Examples of using Vivan in English and their translations into German
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Still from"Vivan las Antipodas!
Vivan Sundaram(born 1943) is an Indian contemporary artist.
Opening and Artist Talk: Vivan Sundaram and Deepak Ananth.
GENUIN recently produced the orchestra soundtrack to"Vivan Las Antipodas!
Vivan Sundaram(born 1943) is the grandchild of Umrao Singh and nephew of Amrita Sher-Gil.
For this year's Nibelungen-Festival in Worms, Ketan& Vivan Batthi composed the music.
Friends suspected actor Vivan Bhathena's newborn to be a surrogate daughter- here's why….
The exhibition tells the story of an Indian artist family of three generations by uniting the paintings of Amrita Sher-Gil with the photographs of her father, Umrao Singh Sher-Gil,and the digitally worked photographs of her nephew, Vivan Sundaram.
Vivan Sundaram(*1943 in Simla, India) is one of India's most imprortant contemporary artists.
In this film about Amrita Sher-Gil, her nephew, Vivan Sundaram, an artist in his own right, talks about her legacy.
Vivan Bhatti wrote the music to Nuran David Calis new production of Berthold Brechts drama"Baal.
On 21th of January willbe the Premiere of the Music Theater from Ketan& Vivan Bhatti, according to the Model from Roland Schimmelpfennig.
Once a TV star, actor Vivan Bhathena has been slowly and steadily making his mark in movies.
Among the diverse positions are Yto Barrada, Tom Burr, Josef Dabernig, Andrea Fraser, David Goldblatt, Dorit Margreiter, Zwelethu Mthethwa, Marge Monko, Henrik Olesen, Florian Pumhösl, Rebecca Quaytman, Zineb Sedira,Cindy Sherman, Vivan Sundaram, Emily Wardill, Franz West, and Heimo Zobernig.
As a result of the successful version in 2016, yet again Ketan& Vivan Bhatti are composing the music for the Nibelungen-Festspiele in Worms.
Ketan& Vivan Bhatti wrote the music for the theatre production" Tee Im Harem des Archimedes" and perform as musicians live on stage.
At the opening of his exhibition"Disjunctures/Umbrüche," Vivan Sundaram will analyze his multifaceted work in a conversation with the show's curator, Deepak Ananth.
Vivan Sundaram(*1943 Simla/India) belongs to a generation of artists whose work has been strongly influenced by India's anti-colonial revolts.
This refers to an»open, intelligent exchange«, as the Indian artist Vivan Sundaram, participant in a German-Indian collaborative project, states in 1984.
The brothers Vivan and Ketan Bhatti work together as a composer- and producer-team in the field of stage music, film music, music theatre and similar areas.
We are happy to send you informations of Federico Albanese, Vivan& Ketan Bhatti, Matti Bye, Gürtler&Miserre&Voges, Oliver Doerell,, Matthew Herbert, and Mocky.
At least since Vivan Sundaram's montages of these photographs it has become clear that the artist's constant transformation of identity harbors moments of division and crisis.
After his short role in Aamir Khan's Dangal andhis main antagonist's role in Varun Dhawan's Judwaa 2, Vivan Bhathena will be seen next in Rohit Shetty's Sooryavanshi, which stars Akshay Kumar and Katrina Kaif in the lead.
The Indian artist Vivan Sundaram(*1943 in Shimla) traveled to Poland on a cultural exchange program, where he visited the Auschwitz-Birkenau concentration camp memorial on his own initiative.
In addition to joint projects, Vivan and Ketan work as composers, producers and instrumentalists in different areas such as contemporary music, jazz or electronica.
On June 9, Sooryavanshi actor Vivan Bhathena announced the birth of his newborn Nivaya and even shared her first photo. However, his friends thought she was a surrogate daughter.
Vivan and Ketan Bhatti, who work together with the Berliner break dancers"Flying Steps" since 2011, produced and composed the film score for the award-winning documentary drama"Flying Revolution.
We must say well done to Nikhila(Vivan's wife)for successfully camouflaging her pregnancy from the world. But, Vivan, who happens to be a Game of Thrones fan, wanted to introduce his daughter in the same spirit as the hit HBO show.
In"Re-take of Amrita", Vivan Sundaram tells a story of artistic self-discovery in an era of decolonisation, contributing not only to the reconstruction of a chapter of Indian art history but also to an art history of transcultural modernism.
History, Memory, Archive: the three keywords that Vivan Sundaram has defined as the overarching concerns of his multi-disciplinary practice constitute the parameters of a shifting force field in which his work has come to be articulated over the last fifty years.