Eksempler på brug af The carvings på Engelsk og deres oversættelser til Dansk
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Look at the carvings.
We're looking for writing,patterns in the carvings.
I saw the carvings on the rock.
You want to look at the carvings?
Look at the carvings. Check the ground.
Folk også translate
That's why there are all the carvings.
Look at the carvings. Check the ground.
Check the ground. Look at the carvings.
Look at the carvings. Check the ground.
Check the ground.Look at the carvings.
It's said that the carvings are up to 3500 years old.
Check the ground. Look at the carvings.
Of the carvings on the ruins. SG-15 took digital images.
Right… SG-15 took digital images of the carvings on the ruins.
The carvings were impressive, particularly the slightly aggressive dolphins.
The carvings on the face are almost identical to the first attack.
In these houses,tourists can also enjoy the carvings patterned Minangkabau listed in the walls of the house.
The carvings, a prayer from the Book of Psalms,the tokens placed inside, but why is there this mirror?
Once, it must have been green and fertile and supported the life of the people,who made the carvings.
Many of the carvings are from the Neolithic Stone Age some 7.000 years ago.
Penises. The domes on the temple are phallic symbols, and the carvings all depict the act of making love.
The carvings' flat background was stippled throughout, and the contrast to the letters was further highlighted with colors that were originally brighter.
Or, in North Wales, spot the carvings in the Chapel Tower at Edward I's Conwy Castle.
One exception is the stave church from Fortun, where the long,slender profile of a warship dominates the carvings on the inside of the north wall of the nave.
The carvings depict the most unusual scenes, they vary from familiar dinosaurs to humans fighting the dinosaurs, life-bearing and suckling dinosaurs to strange air craft.
Step back millennia at Stonehenge's prehistoric monument. Or, in North Wales,spot the carvings in the Chapel Tower at Edward I's Conwy Castle.
The carvings at Steinmohaugen may have been an important place for people on their way between the summer reindeer grazing areas on the coast and the autumn areas in the mountains.
All the rituals depicted on the carvings and bronze objects may have been intended to ensure that it reappeared every morning and that it every spring regained its power and made the crop on the fields, the leaves, flowers and insects to be born again.