Examples of using Cotter in English and their translations into Turkish
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Colloquial
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Ecclesiastic
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Ecclesiastic
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Computer
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Programming
Jeff cotter?
Cotter Macklin.
Come on, Cotter.
Attach the cotter pin and brake spring to the locknut before installing it.
Name of Eliza Cotter.
Eddie Cotter.- Here.
Good afternoon, Mr. Cotter.
Captioned by Cotter Captioning Services.
Here. Eddie Cotter.
Cotter pins from the cannon carriages. We had a very profitable night.
And a cousin named Tommy cotter.
Have you met Rosalie Cotter, started Monday?
And I looked at him, and I said,"no, Dr. Cotter.
It's his cousin, Tommy Cotter. He's a mascot.
The story is narrated by the amoral protagonist, Ralph Cotter.
Couldn't they fashion another cotter pin from something else?
卡特·派克的手下也发现了四具蓝眼睛的尸体 Cotter Pyke's men discovered four blue-eyed corpses.
But the one that killed Cotter vanished right in front of us.
Discovered four blue-eyed corpses. Outside Eastwatch Cotter Pyke's men.
Outside Eastwatch Cotter Pyke's men discovered four blue-eyed corpses.
Discovered four blue-eyed corpses. Outside Eastwatch Cotter Pyke's men.
Kitchen worker: Cotter Doyle, picked up by the sergeant-at-arms on the final voyage.
Full of money in this locker. I saw Cotter put a black duffel bag.
The first timer attached to the firstbomb was probably activated by the release of a cotter pin.
We had a very profitable night… Cotter pins from the cannon carriages.
Excuse me, ma'am, could you make sure to cut him off when he starts mumbling about how they don't make shows like Welcome Back Cotter anymore?
Where Them Girls At" was written by Michael Caren, Jared Cotter, Flo Rida, David Guetta, Nicki Minaj, Juan and Oscar Silinas, Giorgio Tuinfort and Sandy Vee.
Excuse me, ma'am, could you make sure to cut him off when he starts mumbling about how they don't make shows like Welcome Back Cotter anymore?
In a New York Times review of the show, Holland Cotter asserted that Martha Wilson is one of"the half-dozen most important people for art in downtown Manhattan in the 1970s.
The New York Times' Cotter and Karen Rosenberg have written that though the nonprofit organization and its archive may be Wilson's most prominent contribution to the arts in New York City, her early artwork holds an important place in the history of feminist, performance, and conceptual art.