Примеры использования Each oscillator на Английском языке и их переводы на Русский язык
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Each oscillator has a sub oscillator. .
The pitch is adjusted separately for each oscillator.
Moreover each oscillator has its own LFO and pitch control.
The effect strengthens in paraphonic mode owing to the individual envelopes per each oscillator.
Each oscillator has its own input for the keyboard and two for modulation signals.
The impression is strengthened by individual envelopes for each oscillator in the paraphonic mode.
For each oscillator tuning and the depth of the PW modulation controllers are provided.
The mixer block contains switches andlevel controls for each oscillator, noise source and external source.
Each oscillator has a"RANGE" switch which is responsible for transposing the signal within six octaves.
Monochrome mini display(the same as in JD-Xa)+ 3 mini displays(just numerical) per each oscillator block.
Each oscillator has several modulation sources including LFO, pitch, envelope generators assigned to filter and amplifier.
Frequency control is performed by microprocessor voltages- this approach provides pure analog sound with high stability of the system,as well as automatic tuning of each oscillator.
For each oscillator, an octave switch, a modulation depth controller, and a microtuning controller are provided.
The synth comprised 3 oscillators(generating triangle, saw and pulse) with sync ability, 4 LFOs, resonant multimode filter, rotary wheel,arpeggiator per each oscillator, portamento, ring and pulse-width modulation.
For each oscillator, an arpeggiator is provided for parallel alignment of several parts, for example, bass and lead.
In Duophonic mode each oscillator has a dedicated AMP envelope that provides envelope articulation separately for each note you play.
The whole generation process is represented by 4 standard waveforms, 9 saw/pulse combinations,20 digital+ 36 wavetables allowing syncing for each oscillator and enabling density detune function in order to shape super-saw effects.
Each oscillator has a hidden one inside which serves virtual sync needs and that's how already shining sounds can be made more complex by layering of the synced tones.
Unlike the instruments where first the oscillators get mixed and after the sound goes through the filter and amplifier section,in Gaia each oscillator has its own filter, amplifier and LFO and as a result we get amusing patches.
Besides, Polivoks implemented a two-voice scheme, when each oscillator monitored its note: the first one is responsible for the top one pressed, the other one- for the bottom one, so the two seemed just right.
Each oscillator has a separate octave switch and a built-in pitch tuner, which allows you not only to adjust the VCO to work within different octave range, but also to get the"detuned" bass and lead, as well as an interval sound.
Similar to pulse-width modulation, there is the possibility of time linearity modulation for each oscillator, which can be applied not only to the pulse wave, but to all the others, after working on their phases and observing the shape change on the LCD screen.
Besides, each oscillator is equipped with 36 wavetables(9 waveforms per each) which is out of competition with Waldorf or Access but it's definitely not an ersatz product either: interpolation varies transitions between adjacent waveforms any way you want- it can be smooth and subtle or sudden and interrupted.
There's a"time linearity" modulation possibility for each oscillator put here instead of the pulse-width modulation- it can be applied not only to the pulse wave but to the others as well so that you could work on their phases and watch the waveform changes which will be displayed.
For each voltage controlled oscillator, an octave switch is provided.
Each voltage controlled oscillator can produce a triangular, sawtooth or pulse wave.
At the output of each voltage controlled oscillator there's an independent VCA.
Each digital oscillator had one or two waveforms and, unlike other synthesizers, played the waves back not in combination but in succession.