What is the translation of " MAX ROACH " in Spanish?

• max roach

Examples of using Max roach in English and their translations into Spanish

Max Roach, Master of Modern Jazz, Dies at 83.
Max Roach, Master of Modern Jazz, Dies at 83» en inglés.

Why I became a comedian is because of Max Roach," Cosby said.
La razón de que me hiciera comediante es Max Roach", dijo Cosby.

Oscar Pettiford and Max Roach provided bass and drums, respectively.
Oscar Pettiford y Max Roach proporcionaron bajo y batería, respectivamente.

In 1960 he toured with Herbie Mann and recorded with Max Roach.
En 1960 realizó una gira con la banda de Herbie Mann y grabó con Max Roach.

Description: with horace silver/ max roach Seller: YORKLYNREC.
Descripción: with horace silver/ max roach Vendedor: YORKLYNREC.

Max Roach's Freedom Now Suite(1960), figthing against racism and bigotry.
Max Roach's Freedom Now Suite(1960), peleando contra el racismo y la intolerancia.

Comedian Bill Cosby paid tribute to Max Roach at his funeral on Friday.
El comediante Bill Cosby rindió homenaje a Max Roach en su funeral el viernes.

After Holiday died, Waldron played with vocalist Abbey Lincoln and her husband, drummer Max Roach.
Después de que Holiday murió, Waldron tocó con la vocalista Abbey Lincoln y su marido, el baterista Max Roach.

In 1952 Mingus co-founded Debut Records with Max Roach so he could conduct his recording career as he saw fit.
En 1952 Mingus fue cofundador de Debut Records con Max Roach para poder llevar a cabo su carrera discográfica como quisiera.

Mantilla has been a bandleader of his own ensembles and was a founding member of the percussion ensemble M'Boom with Max Roach.
Mantilla ha sido también director de big bands, destacando el grupo"M'Boom", co-liderado con Max Roach.

Also featuring Wynton Kelly on piano, Curly Russell on bass and Max Roach on drums, the recording brought Griffin critical acclaim.
También presentó a Wynton Kelly en piano, Curly Russell en el bajo y Max Roach en la batería, la grabación le trajo aclamación de la crítica.

Charlie Parker, alto saxophone; Dizzy Gillespie, trumpet; Bud Powell, piano; Charles Mingus, bass; and Max Roach, drums.
Charlie Parker, saxo alto; Dizzy Gillespie, trompeta; Bud Powell, piano; Charles Mingus, bajo, y Max Roach, tambores.

Geller recorded three LPs as a leader for Emarcy plus some with Dinah Washington, Max Roach, Clifford Brown, Clark Terry, Maynard Ferguson and Kenny Drew.
Geller grabó tres discos como líder para Emarcy, más algunos con Dinah Washington, Max Roach, Clifford Brown, Clark Terry, Maynard Ferguson y Kenny Drew.

Parker first recorded it on 29 August, 1948, with Miles Davis(trumpet), John Lewis(piano), Curly Russell(bass) and Max Roach drums.
Parker la grabó por primera vez el 29 de agosto de 1948, con Miles Davis(trompeta), John Lewis(piano), Curly Russell(contrabajo) y Max Roach(batería).

Later that year, he joined the Clifford Brown-Max Roach quintet; studio albums documenting his time in the band are Clifford Brown and Max Roach at Basin Street and Sonny Rollins Plus 4.
Los álbumes de estudio que documentan su paso por la banda son Clifford Brown y Max Roach en Basin Street y Sonny Rollins Plus 4.

In addition, both Dolphy and Little backed Abbey Lincoln on her album Straight Ahead and played on Max Roach's Percussion Bitter Sweet.
Además, Dolphy y Little respaldaron a Abbey Lincoln en su álbum Straight Ahead y tocaron en Percussion de Max Roach.

Mercury, under its EmArcy label, released LPs by many important post-swing and bebop artists including Clifford Brown and Max Roach, Clark Terry, Dinah Washington, Nat and Cannonball Adderley, Ernestine Anderson, Sarah Vaughan, Maynard Ferguson, Jimmy Cleveland, Herb Geller and others.
Bajo su sello Emarcy la Mercury produjo LP de los más importantes artistas post-swing y bebop incluyendo a Clifford Brown y Max Roach, Clark Terry, Dinah Washington, Nat y Cannonball Adderley, Ernestine Anderson, Sarah Vaughn, Maynard Ferguson, Jimmy Cleveland y Herb Geller.

In 1949 Toots Thielemans joined a jam session in Paris with Sidney Bechet, Charlie Parker, Miles Davis, Max Roach and others.
En 1949 se unió a una jam session en París en la que participaban Sidney Bechet, Charlie Parker, Miles Davis, Max Roach y otros.

Notable participants included Nina Simone, B.B. King, Sly& the Family Stone, Jesse Jackson, Abbey Lincoln& Max Roach, The 5th Dimension, Gladys Knight and the Pips, Stevie Wonder, Mahalia Jackson, and Moms Mabley, among many others.
Entre las artistas participantes estuvieron Nina Simone, B.B. King, Sly& the Family Stone, Jesse Jackson, Abbey Lincoln& Max Roach, The 5th Dimension, Gladys Knight and the Pips, Stevie Wonder, Mahalia Jackson, y Moms Mabley, entre muchos otros.

