Examples of using Mpressor in English and their translations into German
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It is quite amazing how much'mpressor' character it has.
What makes the mpressor especially interesting, to begin with, is the range of its parameters hardly to be found on any other compressor.
The fact that you can also set negative ratios with the mpressor makes very extreme effect sounds possible.
The mpressor solves these problems by using an analog dynamic variant that combines the benefits of both VU meters and LED chains.
Listening to the sound samples indicates a smoother bass track--mpressor is working in a very'pro', old-school mixing manner here.
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At the moment, the mpressor is available in its 1.0.2 release in VST, RTAS, AU and TDM, but it requires an iLok dongle for the authorization.
With its many special features like negative ratios,Niveau Filter and the efficient Gain Reduction Limiter the mpressor convinces all along the line.
The mpressor plugin benefits from higher sample rates in two ways: In the first place, it can react to changes in the source signal faster, which is especially important if a short attack time is set.
If a slower attack time between 70 and 100 ms is chosen andthe Auto Fast knob is engaged in addition, the mpressor will react to fast and loud signal peaks with an automatic shortening of the attack time.
In other words: The mpressor is not just the‘big hammer' you can use to bash your audio material, but it can also be a filigree tool to enhance the dynamics while keeping its‘natural' structures.
The same brain trust that designed the Brainworx plug-ins did all the development andtranslated the all-discrete circuit design of the mpressor compressor to a software emulation that runs as TDM/RTAS, VST and AU plug-in.
It truly is a glimpse at the future of compressors, and even fifty years from now I am not sure we will see an all-analogbox that can do all the amazing things the mpressor can do….
My earlier favorites, the Chandler TG 12413 and the Tubetech CL1B for Powercore now have to face a serious rival,as because of its special features the mpressor beats them as an allrounder with a good lot of esprit.
But while it can certainly handle routine compression tasks, the mpressor is also intended for significantly more creative applications- and elysia use words such as‘fat' and‘freaky' to describe its capabilities.
Because of the extremely fast attack and release times, the integrated limiter and lastbut not least the EQ, it's hard to think of an application that the mpressor could not cope with- not to mention its potentials as a sound shaper.
Loading the mpressor into an insert slot of the DAW instantly strikes with a clean and tidy user interface which looks pretty much the same as the hardware and shows a single side of the hardware layout.
This fact alone would convince some colleagues already, maybe not for the price,but it is worth noticing that the mpressor is a great compressor for single signals and subgroups as well, even if you keep the slightly hidden bag of tricks closed.
One thing is obvious very fast: the mpressor is no easygoing exponent of its kind, but an agile creative tool that does not want to hide what it is doing, but loves to show it candidly instead- and we are talking about great potentials here.
In order to sound a bit different than the"I compress every signal in my production at least 5 times" mixes, especially drums andother percussive signals can be enhanced with the mpressor excellently, even if the amount of compression is not so high.
With their alpha compressor and mpressor, Ruben Tilgner and Dominik Klaßen have produced evidence that well-done high end solutions made in Germany are sought after in the world wide pro audio market.
Already since the 2010 the manufacturer offers the xpressor 500, which is an affordable VCA style compressor in module format for API's 500 series, inheriting quitesome of the genes of its bigger brothers, the alpha compressor and the mpressor.
The mpressor by elysia cultivates the control possibilities of a compressor on the highest technical level beyond every standard dimension and offers the pleasures of dynamic rollercoaster rides that so far no other unit has to offer.
Actually, elysia is known for their high end analog studio equipment,but from now on, the mpressor is not only available for studio owners who are able to raise the cash for the hardware, but also as a much more affordable software plugin.
The mpressor doesn't use an input transformer: instead, the circuitry is designed to behave as much like one as possible, with good common-mode rejection and low capacitance, to prevent loading the input at high frequencies.
Considering that as a plug-in you can have multiple instances of its processor-friendly 32-sample latency design, I would venture to say that what theDistressor has become to modern recording, the mpressor plug-in may well become to in-the-box mixing.
Furthermore, the mpressor offers a special equalizer(the so called"Niveau Filter") that is designed to achieve its maximum effect with a minimum feature set: The complete frequency range is tilted around a selectable center frequency, reminding of a pair of scales.
With its feed forward control, class-A audio paths,fully discrete design and without transformers in the audio path, the mpressor speaks a very modern"language": it basically aims at transparence and dynamics and not so much at typical vintage saturation effects- but with certain settings it can be overdriven as well.
If the mpressor is used on group channels with a longer attack time, an additional semi-automation called Auto Fast keeps track of the input signal: If a signal with a short, very loud attack appears, the mpressor will react with reducing the attack time only for this critical passage.
Since the launch of its flagship models-which also include a creative compressor called mpressor and a program equalizer called museq-elysia surprised the market with more affordable products by using surface-mounted technologies and machine construction instead of hand-built manufacturing.
A compressor usually works in linear or logarhithmic mode, whereas the mpressor reverses this process: At the beginning of the compression phase the release time stays longer and it becomes faster not before the input level drops significantly- drastic and"effective" results occur, and the elysia mpressor"grooves" completely different then.