Examples of using Fondane in English and their translations into Serbian
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Cyrillic
The Central Powers Fondane.
Fondane also renewed his collaboration with Rampa.
In 1919, upon the war's end,Benjamin Fondane settled in Bucharest, where he stayed until 1923.
Fondane began a second career in 1923, when he moved to Paris.
Pressed on by his family andthe prospects of financial security, Fondane contemplated becoming a lawyer.
Fondane also completed work on a translation of the Ahasverus drama, by the Jewish author Herman Heijermans.
A prisoner of war during the fall of France, Fondane was released and spent the occupation years in clandestinity.
Benjamin Fondane eventually left Romania for France, spurred on by the need to prove himself within a different cultural context.
Invited(on Ocampo's initiative)by the Amigos del Arte society of Buenos Aires, Fondane left for Argentina and Uruguay in summer 1929.
A year later, Fondane was employed by Vinea's new venue, the prestigious modernist venue Contimporanul.
Complaining about eye trouble and exhaustion, andseveral times threatened with insolvency, Fondane often left Paris for the resort of Arcachon.
At around that time, Fondane began work on the poetry cycle Priveliști("Sights" or"Panoramas", finished in 1923).
In 1917, after Romania joined the Entente side andwas invaded by the Central Powers, Fondane was in Iaşi, where the Romanian authorities had retreated.
In this context, Fondane met essayist Eduardo Mallea, who invited him to contribute in La Nación's literary supplement.
After emigrating to France in 1921, he befriended and influenced thinkers such as Edmund Husserl,Benjamin Fondane, Rachel Bespaloff,[4] and Georges Bataille.
By the early 1930s, Fondane was in contact with the mainstream modernist Jacques Rivière and his Nouvelle Revue Française circle.
For a while, Insula survived as a conference group, hosting modernist lectures on classical Romanian literature-with the participation of Symbolist and post-Symbolist authors such as Aderca, Arghezi, Millian, Pillat, Vinea, N. Davidescu,Perpessicius, and Fondane himself.
According to a recollection of poet Adrian Maniu, Fondane again worked as a fact checker for some months after his arrival to the capital.
Fondane had more success in contacting Flacăra review and its publisher Constantin Banu: on July 23, 1916, it hosted his sonnet Eglogă marină("Marine Eglogue").
According to intellectual historian Samuel Moyn, Fondane was, with Rachel Bespaloff, one of the"most significant and devoted of Shestov's followers".
Fondane also tried his hand at editing a student journal, signing his editorial with the pen name Van Doian, but only produced several handwritten copies of a single issue.
In 1929, as a frequenter of Shestov's circle, Fondane also met Argentinian female author Victoria Ocampo, who became his close friend(after 1931, he became a contributor to her modernist review, Sur).
Fondane was born in Iași, the cultural capital of Moldavia, on November 14, 1898, but, as he noted in a diary he kept at age 16, his birthday was officially recorded as November 15.
Around the time of his relocation to Bucharest, Fondane first met the moderate modernist critic Eugen Lovinescu, and afterward became both an affiliate of Lovinescu's circle and a contributor to his literary review Sburătorul.
Fondane, who was of Jewish Romanian extraction and a nephew of Jewish intellectuals Elias and Moses Schwartzfeld, participated in both minority secular Jewish culture and mainstream Romanian culture.
Also in 1922, Fondane and Pascal set up the theatrical troupe Insula("The Island"), which stated its commitment to avant-garde theater.
In this context, Fondane spoke of Arghezi as being"Romania's greatest contemporary poet"(a verdict which was later to be approved of by mainstream critics).
Through Moses Schwartzfeld, Fondane was also related with socialist journalist Avram Steuerman-Rodion, one of the literary men who nurtured the boy's interest in literature.
Around 1915, Fondane was discovered by the journalistic tandem of Tudor Arghezi and Gala Galaction, both of whom were also modernist authors, left-wing militants and Symbolist promoters.
Meanwhile, Fondane acquired a profile on the local literary scene, and, in his personal notes, claimed to have had his works praised by novelist André Gide and philosopher Jules de Gaultier.