The composition was first recorded by Parker's quintet, which contained Parker(alto saxophone), Miles Davis(trumpet), Bud Powell(piano), Tommy Potter(bass), and Max Roach drums.
La formación de esta sesión, fue Charlie Parker(saxo alto), Miles Davis(trompeta), Bud Powell(piano), Tommy Potter(contrabajo), y Max Roach batería.

Olatunji recorded with many other prominent musicians(often credited as"Michael Olatunji"), including Cannonball Adderley(on his 1961 African Waltz album), Horace Silver, Quincy Jones, Pee Wee Ellis, Stevie Wonder, Randy Weston, and with Max Roach and Abbey Lincoln on the pivotal Freedom Now Suite aka We Insist!, and with Grateful Dead member Mickey Hart on his Grammy winning Planet Drum projects.
Olatunji grabó junto a músicos como Cannonball Adderley(en su African Waltz(1961)), Horace Silver, Quincy Jones, Pee Wee Ellis, Stevie Wonder, Randy Weston, y con Max Roach y Abbey Lincoln(Freedom Now Suite, también llamado We Insist), y con el antiguo miembro de Grateful Dead Mickey Hart, en su proyecto, ganador de un Grammy, Planet Drum.

Highlights of the early and mid-1960s included albums by Quincy Jones, Buddy Rich, Cannonball Adderley, Charles(then called Charlie) Mingus, Dinah Washington, Sarah Vaughan, Max Roach and others.
Entre 1960 y 1970 las estrellas que grabaron con la Mercury fueron entre otras: Quincy Jones, Buddy Rich, Cannonball Adderley, Charles Mingus, Dinah Washington, Sarah Vaughn y Max Roach.

From 1963 to 1969 Mantilla led his own band in Puerto Rico, and in 1970 joined forces with Max Roach's percussion ensemble, M'Boom.
Desde 1963 a 1969, Mantilla lideró su propia big band en Puerto Rico, uniendo en 1970 fuerzas con Max Roach, para formar el grupo de percusiones,"M'Boom.

During this period he also made several historically important recordings with Charlie Parker, which included"The Song Is You", from the Now's the Time album, recorded in December 1952, with Teddy Kotick on bass and Max Roach on drums.
Durante este periodo realizó también varias grabaciones históricamente relevantes con Charlie Parker, entre ellas la del tema«The Song Is You», del disco Now's the Time, grabado en diciembre de 1952, con Teddy Kotick al bajo y Max Roach en la batería.

In addition, Mosaic Records in Stamford CT has issued several box sets spotlighting the Mercury and Verve recordings of various artists including Max Roach, Roy Eldridge, Dizzy Gillespie and Buddy Rich.
Junto con esto, Mosaic Records ha lanzado al mercado trabajos remasterizados de artistas de Mercury y Verve tales como Max Roach, Roy Eldridge, Dizzy Gillespie y Buddy Rich.

He played in small bands in New York clubs, including the Coleman Hawkins orchestra(1944), and he associated with beboppers such as Dizzy Gillespie, Charlie Parker, George Wallington, Oscar Pettiford and Max Roach at the Onyx Club from early 1944.
A continuación tocó en bandas pequeñas en clubes de Nueva York, incluyendo la Coleman Hawkins orchestra(1944) y se asoció con beboppers como Dizzy Gillespie, Charlie Parker, George Wallington, Oscar Pettiford y Max Roach en el Onyx Club desde comienzos de 1944.

Most notable, perhaps, are two recordings for Hat Art: the collection of Ornette Coleman interpretations, Kaleidoscopes(1992), and(under Joe McPhee's leadership), a revisiting of Max Roach's Freedom Now Suite called Sweet Freedom, Now What? 1994.
Más destacados, fueron sus dos discos para el sello Hat Art: la colección de interpretaciones de Ornette Coleman, Kaleidoscopes(1992), y(con Joe McPhee como líder), unas revisión del clásico de Max Roach, Freedom Now Suite, titulado Sweet Freedom, Now What? 1994.

How to use "max roach" in an English sentence

Jazz pioneer Max Roach has died.

Drummer Max Roach underscoring King’s speech.

Clifford Brown and Max Roach Incorporated.

Another option is Combat Max Roach Killer.

Max Roach died on August 16, 2007.

Just ask Max Roach or Ralph McDonald.

Here is Max Roach plays “Solo performance”.

The great drummer Max Roach has died.

Max Roach passed on the other day.

Max Roach in New York, circa 1947.

How to use "max roach" in a Spanish sentence

I met Max Roach over thirty years ago.

Lee Konitz was there, Max Roach was there.

Another option is Combat Max Roach Killer.

Just ask Max Roach or Ralph McDonald.

Here is Max Roach plays “Solo performance”.

In many hearts Max Roach will never die.

Drummer Max Roach underscoring King’s speech.

Max Roach in New York, circa 1947.

And Max Roach tributes on the radio.

Max Roach y Abbey Lincoln: Rezo, protesta y jazz.