Eksempler på brug af Lincy på Dansk og deres oversættelser til Engelsk
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Vi kan ikke vide, hvorfor Lincy.
Lincy og Tisserand, hvor Dufour fandt sin tekst.
Lincy and Tisserand, where Dufour found his text.Det utrolige er, at Lincy.
The incredible part is that Lincy.Teksten, der blev udgivet af Lincy& Tisserand, der er den samme som Silvestre's.
The text that was published by Lincy& Tisserand, which is the same as Silvestre's.Så sandheden er, at selvom Lincy.
So the truth is that even if Lincy.Og hvordan kan han tage tegnsætningen fra Lincy og Tisserand, hvis ikke det er den samme tekst?
And how can he take the punctuation from Lincy and Tisserand if it isn't the same text?I øvrigt er det manuskript, Lincy.
On a sidenote, the manuscript that Lincy.Faktisk havde Lincy& Tisserand også en vigtig tredjemand, nemlig kejserens højre hånd.
In fact Lincy& Tisserand had an important third party, namely the emperor's right hand.Genoptryk fra 1867 fremstillet af Lincy& Tisserand.
Reprint from 1867 made by Lincy& Tisserand.I øvrigt er det manuskript, Lincy& Tisserand omtaler, n° 1122, selve kataloget, og indeholder ingen Danse Macabre-tekst.
On a sidenote, the manuscript that Lincy& Tisserand mentions, n° 1122, is the catalogue and doesn't contain any Danse Macabre-text.Nogle af de første til at adressere dette spørgsmål var Lincy& Tisserand.
Among the first to address this question were Lincy& Tisserand.At Dufour har kombineret tre manuskripter ogtilføjet tegnsætning fra Lincy og Tisserand, der"havde haft originalerne til deres disposition.
That Dufour has combined three manuscripts andadded punctuation from Lincy and Tisserand, who"had had the originals at their disposition.Silvestre har kopieret alle disse mange tekster til sin udgave, mender er ingen grund til, at Lincy.
Silvestre has copied all of these texts Autoriteten fra La Danse Macabre i Paris.Genoptryk fra 1867 fremstillet af Lincy& Tisserand. Der er en større version her: Tisserand.
The the authority from the Danse Macabre of Paris.Reprint from 1867 made by Lincy& Tisserand. There's a larger version here: Tisserand.Lincy og Tisserand citerede Lacroix(side 289) og brugte ham til at argumentere for, at Marchants bøger var en kopi af dansen i St. Innocents.
Lincy and Tisserand quoted Lacroix for this(page 289) and used him to argue that Marchant's books represent the danse from the mural of St. Innocents.Som nævnt er det umuligt at forveksle C og L i Miroer Salutaire, menåbenbart har Lincy& Tisserand ikke kigget i denne bog.
As mentioned, it's impossible to mistake a C for an L in Miroer Salutaire,but evidently Lincy& Tisserand haven't looked in this book.En tredje detalje, der viser, at Lincy& Tisserand har kopieret Silvestre, er, at de inkluderer en ballade, der starter:»Puis que ainsi est que la mort soit certainne«.
A third detail that shows Lincy& Tisserand have copied Silvestre is that they include a ballad starting:»Puis que ainsi est que la mort soit certainne«.Det er åbenbart i den sidste af disse bøger, Silvestre havde fundet de fleste af de afvigelser, vi lige har set, og som Lincy& Tisserand kritikløst har kopieret.
It was apparently in the latter book that Silvestre found most of the variants that we have just seen, and which Lincy& Tisserand uncritically have copied.Så sandheden er, at selvom Lincy& Tisserand påstår, deres tekst var baseret på 1485-udgaven, bruges 1485-udgaven overhovedet ikke i den tekst, de har kopieret.
So the truth is that even if Lincy& Tisserand claim their text was based on the 1485-edition, the 1485-edition is not used at all in the text, which they have copied.Derimod kan vi gætte på, hvilken anden bog de har benyttet sig af. Det viser sig, at Lincy& Tisserand simpelthen har kopieret den tekst, som Louis-Catherine Silvestre udgav i 1858.
