Examples of using Thitz in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
Thitz came in 1962 to the world.
Such journeys are certainly a source of inspiration for Thitz.
Thitz'location references are coded.
The artistically drawn conclusions are visible in Thitz' canon of a metropolis.
THITZ paints with acrylic paints.
How well this in reality works mayshow a view from the window in any city of the world"claims Thitz.
Thitz, the bag artist- Thitz and the bag.
As part of the exhibition organized Thitz, as in many cities at home and abroad, an interactive bag art project.
Thitz actively integrates his arts into society.
Into one second city fits infinitely much information- I mean this city,those are my internal pictures"postulated Thitz once.
Regarding all that, Thitź world is a colorful, vivid and cheerful world.
After the great success of the exhibition in Chungdamn Art Center Seoul and due to the press hype,this year waseven greater interest in THITZ work.
This aspect is in Thitz- installation not only touched by the bag globe, but also through music and intensified.
This fine brush and pen drawings with multiple dilute ink, you can not see on the photo- only close before the original image.The amount of detail, which Thitz now employs more like shades of sky and water surfaces.
Thitz latest works were be traditionally seen again in Hall 3 directly on the transition J on the front side of the stand 32.
In the"Utopian Civilizations" is not all peace and joy, but Thitz creates a kind of utopia, a fantasy which parallels our reality.
For the painter Thitz, too, his travels have been an inexhaustible source of inspiration for his global pictures and cityscapes.
Therefore, the Galleries Erhard Witzel andGallery DavisKlemmm did show THITZ this time as the central main presentation, in the middle of the booth at one of the most important international art fairs in Asia.
Thitz traveled at his own expense to Brazil and worked with the children of the Pestalozzi school in the favela Franciscata in Londrina.
This major drawback, namely the ramblings,avoids the internationally operating concept artist and painter Thitz by defining his ideas on the future of megacities through simply painting and drawing them, thus declaring these ideas to a visual- philosophical standard.
Thitz revives the watercolour technique of his earlier works and builds up his images using layer after layer of transparent and fluid colour.
The bag project was very successful in Herborn- Thitz was able to build out of more than 600 bags a very beautiful and compelling installation in the ancient building of the Kunstverein.
Thitz is a marvellous storyteller, but we should not be deceived by the seemingly decorative weave of colourful motifs and narratives.
In recent months Thitz has been able to make some ideas, that he has been pursuing for a long time, visible and tangible for everyone in the form of new bag pictures.
Thitz is in enamoured of this world, of its diversity, its variety and delicacy; he has an unquenchable thirst for the life inherent in this world.
It is alive as ever in Thitz cities, but now the air seems cleaner, the noise level is moderate and the risk of color- raid by cheerful bullies behind the next corner has subsided.
Thitz himself described this enrichment of our normal visual practice as follows:"One first of all recognises the city and the figures- after which comes the most important thing: Discovery!
The first painting which Thitz created specifically for this presentation, approaches in endless scans of metalevels to a motive which is completely new and mysterious, yet by Thitz gets an impression of reality, which is simply astonishing.
TheArtist Thitz wanted to intensify the dialogue between arts and politics by sending out“interrogative” pictures(watercolors on bags, designed to represent“queries”) to Ministers and Members of the Federal or Regional Parliaments.