Examples of using Vibrato in English and their translations into Hebrew
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Colloquial
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Ecclesiastic
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Computer
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Programming
The vibrato was fine.
Dean HardTail Select Vibrato.
The vibrato was a mess, Dad.
What if I added more vibrato?
I need to hear the vibrato in that section where I'm trying to hold back the tears.
Beautiful Addison Rose tears stockings for vibrato….
Keep in mind, overuse of vibrato is not a good thing in contemporary singing(pop, rock and R&B).
They both have really strong voices and natural♪ vibrato.♪.
Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it.
So, try ending phrases with straight tone,then into a little bit of vibrato.
In wind playing too, it seems that vibrato in music up to the 20th century was seen as an ornament to be used selectively.
Fade Out Flanger Silence Shrink Stretch Vibrato.
Not all instruments can produce vibrato, as some have fixed pitches which cannot be varied by sufficiently small degrees.
And sometimes if I have too much coffee, then my vibrato gets out of hand.
(Music) And vibrato is mapped to the accelerometer, so you can get-(Music) All right. So let me play a little ditty for you, a little Bach.
Ben, you're always running here andthere You feel you're not wanted anywhere Nice vibrato.
He couldn't hear at the highest frequencies,couldn't stand vocal vibrato, and declared Mozart's music an affront to melody.
Vibrato is simple, though- it's just the steady pulse of the voice above and below the tone, and it's produced by a natural muscle reaction to air flowing through the throat.
Most jazz players for thefirst half of the 20th century used vibrato more or less continuously.
There are differing opinions as to what extent the vibrato heard on some of the selections is Patti's technique or an artifact of the primitive sound recording.
Damon Johnson, the other guitar player on the 2011 Alice Cooper tour I was on,once said to me,“Your vibrato sounds like a great big black woman singing.”.
First a quick explanation: the word“vibrato” as it relates to the human voice is one of those terms that gets thrown around a lot and no one knows how to explain it.
Some take the view that even thoughit may not be what the composer envisioned, vibrato adds an emotional depth which improves the sound of the music.
But Mercury's vibrato was higher frequency- about 7.0 Hz, and had a signature irregularity- a kind of“vocal fingerprint” that could only be from Freddie Mercury.
This view has caused considerable controversy, although Arnold Schoenberg, a considerably later composer,seems to have disliked vibrato as well, likening it to the bleating of a goat.
In addition, the defenders of vibrato point out a distinction needs to be made between the kind of vibrato used by a solo player, and the sectional vibrato of an entire string ensemble, which cannot be heard as a uniform quantity as such.
From around the 1950s, however, some players in more avant garde styles, many following the example of Miles Davis, began touse it more selectively, playing without vibrato as a rule.
Norrington claims that vibrato in the earliest recordings is used only selectively, as an expressive device; the Berlin Philharmonic Orchestra were not recorded using vibrato comparable to modern vibrato until 1935, and the Vienna Philharmonic Orchestra not until 1940.
(Laughter and cheers) So then it was my turn, and somehow, I get myself onto the stage, Istart my song, I open my mouth to sing the first line, and this completely horrible vibrato-- you know, when your voice wavers-- comes streaming out.
Oboists of the past had tended to be divided between the French school(elegant but thin and reedy in tone) and the German(full and rounded but rather clumsy,with little or no vibrato), but Goossens brought together the best qualities of both styles.