Examples of using Control lets in English and their translations into Portuguese
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Colloquial
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Official
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Medicine
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Ecclesiastic
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Ecclesiastic
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Computer
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Official/political
Q control lets you set the width of the mid-range bands.
The additional attack switch, tone control, and clean control lets you personalise the compressed signal to suit your playing style.
Mids control lets you pick the perfect frequency to boost.
It also has three modes that lets you choose between slow, mid-tempo and fast speeds,while the Rate control lets you fine-tune the speed of the wave.
Shake control lets you control playback by shaking your W980.
People also translate
This provides easy access to parallel compression ideal for quickly polishing background vocals or a drum bus,whilst the headroom control lets you adjust the Variable Mu's level to your preference.
An additional Gain control lets you create a warm and subtle overdrive.
Tilt control lets players blend sound between normal and treble voices.
Stereo channel Balance control lets you adjust the level between left and right signals.
This control lets you choose to boost just the high frequencies or the whole tonal range.
Finally, a ratio control lets you perfectly sync your pedal with the BPM of your tempo tap.
This control lets you create a mailmerge system in your applications that is based on XML and MS Word.
A Tone control lets you shape your sound for a brighter or warmer response.
The DEPTH control lets you go from a mild width-enhancing sound through to a radical phaser effect.
Blend control lets you run the effect in parallel and blend in your dry signal for maximum transparency.
The Boost control lets you adjust the level of boost, resulting in a crackling, high gain, distorted sound.
The Volume control lets you set the Clover at unity gain, or to initiate that boost to push your signal.
The ratio control lets you adjust the compression levels whilst the threshold control decides where the compression is active.
Microphone Gain control lets you adjust the input level on the microphone itself for quick and easy signal optimization.
The Volume control lets players adjust the amount of projection, and the Distortion knob is for controlling the amount of gain present.
A Tone control lets you shape your sound for a brighter or warmer response, helping you match the natural response of your guitar.
The Boost control lets you adjust the level of boost when the left channel stomp switch, this will result in a crackling, high gain, distorted sound.
The mix control lets you dial in the exact amount of the effect you require, so you can maintain clarity even when the sound is drenched in the flange effect.
The sub-division control lets you select between the different rhythmical patterns, so that you can sync the tremolo effect sounds up for a dynamic performance.
The Gain control lets you add increased harmonic content,letting you simulate the effect of a guitar preamp to achieve an enhanced overall sound.
The'set and' forget Drag Control lets you compensate for cable signal loss and introduce the perfect amount of loading to replicate the way your guitar and amp interact.
The Level control lets you alter the overall volume and output of the effect, whilst the Time knob is for adjusting the length of the delay, ranging from 45ms to 1600ms.
The Blend control lets users control the mix between the affected and dry signal, while the Sustain knob adjusts the amount of ringing sustain, and the Tone control alters the colouration of the compression effect.
The Mode Control lets you choose between the filter modes, the Range controls is for altering the filter's tonality for a fuller bodied sound and the Speed/Gain is for changing the rate of the'Auto' wah or the input response of the'Touch' wah effect.
Then anything else that is beyond your control, let it go.