Michaela Ott and Belinda Grace Gardner moderation.
The director Robert Bramkamp and the artist Susanne Weirich have once again tackled the dilemma of the contradictions inherent between localism and globalization.
Starting from a sequence in the film Art Girls, in which real DRK volunteers in Göppingen play themselves in a fictional catastrophic situation and show their work processes,Professor Bramkamp strikes the bow from documentary fiction about catastrophe film to other genres.
In this unit, Professor Bramkamp explores with his film Art Girls how moments of the depiction and embedding of reality can be embedded in a"fictional" framework.
Hamburg Short Film Festival director andjournalist Birgit Glombitza in conversation with Robert Bramkamp about her vision of the film festival as a multi-disciplinary platform for developing, presenting and debating innovative audiovisual work.
Klaus Bramkamp serves the„Kirschmichel“, a baked pudding made of bread, milk, eggs and cherries, in a jelly jar, accompanied by a rhubarb chutney he sweetens with balsamic syrup, just to refine it with a touch of chilly.
Using works of art by Maren Strack and Susanne Weirich,Professor Bramkamp explores possible interactions between feature film plot and media art, which are not strictly structured according to linear-narrative patterns.
Because Bramkamp wanted to film sequences of the novel, he had to ask permission from the reclusive US American author- the fact that he received this and therefore had proof of contact with Pynchon was in turn good for the film.
We interviewed these Germanic people from Essen", Bramkamp says and tells Kluge how Germanic warriors would sever their hand if they survived a battle in which they should have died:"Those who should have been dead but live hack of their hand.
In this chapter, Professor Bramkamp and sound supervisor Silvio Naumann explain various sound elements such as O-tone and atmo, describe the importance of a clean recording as a starting material and how the elements are processed and joined together in the mixture.
The manner in which Bramkamp plays a myth along, in which he amalgamates it with the authentic life stories and difficulties of the people of the Lakeside Sports Club, gives the myth its reality back.
In this chapter, Professor Bramkamp uses the video installation"Angels in Chains" by Susanne Weirich to show how the narrative becomes as complex and multi-dimensional as the space in which it is staged through polyphonic narrative instances, typecasting, temporal overlay and the dissolution of authenticity boundaries through reenactments.