Examples of using Rantala in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
For Rantala this tune is a memory of a formative childhood moment.
But competing is not enough, says Lance Rantala, the co-ops chief executive officer.
Rantala and Wakenius always play Stevie Wonder's"Sir Duke" as the encore at their concerts.
Request here your reservation for the holiday-home holiday home"Rantala, kaavi lomakeskus.
The Finn Iiro Rantala is a kindred spirit in this respect, as can be heard in the duet"Suffering.
The three pianists Leszek Możdżer,Michael Wollny and Iiro Rantala are a dazzling trio.
Iiro Rantala is on fine form in the"super-trio" with Lars Danielsson and Peter Erskine.
The idea first emerged in October 2015, when Rantala and Wakenius stopped off at the Philharmonie in Berlin.
Rantala's playing has undergone a major transformation in the time that has elapsed since the wild days of Trio Töykeät and the recording of"Lost Heroes.
He certainly does that on this album in a duo with Iiro Rantala-‘White Moon', a composition by his most important early teacher Chris Beier, who was also the first to spot Wollny's potential.
Rantala is aware of the risk he has taken with"Anyone With A Heart":"In former times, for example with the Trio Töykeät, it was all about saying:"Look at us!
Such were the first concert in December 2012, also available on CD, with the magical trio of pianists Michael Wollny,Leszek Możdżer and Iiro Rantala, and this fourth evening entitled"Norwegian Woods.
His recent chamber partners include Iiro Rantala, Anne Sofie von Otter, KimmoPohjonen, Nicolas Altstaedt and Kuusisto's traditional music group, The Luomu Players.
And the other ACT stars on this album demonstrate what a kaleidoscope of colours, a diversity of styles and and lively cosmos Hendrix's pieces can become: whether it is Bugge Wesseltoft transforming"Angel" into a tender solo piano ballad,or his Finnish pianist colleague Iiro Rantala in a trio with Lars Danielsson on bass and Peter Erskine on drums on"Little Wing.
On"Tears for Esbjörn", Rantala captures in a very personal way the shock that the tragic and premature death of the pioneering"pop star of jazz" triggered throughout the whole world.
On this track, and throughout the whole album, what may well sound effortless is in fact the result of a long andexacting process by which Rantala- in close discussion with producer Siggi Loch- has worked scrupulously on transforming the original material.
Wollny also plays"White Moon" in a duo with Iiro Rantala recorded live at the Philharmonie in Berlin, and this reflects the mission of ACT to present exceptional and pre-eminent jazz pianists to the widest possible audience.
Rantala and the Bremen musicians are well aware of the contrasts and tensions in their dialogue, such as when the pianist takes up the theme in the march-like allegro maestoso, and then progressively shapes and hones it, and takes it through to the broad sweep of the development section and the cadenza.
The solo recording"My WorkingClass Hero" is a dialogue with many dimensions: between Rantala and the instrument, between the room and its acoustics, with jazz legacy and pop history, and plainly between the pianist and his icon John Lennon.
Iiro Rantala and Michael Wollny created an ethereal musical moment in their dialogue on two grand pianos on"Jazz at the Berlin Philharmonic" in December 2012:"Tears For Esbjörn" is a poignant homage to the piano visionary Esbjörn Svensson, who died in 2008.
Bassist Dieter Ilg with his regular trio interpret Beethoven; Iiro Rantala plays John Lennon's"Imagine" alone at the piano; saxophonist Rudresh Mahanthappa, a 3-time Downbeat winner in 2015, honours the great Charlie Parker with"Bird Calls.
With"my history of jazz" Rantala places himself at the head of a new pianist generation that liberates itself from the inflated cult of the"all new" and instead returns to build on the old jazz tradition of studying the great inventors of the genre, of admiring them and of using them for one's own sound.
Given a contemporary setting by a one-time-only all-star band,Iiro Rantala, who, from his Lost Heroes to his homage to John Lennon, has always had a penchant for musical hero worship, takes centre stage on piano, as it were.
Rantala predicts that any separation of the genres will have ceased to exist in a few decades' time- and the other pieces on this recording apart from the Mozart piano concerto follow that principle: there are, for example, solo interpretations of Leonard Bernstein's"Candide Overture" and John Lennon's"Imagine", as well as arrangements of Rantala's own compositions with orchestral accompaniment.
It was also a return to his classical roots: Rantala not only studied in the jazz department of the Sibelius Academy in Helsinki, he also learned classical piano at the Manhattan School of Music in New York.
When pianist Iiro Rantala won the German Record Critics Award three years ago with his ACT and solo debut"Lost Heroes", following it up with the ECHO Jazz and thus abruptly launching himself into the top ranks of Europe's jazz musicians, he could have taken the easy way out and simply made another solo album.
Alongside Svensson, Bałdych and Rantala, the Norwegian saxophonist Marius Neset with"Prag Ballet" is another example for the"Sound of Europe" which the ACT label has welcomed into its fold since the start.
For this unique mix of various moods,focused entirely on melodies, Rantala found congenial comrades-in-arms: the delicate Danish drummer Morten Lund, who has proven his extensive understanding of jazz with, for example, Italians like Enrico Rava, Paolo Fresu and Stefano Bollani.
For piano enthusiasts it may be a bonus that Rantala makes use of two other, fantastic pianos on this album, alongside the Steinway from Tia Dia Studios in Sweden's Mölnlycke:"September Song" resounds from Alfred Brendel's Steinway D,"Caravan" from the Bösendorfer Imperial from the Montreux Jazz Festival.
European Parliament rapporteur Ruth Hieronymi and Olli-Pekka Rantala, Chairman of the Council's Audiovisual Working Group, as well as Gregory Paulger, Director, DG Information Society and Media, will participate in the presentation and they will present their views on the two opinions.