Examples of using Maderna in English and their translations into German
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Political
Bruno Maderna- Bruno Maderna: Complete Works for Orchestra, Vol.
He started his activity as a conductor as well,founding the Nuovo Ensemble Bruno Maderna in Florence.
Maderna strives for combining this ultimacy and hopelessness with earthy bodies, as if they had always been there.
If I look back at those years- he was to say- I feel gratitude to three people:Ghedini, Maderna and Pousseur.
Maderna”with Metamorphosis, the festival aims to promote the music of the twentieth century and contemporary art.
Gustav Mahler»Symphony No. 9 D major«Pierre Boulez»Rituel for Orchestra(in memoriam Bruno Maderna, 1974/1975)« et al.
Maderna likes to see her works integrated in natural space; by means of observing nature, she gains her own vision of things.
We invite you on February 26- the birthday of Osmar Maderna, pianist(1918 -1951) considered by his contemporary Chopin, tango.
Andreas Maderna of the bakery Grimm successfully defended his title as Kaiser Roll Champion 2016 and was again able to celebrate victory.
At the Darmstadt International Summer Courses for New Music he participated in further composition studies with Wolfgang Fortner,Karlheinz Stockhausen und Bruno Maderna.
Hans Swarowsky, Bruno Maderna and Herbert von Karajan were among the teachers who enabled him to perfect his conducting skills.
He became interested in electronic music, co-founding theStudio di Fonologia, an electronic music studio in Milan, with Bruno Maderna in 1955.
Composers such as Pierre Boulez and Bruno Maderna promoted his music, which subsequently became more widely performed and published.
Berio and Maderna founded together the Studio di Fonologia Musicale(1955) where Mutazioni, Perspectives and Thema(Omaggio a Joyce) as well as Différences were composed.
His directing credits include an interpretation of the opera Satyricon by Bruno Maderna and the play L'Illusion Comique by Pierre Corneille.
Other composers, such as Bruno Maderna and Mauricio Kagel, took sections from earlier works and inserted them into new ones like building blocks.
He studied music and English literature at the University of Wales, Bangor,and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy.
Luigi Nono(1924-1990) was-in addition to Luigi Dallapiccola and Bruno Maderna- one of the pioneering sound artists in post-fascist Italy after World War II who regarded serial techniques as a musical language of resistance and made such techniques the means of expression for a realistic, politically aware, and at the same time«avant-garde» art.
Commissions and First Performances were established in the 1950s and 1960s and included works by Stravinsky(Canticum Sacrum, guest conducted by Robert Craft, in 1956), Bruno Maderna, Luigi Dallapiccola, Peter Maxwell Davies, John Tavener, Anthony Milner, Stanley Glasser(sung in Zulu), Christopher Brown, Geoffrey Burgon and his own pupil Nicholas Maw.
He studied with Franco Ferrara, Hans Swarowsky and Bruno Maderna in Rome, Vienna and Salzburg and was Assistant to Herbert von Karajan and the Berlin Philharmonic for three years in Berlin and Salzburg.