On the other hand we can make a guess about which other book they have used: It turns out that Lincy& Tisserand have simply copied the text that Louis-Catherine Silvestre published in 1858.Det utrolige er, at Lincy& Tisserand påstår, deres tekst var baseret på 1485-udgaven, men 1485-udgaven bruges overhovedet ikke i den tekst, de har kopieret.
The incredible part is that Lincy& Tisserand claim their text was based on the 1485-version, but the 1485-version is not used at all in the text, which they have copied.Silvestre har kopieret alle disse mange tekster til sin udgave, mender er ingen grund til, at Lincy& Tisserand skulle have kopieret denne ballade, hvis ikke det var fordi, de havde kopieret fra Silvestre.
Silvestre has copied all of these texts for his edition, butthere was no reason for Lincy& Tisserand to include this ballad, if it wasn't because they had copied from Silvestre.Hvis Lincy& Tisserand havde kopieret 1485-udgaven og kun havde brugt 1486-udgaven til at erstatte det manglende første blad, ville de altså ikke have taget denne ballade med.
So if Lincy& Tisserand had copied the 1485-edition and only used the 1486-edition to replace the missing first leaf, they would not have included this ballad.Man kan dårligt læse teksten anderledes, end Kurtz gjorde: At Dufour har kombineret tre manuskripter ogtilføjet tegnsætning fra Lincy og Tisserand, der"havde haft originalerne til deres disposition.
One can hardly read the text differently than Kurtz did: That Dufour has combined three manuscripts andadded punctuation from Lincy and Tisserand, who"had had the originals at their disposition.Dette er ikke korrekt, for Lincy og Tisserand citerede Lacroix(side 289) og brugte ham til at argumentere for, at Marchants bøger var en kopi af dansen i St. Innocents.
This is not correct, for Lincy and Tisserand quoted Lacroix for this(page 289) and used him to argue that Marchant's books represent the danse from the mural of St. Innocents.Yderligere information Manuskripter Guy Marchants førsteudgave af Danse Macabre Manuskripterne fra Sankt-Victor Lincy& Tisserand Dansen i Basel John Lydgate og dødedansen i London De latinske tekster- Hec pictura decus[…] Døden fra Lübeck Danse macabre En kopi?
Further information Manuscripts Guy Marchants first edition of la Danse Macabre The manuscripts from Sankt-Victor Lincy& Tisserand The dance in Basel John Lydgate and the dance of death in London The Latin texts- Hec pictura decus[…] Dances of death Danse macabre A copy?Lincy& Tisserand er helt entydige: De har brugt 1485-udgaven, hvor det eneste eksemplar befinder sig i Grenoble, og de har brugt 1486-udgaven fra det kejserlige bibliotek.
There's no mistaking Lincy& Tisserand's words: They have used the 1485-edition, the only copy of which resides in Grenoble, and they have used the 1486-edition from the Imperial library.Hvis han har været nødt til at kopiere tegnsætningen fra Lincy og Tisserand, fordi han ikke selv havde haft Marchant's udgave fra 1485 til sin disposition, hvor han så fået billederne fra?
If he had to copy the punctuation from Lincy and Tisserand, because he himself didn't have the Marchant edition of 1485 at his disposal, where did he get the images from then?Lincy& Tisserand- genoptryk fra 1867(fuld tekst) Silvestre vs. Tisserand- en sammenligning af teksten fra genoptrykkene i 1858 og 1867 Spring ind i dansen ved at klikke under billederne forneden.
Lincy& Tisserand- reprint from 1867(full text) Silvestre vs. Tisserand- a comparison of the text from the reprints in 1858 and 1867 Jump into the dance by clicking the titles under the images below.Her knækker filmen igen, for Lincy og Tisserand var så privilegerede at have opbakning fra den kejserlig senator og præfekt til at få udleveret 1485-udgaven fra Grenoble.
Once again something doesn't smell right, for Lincy and Tisserand were privileged by having the backing of the Imperial senator and prefect to get their hands on the 1485-version fra Grenoble.
