Examples of using Supercollider in English and their translations into German
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Colloquial
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Computer
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Ecclesiastic
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Medicine
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Ecclesiastic
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Programming
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Official/political
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Political
Vim environment for SuperCollider.
Supercollider With the free SC it is possible to set up sound direct from the prompt.
Emacs environment for SuperCollider.
Supported operating systems===SuperCollider runs under Mac OS X, Linux, Windows and FreeBSD.
Is he still mad about the supercollider?
China is building its own Supercollider, it will be twice size and 7 times more powerful of CERN's collider.
Brian Cox on CERN's supercollider.
A great variety of control setups in SuperCollider comes from the possibility to combine continuous and discontinuous controls.
Electromechanical sound installation with flower pots solenoids, Arduino and SuperCollider.
The full name of the file is SuperCollider Source Code File.
Katan works more and more with the digital platforms orprograms OpenFrameworksand SuperCollider.
I have also performed works using Max, Supercollider and Ableton Live.
Within SuperCollider both is possible, the definition of sound producing objects("synths") and their call, respectively modification by sequences of time and control data.
The work was composed using the language SuperCollider and a"double synthesis" method.
Professor de Campo is also writing two articles in cooperation andthree as the main author for a publication via MIT Press on SuperCollider.
Today's advanced music programs such as Max/MPS and SuperCollider integrate sound and score synthesis in a single system.
Guess who the university is sendingto Switzerland to attend a conference and see the CERN supercollider on February 14?
Next to teaching SuperCollider Workshops, I have provided consulting and aid to artists using SuperCollider in their projects.
Julian Rohrhuber, are currently preparing a new release of SuperCollider 3.7, the beta version of which can already be tested.
SuperCollider is a programming language which, in addition to all common mathematical and logical operations, includes sound objects that may be combined in a very concise syntax.
My first electronic piece that I composed during my studies at IEM Graz while attending a SuperCollider workshop with Alberto de Campo.
Much of this work remains part of the SuperCollider documentation, even if it has been adjusted and expanded to meet the needs of the ever evolving code, and the new QT-GUI library.
Both methods are supported in the codelibrary JITLib written by Julian Rohrhuber in the SuperCollider language, to which I have been contributing.
Both the wire-wrapped nail and supercollider employ the same basic principles of electromagnetism, but the first is a trivially simplistic version of the latter.
Between 17 and 26 September 2010, IMM student Jonas Hummel willbe showing his interactive multiscreen installation[PowerBooks_UnPlugged] at the SuperCollider Symposium 2010 in Berlin.
I will bepresenting some of the work I have done using SuperCollider, including AudioKinematics, as well as a spatial improvisation environment I have been working on.
In live coding, for example, sounds are generated and controlled in real time by writing sourcecode in specialized languages such as Max/MSP, SuperCollider, ChucK or Sonic Pi.
But I am also working more and more with digital synthesizers. I work a lot with SuperCollider to find interesting ways of generating new music material in alternative tunings for example.
On the other hand, some physicists are concerned that if this supercollider actually works, it will create a black hole and swallow up the Earth, ending life as we know it.
Seriously, I think people will soon getfed up of laptop music that sounds like laptops… the SuperCollider glitches and crunches will one day sound as dated as a DX7 does today or a mellotron… but I love mellotrons….