Examples of using Performance practice in English and their translations into German
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Colloquial
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Medicine
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Ecclesiastic
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Computer
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Programming
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Official/political
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Political
Levin explains important aspects of Haydn's performance practice.
He will spend almost a week discussing performance practice and issues of interpretation with young conductors.
Tobias Koch became known for his specialization in romantic performance practice.
She was also already interested in historical performance practice and playing on historical instruments.
Numerous, unauthorized entries by Julius Rietz thus found their way into performance practice.
In her dance and performance practice, Martin seeks means to utilise the critical and subversive potential of the process of ageing.
The following is another alternative suggested for performance practice in music schools.
From performance practice to dramaturgy, concert presentation and management, and also for careers in journalism and the media.
From 3 to 7 May Deborah Hayis giving a workshop on the relationship between perception and performance practice.
Lively Bach interpretations, inspired by historical performance practice, are the main focus of the work.
Elizabeth received her BA from Bennington College in Vermont,where she focused on improvisation as a performance practice.
It seems that historical performance practice can provide a vigor that corresponds to the current need for aggressive and extraverted performance. .
The way he conducts Beethoven's Coriolan Overture in the beginning should drive historic performance practice purists crazy.
Insight into historical performance practice, comparative presentations of different playing techniques, and contact with instruments from all epochs set a new standard for didactic concepts.
Wrixling is commissioned and produced by Contemporary Art Centre(CAC), Vilniusas part of Corpus, network for performance practice.
She is deeply involved with historical performance practice, head and concertmaster of"Concerto con Anima", an orchestra playing on period instruments, and she is Primaria of the"Pleyel Quartet" Cologne.
As part of his editorial work for G. Henle Publishers,studying sources led him to historical performance practice and the transverse flute.
In particular, it contains numerous shorter and longer references to performance practice conditions, and conveys a picture of Venetian Baroque opera which could hardly be more vivid, varied or enthusiastic.
His repertoire reflects an interest in little-known works from the barock to the romanticperiods and historical performance practice.
The conductor's artistic credo, that what matters for historical performance practice is not the sort of instrument you play, but the way and the style in which you play it, is one that Sebastian Knauer fully subscribes to.
Firstly, it is based on the latest research regarding evaluation of the sources, performance practice and the historical context.
Performance Practice in Contemporary Music, the specialised curriculum which Klangforum teaches as part of its professorship at the University for Culture in Graz, endeavours to pass the ensemble's skills and knowledge on to a young generation of musicians.
In 2002 the conductor William Christie, one of the“popes” of the historically informed performance practice movement, founded his“Jardin des Voix”.
After training as a classical musician and playing in various orchestras and ensembles,she specialized in spatial performances and innovatory performance practice.
The yearly concert of Klangforum Wien with the students of PPCM- Performance Practice in Contemporary Music at the MUMUTHwill this year foreshadow PPCM's newest extension: PPCM vocal, a program directed by Holger Falk.
As one of the main creators of the hugely successful music software Ableton Live, he has had an integral part in redefining performance practice in electronic music worldwide.
The repertoire, the pinning of the barrel,the musical information deducible from the pinning, and the possible consequences for performance practice.
Furthermore, they will describe Lachenmann's orchestral work and record key information for the works' performance practice and playing techniques for musical posterity.
Müller-Wieland wrote this work for the pre-Christmasconcert"Advent in Different Centuries" of the Institute for Historical Performance Practice of the University of Music in Munich.
In addition to maintaining internationalconcert and opera engagements, he regularly works as a tenor soloist with Akadêmia France and teaches historical performance practice and singing at the Early Music Summer School in Valtice.