Examples of using Piene in English and their translations into German
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Otto Piene and many more.
Progressing from works with floating light objects andfilled balloons already made in the framework of ZERO, Piene developed his“air sculptures” in the late 1960s.
Piene has been working for Rosenthal since 1972.
The old, for Piene, is the dark.
Piene departed from figuration quickly.
People also translate
The sun(with it the light), the fire, the circle, the iconographic intersection of the Heliogabal are meant to bring the work closer to the cosmos of Otto Piene's work andto be understood as a tribute to Otto Piene.
Otto Piene was a German artist.
The collaboration between the two artists was conveyed by the Parisian historian and author Ante Glibota,author of comprehensive publications on Arrabal and Piene, and recorded as a witness to the artistic work in a fundamental text.
Piene, Mack, and Uecker formed the ZERO triumvirate.
As a result of his close connections with contemporaries like Peter Weibel,Otto Piene and Herbert Bayer, established over many years of communication, the artist's oeuvre is developed through language, an important medium for Claus.
Piene would spray flammable fluids onto the canvas and ignited them.
Following his studies at the art academies of Munich and Düsseldorf, as well as a courseof studies in philosophy in Cologne, towards the end of the 1950s, Otto Piene, together with Heinz Mack and Günther Uecker, was one of the founders of the ZERO movement in Düsseldorf.
Arrabal then wrote ten poems for Piene, ia. with the titles“Maw of Hell”,“The anchor of the Vertigo”,“Ocean Passage” or“The island that fell into a star”.
Uwe Obier, the former director of the Städtische Galerie, regularly added works by Werner Bauer, Hartmut Böhm, Victor Bonato, Günter Dohr, Rolf Glasmeier, Heinz Mack, Christian Meggert,Otto Piene and Timm Ulrichs to the collection since the 1960s.
She exhibits together with Otto Piene and Heinz Mack with the artist group ZERO, but is also represented in exhibitions by the artists' associations Junger Westen and Gruppe 53.
Conflict and cooperation between the avant-garde and the mass media in the 1960s and1970s» Gate Cologne»-a happening in the studio Otto Piene and Aldo Tambellini's«Black Gate Cologne,» 1968, is often called the first TV art broadcast.
Despite his great age, Piene still had many plans, and continued to commute tirelessly between the US- where he lived with his wife on a farm in Groton(Massachusetts)- and Germany.
Many thanks to the associate gallery director Judith Plodeck introducing our participants to the history and program of SPRÜTH MAGERS and guiding us through the exhibitions SHE HAS NO MOUTH by Pamela Rosenkranz, LAKE IN THE SKY byLucy Dodd& LIGHT BALLET by Otto Piene.
With support from sponsors, the ZERO Foundation, founded by Mack, Piene, and Uecker, has now had the studio house- which has remained virtually unchanged since the 1960s- renovated, and will take up occupancy there in 2018.
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s» And the year before that, WDR Cologne had opened its new TV studio for electronic image manipulation with the elaborate«Black Gate Cologne» intermedia event,staged by the artists Otto Piene and Aldo Tambellini.
Along with Mack and Piene, Uecker belonged to the ZERO group- a cooperative, a coming together of collective and the individual, an association for personal goals, based on an'uneasiness which should be seen as part of our post-war experience.
He photographed artists like René Magritte, Gerhard Richter, Günther Uecker,Otto Piene, Heinz Mack, Georg Baselitz, Joseph Beuys, Gotthard Graubner, Lucio Fontana, Henry Moore, or Man Ray to name but a few.
Otto Piene and Aldo Tambellini's pioneering television happening«Black Gate Cologne»(1968) illustrates the extent to which the wealth of options to act and intervene could be undermined by artistic concepts and produce a passive audience response.
The only chance for Fine Arts I see, is the deliberate use of the medium TV.»[44] And the year before that, WDR Cologne had opened its new TV studio for electronic image manipulation with the elaborate«Black Gate Cologne» intermedia event,staged by the artists Otto Piene and Aldo Tambellini.
Founded by Heinz Mack and Otto Piene in 1957- they were joined shortly thereafter by Günther Uecker- the artists rejected the big gestures of Informalist painting and set off with further colleagues in search of new pictorial formulations.
Affiliated with the Department or closely connected to it are the Gerhard und Margarethe Hoehme-Stiftung with the artistic legacy of Gerhard Hoehme and the ZERO Foundation, in which since 2005 large work groups and important archive material of the artists Heinz Mack,Otto Piene and Günther Uecker are kept and studied.
Otto Piene consecutively developed three forms of‘light ballet':'archaic light ballet'(1959) based on torches and perforated cardboard;‘mechanical light ballet'(1960) requiring the visitors to operate cranks to set light objects slowly moving;‘automatic light ballet' with electrically powered dynamos.
Presented here were such artists as Harry Kramer,Otto Piene, Heinz Mack, Jean Tinguely, Günther Uecker, and the Zero group, which, although not mentioned by Haftmann in his introduction, was definitely one of the most innovative and experimental presentations at this documenta.
Piene called first as a ZERO artist in Germany, then as the creator of Sky Art in the vastness of America's landscapes to leave the sky as the atmospheric shell of the earth and the mythical seat of the gods not the fire and the destructive power of the war weapons, but to conquer him spiritually with imaginative power.
Works by former lighting art pioneers such as Otto Piene, Uli Pohl(both active in the Zero group) and Dan Flavin on the light art of the 1980s and 1990s with works by Gianni Colombo, Ingo Günther and Cork Marcheschi and contemporary works by light artists such as François Morellet and Mischa Kuball, the sculpture museum offers a broad overview of the history of light art and its development.
