Voorbeelden van het gebruik van Printmakers in het Engels en hun vertalingen in het Nederlands
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Computer
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Ecclesiastic
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Official/political
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Programming
Burins are the primary engraving tools for printmakers.
Consequently, printmakers primarily depicted masculine desires and fantasies.
stays in contact with printmakers.
Printmakers shrouded their images in darkness to evoke hidden, mystical worlds.
The residents can also be accepted as candidates/ printmakers in a traineeship.
Printmakers drew on the subject matter,
This brown"floorquality" is also available for printmakers under the name Uni Walton.
Prints(as examples, made with Akua-inks) from more than 40 different printmakers.
Polymetaal invites printmakers to display their work on the Polymetaal site for free!
The graphic design department is the working terrain of printmakers, graphic designers and illustrators.
as used by printmakers.
Printmakers like Henri Fantin-Latour
sale of contemporary prints and books illustrated by printmakers.
For printmakers who prefer to work with materials that are less harmful to themselves and to their environment.
Apart from commercial printing purposes, this ink is very popular amongst printmakers, both for lithography and blockprint.
For printmakers, the café-concert was not only a meeting place,
This book focuses on the first group of painters and printmakers who developed the new genre between, roughly, 1500 and 1570.
Printmakers wanted to return to the woodcut as a pure
Besides use in commercial printing shops, this ink is also very much appreciated by printmakers, both for block print and lithography.
Symbolist printmakers learned from these examples that it was not necessary to represent the world as a naturalistic illusion.
promising printmakers like Félix Vallotton.
Symbolist printmakers like Maurice Denis
in some cases downright subversive etchings by the printmakers Félicien Rops
They presented the works of contemporary printmakers next to examples of medieval woodcuts
were a rewarding subject for printmakers.
In the nineteenth century, French printmakers were very interested in the quality of darkness,
including printmakers and writers.
Printmakers designed programmes for them, sometimes taking entertainment as such as their subject,
non-conformist atmosphere of the district on the hill exerted a powerful attraction on young printmakers.
Daumier was an inexhaustible source of inspiration for fin-de-siècle printmakers, many of whom also worked as illustrators,