Examples of using Uecker in English and their translations into German
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Master student of Günther Uecker.
Hammer an der Uecker is a municipality in the Vorpommern-Greifswald district, in Mecklenburg-Vorpommern, Germany.
And as a special accent works by two classics of German contemporary art are to be seen:EMIL SCHUMACHER und GÜNTHER UECKER.
Like no other Günther Uecker gives a soul to the plain metal pin, continuously breathing fresh life into it among its counterparts.
The river valleys, formed by the Ice Age, known now as Peene, Tollense, Trebel, Oder, Uecker, Recknitz and the Peenestrom offer perfect conditions for a holiday in a canoe.
People also translate
Günther Uecker is one of the important German artists of the second half of the 20th century who continues to work with unflagging intensity and he is one of the few who have enjoyed uninterrupted international recognition.
That's why you can always meet such famous artists as Markus Lüpertz,Günther Uecker, Heinz Mack, Andreas Gursky, Hilla Becher, Katharina Sieverding and Katharina Fritsch at opening nights and in bars and clubs.
In 2004, Uecker's works-embracing the disclosure of crises that remain latent in human societies-were presented to the world as a visual representation of crises from an artist's perspective.
Thomas Lenk, born in 1933 in Berlin, took part in 1968 in documenta IV and delivered in 1970 together with Georg Karl Pfahler,Heinz Mack and Günther Uecker the German contribution to the Biennale in Venice.
At the behest of the Soviets, Uecker, then just 14 years old, was forced to bury corpses that had washed up on the shores of the Baltic Sea- passengers from the"Cap Arcona," a ship that had been loaded with displaced persons.
Due to the proximity of their Mönchengladbach home to Düsseldorf's bustling art scene, the pair first encountered the ideas andworks of the German Group ZERO Günther Uecker, Heinz Mack, Otto Piene.
With support from sponsors, the ZERO Foundation, founded by Mack, Piene, and Uecker, has now had the studio house- which has remained virtually unchanged since the 1960s- renovated, and will take up occupancy there in 2018.
During a spontaneous visit to the Kunstsammlung Nordrhein-Westfalen, the"second member of the government" after the federal president also revealed himself to be a connoisseur andlover of the works of Günther Uecker.
Fontana cut through his portrait, Günther Uecker worked a layer of sand into his portrait at the ocean, Man Ray applied as row of film rolls onto the canvas and Gerhard Richter over-painted his portrait completely.
This two-volume publication documents the Lenz Schönberg Collection and includes major works from artists such as Lucio Fontana, Yves Klein, Piero Manzoni, Piero Dorazio, Jesús Raphael Soto, Jean Tinguely,Günther Uecker, Jef Verheyen and Arman.
He paints the landscape in square format, a format that Uecker often recurs to, indeed, in which he creates entire series, basing himself on the technique of watercolor and brush, always with the addition of pencil.
Within a few years, Heinz Mack created an artistic repertoire which was completely in tune with ZERO philosophy,an artistic trend that he initiated with Otto Piene and later Günther Uecker, and which soon was internationally renowned.
Founded by Heinz Mack and Otto Piene in 1957-they were joined shortly thereafter by Günther Uecker- the artists rejected the big gestures of Informalist painting and set off with further colleagues in search of new pictorial formulations.
Mack produced an artistic repertoire within a few years, one that resulted solely from the philosophy of ZERO, an artistic movement from 1957 to 1964 that he founded withOtto Piene, and later also Günther Uecker, and which fast achieved international success.
More than 400 of these pieces by renowned artists such as Emil Schumacher,Günther Uecker, Georg Baselitz and many other painters, sculptors, photographers, and composers, are now exhibited in the aisle of the Bürgerhaus(Historic Town House) Langenberg.
Included in the exhibition are works by among others Kazimir Malevich, Kurt Schwitters, Josef Albers, Max Bill, Victor Vasarely, Vera Molnar, François Morellet, Heinz Mack,Günther Uecker, Timm Ulrichs, Imi Knoebel, Heimo Zobernig, Brigitte Kowanz, Jim Lambie, and Esther Stocker.
He photographed artists like René Magritte, Gerhard Richter,Günther Uecker, Otto Piene, Heinz Mack, Georg Baselitz, Joseph Beuys, Gotthard Graubner, Lucio Fontana, Henry Moore, or Man Ray to name but a few.
Found in the collection alongside the world-famous, 300-year-old"Lady" and another extremely valuable piece, an altar by the early Renaissance master Giovanni di Paolo, is an ensemble of works by among others Albers, Beuys, and Richter, along with works by Feldmann, Macke, Genzken,Knoebel, and Uecker.
Works by Herbert Bayer, Max Bill, Haus-Rucker-Co., Erwin Heerich, Donald Judd, Piotr Kowalski, Bernhard Luginbühl, Eduardo Paolozzi, David Rabinowitch, Erwin Reiter,Klaus Rinke and Günther Uecker reflected the high quality aspired to by the event, which was based on an idea by Helmuth Gsöllpointner.
Uecker traces the idea for this back to a crucial experience in his childhood when he wanted to protect his family from the approaching Russian army in World War 2:"The worry that something could happen to my sisters and my mother made me secure the house and barricade it with beams and logs.
It goes without saying that when artists attend exhibitions, they look withexceptional intensity: on the initiative of the Rheinische Post, the artist Günther Uecker and Marion Ackermann, director of the Kunstsammlung, visited the exhibition"Kandinsky, Malevich, Mondrian: The Infinite White Abyss" together at the K20.
This Edition brings together a Best Of Angelika Platen's artist portraits- photographed in artists' studios, at art fairs and exhibitions between Dokumenta Kassel 1968 and Kölner Kunstmarkt 1972: Joseph Beuys, Erwin Heerich, Robert Filliou,Günther Uecker, Daniel Spoerri, Dieter Roth, Gotthard Graubner, Gerhard Richter, Wolf Vostell, C. O.
Presented here were such artists as Harry Kramer, Otto Piene, Heinz Mack, Jean Tinguely,Günther Uecker, and the Zero group, which, although not mentioned by Haftmann in his introduction, was definitely one of the most innovative and experimental presentations at this documenta.
Many artists prominent in the international avant-garde, amongst them Joseph Beuys, Peter Brüning, Jörg Immendorff and Vagelis Tsarkiridis, Gerhard Richter, Bernd and Hilla Becher,Günther Uecker, Wolf Vostell, Lawrence Weiner and Gilbert& George, showed their works at Fluxus events and happenings as well as in innovative interdisciplinary galleries in Aachen.
Art historical back references inevitably come to mind with the vibrating objects on the surface of works by Karsten's academy teacher Günther Uecker; with the light and kinetic effects in the works of the"Zero" group(Uecker joined the group in 1961); and with the op art-related"vibrating images" of Jesús Rafael Soto.
