Examples of using Mastering studio in English and their translations into Polish
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Computer
Q: What were some of the challenges to opening Gateway Mastering Studio?
Both files were prepared in the same mastering studio and it is the same master. .
The robust all-metal chassis is also rack-mountable,ideal as the centrepiece in any mastering studio.
Not only did Shiomi research in the mastering studio, but he also sat in on concerts to experience how the sound moved there.
When designing the MDR-1A headphones, Shiomi andhis team went straight to the source for inspiration: the mastering studio.
The files are from the same source- they were prepared in a mastering studio and had WAV format, ripped from the same medium- DVD.
The files are an expression of striving for modernization and, in part, also of the search for better sound,the sound known from the mastering studio.
The files came from the same source- they were prepared in the same mastering studio as WAV and were ripped from the same medium DVD.
I repeat it again and again(to be precise- for the third time), butI can't forget the sound I heard in Jacek Gawłowski's mastering studio.
Before making his mark with his famous Gateway Mastering Studio, Bob was a principal trumpeter for the Utica Symphony and was inspired by Benny Goodman.
This could be an indirect evidence that the improvement of methods of CD pressing brings us closer to the digital"master" that leaves the mastering studio.
There is nothing, however, to prevent the mastering studio to back up the material in WAV(PCM) files, that one can play at home, on a CD Player.
The problem was that this chain was not standardized,everything was based on the assumption that the tape recorders on the mastering studio and pressing plant were the same.
After burning the test disc, it returned to the mastering studio, where it was compared to both the analog master and the 20-bit version on the MO disk.
JVC modified the process many years ago to minimize the number of actions(steps)that take place between the music material leaving the mastering studio and the finished CD.
The difference between the material straight from the mastering studio, burned out on a CD-R and the material released as a Compact Disc is big, sometimes shockingly huge.
Albums are mastered at a certain specific sound pressure(and hence volume) level andthe perfect reproduction of the mastering studio conditions is only possible at the same level.
I remember listening to these speakers in his mastering studio and I must say that the exhibition sound was even better in some respects- mainly when it came to the smoothness and velvetiness of the midrange and treble.
While not mentioned explicitly, it is exactly the same process that is used in HR Cutting,where the material delivered from the mastering studio has a lower sampling rate.
But I also can not fail to notice that, in turn,in Jacek Gawłowski's mastering studio hi-res files sounded more like the players Ancient Audio and Métronome Players.
It triggers the best from the all recordings, it differentiates them in such a perfect way that it would be afantastic tool for professionals, for example in a mastering studio.
When I compared a copy of a Master CD-R made on a workstation in Jacek Gawłowski's mastering studio and the same recordings from Polish Jazz, the differences were clear, but not critical.
However, it was enough to listen to an ordinary version of a given CD and to its glass counterpart just for a moment to understand the whole thing andsee how much is lost between the mastering studio and the consumer.
It was one evening, andin the other I wanted to talk to you about why the material that comes out of the mastering studio changes when the CD is pumped and what they do with it to prevent its degradation.
Some of these companies have experimented with the material from which the discs are made(HQCD, UHQCD), the other with the reflecting layer(SHM-CD, Platinum SHM-CD), buthistorically the first one was the JVC idea about shortening the path which the signal has to travel from mastering studio to the finished, pressed CD.
And a LED on its front panel will tell us whether the received signal is fully compatible with what has been coded in the mastering studio: the blue LED means MQA Studio, and the"ordinary" MQA lits the green diode up.
The V-Moda Wireless Headphones design is crowdsourced, helping to cater to a range of musical users,making them ideal for everything from mixing and mastering studio session to live DJ sets and gaming use.
This is obviously a problem with music files themselves(if you think that the files you can buy are the same files that leave mastering studio, you're wrong), but the file players cope with this issue in various ways.
The V-Moda Wireless Headphones design is crowdsourced, helping to cater to a range of musical users,making them ideal for everything from mixing and mastering studio sessions, to live DJ sets and gaming use.
Crowdsourcing for the development and design of the V-Moda M-100 Headphones helped to cater to a range of musical applications,making them ideal for everything from mixing and mastering studio session to live DJ sets and gaming use.