Примери за използване на Orphan works на Английски и техните преводи на Български
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Official
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Medicine
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Ecclesiastic
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Ecclesiastic
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Computer
Orphan Works.
Free use of orphan works.
ARROW Accessible Registers of Rights Information and Orphan Works.
Permitted uses of orphan works(debate).
I am thinking about a European definition of orphan works.
Orphan works are not available for use by filmmakers, archivists, writers, musicians, and broadcasters.
Permitted uses of orphan works.
Orphan works are works whose copyright owners cannot be identified and located.
The proposed Directive on orphan works.
Orphan works are works where the copyright owner is unknown or cannot be found.
I also said why I wanted to work on a directive concerning orphan works.
Orphan works are copyrighted works for which the copyright owner cannot be identified or contacted.
Implements Directive 2012/28/EU on certain permitted uses of orphan works.
Orphan works are works that are in copyright but whose right holders cannot be identified or located.
It is quite often possible to find the authors of orphan works if you put your mind to it.
The database allows the mentioned institutions to have access to information about orphan works.
Orphan works are works which are still in copyright but whose owners cannot be identified or located.
We want to remove barriers obstructing the digitisation and use of orphan works.
Orphan Works are works which are protected by copyright but whose creators cannot be identified or found.
EU of the European Parliament andof the Council on certain permitted uses of orphan works 323.
We want to see orphan works digitised and used in a way that contributes to our culture, science and economy.
Related to this is the highly critical question of so-called orphan works, whose authors cannot be located.
Orphan works are works that are subject to copyright but whose copyright holders cannot be identified or contacted.
When it scanned the books,Google drew on the categories of out-of-print and orphan works.
Orphan works represent a substantial part of the collections of Europe's cultural institutions(e.g., the British Library estimates that 40 percent of its copyrighted collections are orphan 1).
The reports do not show any substantial work on databases of orphan works in most Member States.
First and foremost in this area, we should have harmonised European solutions for management of incomes derived from orphan works.
Proposal for a Directive of the European Parliament andof the Council on certain permitted uses of orphan works.
When the relevant copyright owner cannot be identified orfound the works in question are known as orphan works.
Finland, Sweden, Denmark and Hungary have mechanisms of extended collective licensing in place which can be used to handle orphan works.