Examples of using Hatoum in English and their translations into German
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Ecclesiastic
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Official/political
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Political
Installation by Mona Hatoum, created in 2000.
On the photo, curator Nadira Laggoune(left) and Mona Hatoum.
Mona Hatoum: I don't think one should see my work in these terms.
On show are Maria Eichhorn, Bernd and Hilla Becher, Mona Hatoum, and Manfred Pernice.
Exhibition by Mona Hatoum, 17 March- 27 May 2012, Arter- Space for Art, Istanbul.
The retro-looking show features works by Jan Fabre,Mona Hatoum, Kendell Gers and many others.
Early life==Mona Hatoum was born in 1952 in Beirut, Lebanon to Palestinian parents in 1952.
Exhibition of the Fondazione Querini Stampalia: Mona Hatoum- Interior Landscape. Curator: Chiara Bertola.
Mona Hatoum has long been regarded in Great Britain and the U. S.
The spatial installation Short Space II by Mona Hatoum was reinstalled in a side room especially for this exhibition.
Mona Hatoum was born to Palestinian parents and brought up in Beirut and is a British subject.
In two of his books,"Dois Irmãos" and"Cinzas do Norte", Milton Hatoum made a subtle criticism of the Brazilian military regime of 1964-1985.
The title of this fifth presentation of works from Sammlung Goetz at Haus der Kunst isborrowed from an early video work by Mona Hatoum from 1983.
Weiss, Sigmar Polke, Maria Lassnig, and Mona Hatoum, all of whom are represented in the Deutsche Bank Collection with numerous works.
The Board of the Roswitha Haftmann Foundation in Zurich is pleased to award the RoswithaHaftmann Prize(worth CHF 120,000) to Mona Hatoum.
Following in the footsteps of Walter de Maria, Maria Lassnig,Jeff Wall and Mona Hatoum, Robert Ryman is the fifth winner of the Roswitha Haftmann Prize.
The Board of the Roswitha Haftmann Foundation in Zurich is pleased to announce that in2004 the Roswitha Haftmann Prize(worth CHF 120,000) will go to Mona Hatoum.
The son of Lebanese immigrants, Milton Hatoum was born in 1952 in Manaus and, in spite of his meagre opus, is one of Brazil's most eminent authors.
Mar 2015 Photos From 28 March- 14 June 2015 Fundación Proa presents the first exhibition bywidely recognized contemporary artist Mona Hatoum ever held in Argentina.
A colour photograph by Mona Hatoum titled"Van Gogh's Back"(1995) shows a hairy back lathered in a generous amount of soap made into patterns of elegant swirls reminiscent of the Dutch artist's signature brushstrokes.
Born in 1938 in Riga, Vija Celmins is the third female artist to win Europe's most valuable distinctionof its kind, joining an illustrious group that also comprises Maria Lassnig and Mona Hatoum.
The spectrum ranges from“modern classics” including Mona Hatoum and Markus Lüpertz to younger artists, such as the Finnish photographer Ola Kolehmainen and the Turkish artist Nilbar Güreş, whose work explores the clichés of female roles and the social realities in her native country.
Inke Arns«Social Technologies Deconstruction, subversion, and the utopia of democratic communication» 1998, Kutlug Ataman(«Never My Soul,» 2001)and Mona Hatoum«Measures of Distance,» 1988.
In a world driven by contradictions, geopolitical tensions anddiversified aesthetics, Mona Hatoum offers us an output that achieves unrivalled universality, a body of work that has become a"model" for numerous contemporary artists.
Yet Hatoum rarely refers explicitly to her background, such as in"A Thousand Bullets for a Stone"(1988) on the first Palestinian Intifada, and"Measures of Distance"(1996), which relates the artist's conversations and correspondence with her mother.
The publication brings together works by Lee Bontecou and Joseph Beuys; Minimalist and Conceptual works by Donald Judd and Hanne Darboven; detailed narrative drawings by Elizabeth Peyton and John Currin; collages by Amelie von Wulffen,Mona Hatoum, Lucy McKenzie, and Paulina Olowska; and large-scale installations by Nate Lowman and Ján Mancuska, to name just a few.
The spectrum ranges from"modern classics" including Mona Hatoum and Markus Lüpertz to younger artists, such as the Finnish photographer Ola Kolehmainen and the Turkish artist Nilbar Güreş, whose work explores the clichés of female roles and the social realities in her native country.
Through the photographs by Elina Brotherus and Laura Letinsky, and the videos by Charlotte Åberg, Wim Delvoye, Doris Drescher, Annette Hollywood and Gillian Wearing, as well as through the installations of Didier Bay, Nathalie Caron and Charles Guilbert, Donigan Cumming, Jean Dubois,Mona Hatoum, Sylvie Laliberté, Hajnal Németh, and Pipilotti Rist, of which some have been realised specifically for the occasion, the exhibition puts forth attempts of an intimate dialogue between the work/the artist and the viewer/the person who confides.
Further works by Mona Hatoum featured in different articles and presentations of exhibitions, published in Universes in Universe- Worlds of Art along the years, including her large-scale installations at the 51st International Art Exhibition of the Venice Biennale 2005, and the 8th Sharjah Biennial, 2007.
However, while works of Western artists such as Damien Hirst orMona Hatoum can be grasped within the most diverse schemas of reading, an eastern European artist, on the other hand, will always be expected to put a corpse, as an object of art, into the post-socialistic context: war, totalitarianism, etc.