Examples of using Specker in English and their translations into German
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Colloquial
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Medicine
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Computer
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Programming
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Official/political
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Political
Specker and Spegger, today also Spöcker.
With a contribution by Reinhard Braun and Heidi Specker ger./eng.
Heidi Specker, Fiegen; Pfütze, from the series: Re-prise, 2015.
Georg Nöbeling:"Verallgemeinerung eines Satzes von E. Specker Generalization of a Theorem by E. Specker.
Heidi Specker, Mostra 1; Mostra 2, from the series: Re-prise, 2015.
Bangkok is a source. Within the framework of Artconne Xions Heidi Specker plunged into the Thai megalopolis.
Heidi Specker, Fenster 1; Fenster 2, from the series: Re-prise, 2015.
To present those connections in strong imagery, Heidi Specker makes use of abstraction, just like in her earlier works.
Heidi Specker speaks-not only visually-about the world in a different way.
The marshes east ofLake Müritz on the way between Boeker Sender, Specker Horst and Schwarzenhof are a very special experience on this bicycle trail.
Heidi Specker, Ultimatum alla Terra, Motif I, from the series: TERMINI, 2010.
Detail shots of façades, the head-scarf of a girlfriend traveling, a silver bowl in Giorgio de Chirico's apartment in Rome-several images and a text in this bookstake out the terrain in which the photographic strategies of Heidi Specker are brought into play.
View cart"Heidi Specker: Fotografie" has been added to your cart.
The PID generator was developed within the Competence Network for Paediatric Oncology and Haematology as a tool for the generation of pseudonymic patientidentifiers Reng, Debold, Specker, Pommerening: Generic Solutions to Data Protection for Research Networks in Medicine.
Heidi Specker, PARTICLE THEORY, 1998; Ballroom, from the series: TERMINI, 2010.
Press release Starting with her observant attentiveness and her precision in seeing, coupled with the montaging, grouping, and sequencing of the images created,since the 1990s Heidi Specker has been generating visual narratives that at once disassemble and reassemble, dissolve and recompile her spaces of interest through the images.
Heidi Specker gives»Le pigment de la lumière« a heightened sense of presence in her photography.
Among the Simmental cows, Wille daughter Birte owned by Ludger Specker won while WIT Damaris(s. Valentino) owned by Thomas Wiethege captured the title among the Jerseys.
Specker photographs buildings or architectural details, and later scans and processes them.
The interest of Berlin based artist Heidi Specker follows architecture, which she extends towards interior and(so far) to portrait by content.
Specker photographs buildings or architectural details in order to scan and process them later.
Landscape architects atelier le balto,artists Christoph Keller and Heidi Specker, and architecture professor Norbert Palz(Universität der Künste, Berlin) were invited as guests to discuss with the students within the symposium.
Specker makes an effort to conceal as little as possible- neither the intimacy between herself and the person in front of her camera nor the impossibility of achieving intimacy at certain moments.
In summer it is an ideal starting point for hiking, mountaineering, cycling and motorbike tours.Pension Specker is located at the foot of Latemar and Rosengarten mountains, in an idyllic spot, surrounded by beautiful forests, meadows and pastures in the heart of the Dolomites.
Pension Specker is located at the foot of Latemar and Rosengarten mountains, in an idyllic spot, surrounded by beautiful forests, meadows, pastures and mountains in the heart of the Dolomites. In summer it is an ideal starting point for hiking, mountaineering, cycling and motorbike tours.
It also signifies those images that already exist, somewhere else, that we remember, that have helped to shape our approach to recognition and comprehension, that are at once present and yet still absent, those images that have always been there,when the photographs of Heidi Specker were created, images that lead to other images, which in turn presuppose yet other ones.
Fifteen years after"TEILCHENTHEORIE," Heidi Specker took photographs for her book THREE WOMEN on a trip with a girlfriend wearing a blue-red headscarf with white flowers. Almost only this headscarf is visible, almost only this white floral pattern-daisies-against the blue and the red background, along with a suggestion of a pair of glasses, a forelock stirring in the wind, the sun, a stairway in the background?
It also signifies those images that already exist, somewhere else, that we remember, that have helped to shape our approach to recognition and comprehension, that are at once present and yet still absent, those images that have always been there,when the photographs of Heidi Specker were created, images that lead to other images, which in turn presuppose yet other ones.
In this way, Specker upholds a crucial difference that the image reserves for the realm of photography, and reality for the realm of reality.“TEILCHENTHEORIE,” in any case, and this may be asserted without risk, is not representative. The parts do not represent a whole, for the parts are simply parts on which light is shed. Each individual part receives attention, in a non-hierarchical way, a block of images, a being-together of images-a community of images?
Between these images, which serve, in a sense, as hinges within the exhibition, which specify a change in direction,we also find some which signify a confluence of the ways in which Heidi Specker transforms things into a photograph, either at once or in passing, how she translates them into a photograph, such as in other pictures from the series"TERMINI"(2010), created during a one-year stay in Rome, and"Re-prise"(2015), the latter a remake of the book design"Ci-Contre" by Moï Wer from the 1920s.