Examples of using Audience development in English and their translations into Serbian
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Audience Development in Serbia.
Testing innovative approaches to audience development;
The overall strategy for audience development, and in particular the link with education and the participation of schools.
With over 20 years of experience in the cultural and creative industries, he works internationally as an expert focusing on bottom up development, creative hubs, audience development and new economic models.
Through different interactive audience development activities the project will advocate accessible and inclusive design and present European craft heritage to wider public.
The course draws from the disciplines of journalism, public relations and business to deliver invaluable learning experiences in media management,sports administration and marketing, audience development, and reporting and editing across text, video and audio.-.
The residency programme focuses on transnational mobility and audience development, and will allow young authors and translators to work, perform and present themselves in two different social and cultural contexts.
Kulturforum ODKR has been organising the Group sales exhibition of small format periodically as a kind of review and promotion of the local scene of fine and applied artists of the younger generation,and a programme for the audience development and the art market.
Both publications present numerous organisations andtheir projects concerning audience development and contemporary culture as important guidelines of the Creative Europe programme.
Audience development seeks to help European artists/cultural professionals and their work to reach as many people as possible across Europe and extend access to culture to under-represented groups;
Programme seeks to support cooperation projects mainly working on transnational mobility, audience development and capacity building(notably digitisation, new business models and education and training).
Since 2014, the Kulturforum ODKR has been organising the small Group sales exhibition periodically as a kind of review and promotion of the local scene of young artists who work in the field of fine and applied arts,and a programme for the audience development and the art market.
She is one of 15 young selection juries of the UPAD Festival, which focuses on the social inclusion and audience development of the marginalised groups, erases boundaries between professional and youth, institutional and non-institutional theatre.
To contribute to audience development by engaging in new and innovative ways with audiences and improve access to cultural and creative works in the Union and beyond with a particular focus on children, young people, people with disabilities and underrepresented groups;
The competition supports projects of institutions and organisations active in the field of culture, andit assumes cooperation of at least two partner organisations from Europe with a focus on audience development, improving mobility or strengthening capacity for work.
Within the specific objective to foster policy development, innovation,creativity, audience development and new business and management models through support for transnational policy cooperation, the cross-sectoral strand of the Creative Europe Programme.
The competition supports projects of institutions and organisations active in the field of culture, andit assumes cooperation of at least two partner organisations from Europe with a focus on audience development, improving mobility or strengthening capacity for work.
Within the specific objective to foster policy development, innovation,creativity, audience development and new business and management models through support for transnational policy cooperation, the cross-sectoral strand of the Creative Europe Programme, shall provide support to.
Also, he presented the activities of the Creative Europe Desk Serbia that can serve as a unique guide through the cultural scene of Serbia- primarily,the publications“Audience Development in Serbia” and“Re-positioning the Region of Southeast Europe through Culture”.
This week, the‘Second Europe' programme arch presents new festival which focuses on social inclusion and audience development of socially marginalised groups, erases borders between professional and youth, institutional and non-institutional theatre- UPAD Festival, which will take place in Novi Sad from 30 October until 9 November.
Funding is available in several categories, including: support for producers in developing innovative and competitive projects in areas of cinema, TV and video games;support for distribution of European audio-visual works; audience development and professional training; and networking.
Within the field of reinforcing the audiovisual sector's capacity, one of the priorities of the MEDIA Sub-programme shall be to support audience development as a means of stimulating interest in and improving access to European audiovisual works in particular through promotion, events, film literacy and festivals.
Funding is available in several categories, including: support for producers in developing innovative and competitive projects in areas of cinema, TV and video games;support for distribution of European audio-visual works; audience development and professional training; and networking.
With the specific aim of fostering policy development, innovation,creativity, audience development and new business and management models through support for transnational policy cooperation, this call will provide support to projects testing new, cross-border and cross-sectoral business approaches to funding, distributing and monetising creation.
Financing is available in several categories, including: supporting producers to develop innovative and competitive projects in the fields of film, TV and video games,support for the distribution of European audiovisual works, audience development and professional development and networking.
Within the specific objective to foster policy development, innovation,creativity, audience development and new business and management models through support for transnational policy cooperation, the cross-sectoral strand of the Creative Europe Programme, shall provide support to testing of new and cross-sectoral business approaches to funding, distributing and monetising creation.
We want to show that the production of women's high quality literature is larger than it used to be, and that women's literature itself is very diverse genre-wise and equally relevant when written in lesser used languages,all of which enables it to contribute to audience development and create space for equal opportunity and advancement of society in general.
The programme entitled Horizontal knowledge consists of trainings of domestic andforeign cultural professionals in fields relevant for the Creative Europe programme(audience development, new technology in culture, cultural tourism, etc.), but also peer-to-peer open platform for exchanging knowledge and skills among cultural professionals.
The programme entitled Horizontal knowledge consists of trainings of domestic andforeign cultural professionals in fields relevant for the Creative Europe programme(audience development, new technology in culture, cultural tourism, etc.), but also peer-to-peer open platform for exchanging knowledge and skills among cultural professionals.