What is the translation of " JOAD " in Croatian?

• joad

Examples of using Joad in English and their translations into Croatian

This is Joad.
To je Joad.

Joad is down low!
Joad je slobodan!

Well, if it ain't Tom Joad.
Pa, to je Tom Joad!

Here's Joad, right?
Evo, to je Joad, je li tako?

This here is William James Joad.
Ovo je William James Joad.

Like Tom Joad in Grapes of Wrath.
Kao Tom Džoad u"Plodovima gnjeva.

You can't keep a Joad in jail!
Ne možeš zadržati Joada u zatvoru!

Sergeant Joad and I'm Jeb Bassett.
I ja sam Jeb Bassett. Narednik Joad.

It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad.
To je tihi, pretežito akustični album, sličan kao Nebraska i The Ghost of Tom Joad.

Ain't you young Tom Joad, old Tom's boy?
Ti si mladi Tom Joad, sin starog Toma, zar ne?

Grandpa Joad has a stroke the night they leave, and dies.
Djed Joad ima moždani udar noći kad odlaze i umre.

The songs"Long Time Comin'" and"The Hitter" were written and performed during Springsteen's solo Ghost of Tom Joad Tour in 1996.
Pjesme"Long Time Comin'" i"The Hitter" napisane su i izvedene tijekom Springsteenova Ghost of Tom Joad Toura 1996.

Tommy Joad has been paroled from prison early for good behavior.
Tommy Joad je prijevremeno izbačen iz zatvora zbog dobrog ponašanja.

Originally a quiet folk song,"The Ghost of Tom Joad" has also been recorded by Rage Against the Machine and Junip.
Snimljena kao tiha folk pjesma,"The Ghost of Tom Joad" snimljena je i u radikalno bučnijem i žešćem aranžmanu sastava Rage Against the Machine.

The Joad farm has been in the family for three generations, and means everything to Pa and Grandpa.
Obitelj Joad je u obitelji već tri generacije, a sve znači Pa i djed.

It is a low-key, mostly acoustic album, in the same vein as''Nebraska'' and''The Ghost of Tom Joad'' although with a little more instrumentation.
To je tihi, pretežito akustični album, sličan kao''Nebraska'' i''The Ghost of Tom Joad'', iako malo više instrumentalniji.

The Ghost of Tom Joad" made its Rage live debut on April 25, 1997, at Sam Boyd Stadium in Las Vegas.
The Ghost of Tom Joad" debitirala ne na koncertu 25. travnja 1997. na Sam Boyd Stadiumu u Las Vegasu.

Always a Friend"(Alejandro Escovedo, Chuck Prophet)(with Alejandro Escovedo) Recorded: April 14, 2008, Houston, Texas- 4:49"The Ghost of Tom Joad"(Bruce Springsteen)(with Tom Morello) Recorded: April 7, 2008, Anaheim, California- 8:39"Turn!
Always a Friend"(Alejandro Escovedo, Chuck Prophet)(s Alejandrom Escovedom) Snimljeno: 14. travnja 2008. u Houstonu"The Ghost of Tom Joad"(Bruce Springsteen)(s Tomom Morellom) Snimljeno: 7. travnja 2008. u Anaheimu"Turn!

The character Tom Joad, from John Steinbeck's classic 1939 novel The Grapes of Wrath, is mentioned in the title and narrative.
Lik Toma Joada iz klasičnog romana Plodovi gnjeva Johna Steinbecka spominje se u naslovu i priči.

The song opened most of the shows on the 1995-1997 solo acoustic Ghost of Tom Joad Tour, and gave audience members a clear indication as to what the night would be like.
Pjesma se pojavljivala na većini koncerata akustičnog samostalnog Ghost of Tom Joad Toura, a publici je najavljivala kakva ih večer čeka.

By the Ghost of Tom Joad Tour, the song was suddenly turned into a short four-minute performance with only Springsteen doing his opening on harmonica and acoustic guitar.
Na Ghost of Tom Joad Touru, pjesma se iznenada pretvorila u kratku 4-minutnu samostalnu Springsteenovu izvedbu na usnoj harmonici i akustičnoj gitari.

Besides The Grapes of Wrath, the song also takes inspiration from"The Ballad of Tom Joad" by Woody Guthrie, which in turn was inspired by John Ford's film adaptation of Steinbeck's novel.
Osim Plodova gnjeva, pjesma je inspirirana i pjesmom"The Ballad of Tom Joad" Woodyja Guthrieja, koja je sama bila inspirirana filmom Plodovi gnjeva Johna Forda.

The Ghost of Tom Joad" was originally recorded as an E Street Band number, intended for inclusion as one of the new tracks on his February 1995 Greatest Hits album.
The Ghost of Tom Joad" originalno je snimljena s E Street Bandom, a trebala je biti uvrštena kao jedna od novih pjesama na kompilacijski album Greatest Hits iz veljače 1995.

Tell me I gotta go make conversation with Tom Joad while the cool kids get to go out and play? Now you two got the balls to ask me-- no, scratch that?
Sad vi još imate muda da me pitate da… ne, jebeš to… reci mi… Moram na razgovor sa Tomom Joadom dok kul klinci idu u provod?

The Ghost of Tom Joad" was featured during the 1999-2000 E Street Band Reunion Tour, in arrangement fairly close to the album's, albeit with Federici often playing accordion and Tallent on stand-up bass.
The Ghost of Tom Joad" izvođena je tijekom Reunion Toura 1999. i 2000. u aranžmanu koji je bio vrlo sličan onom s albuma, iako je Federici često svirao harmoniku, a Tallent bas.

This and"Youngstown" are the only songs from The Ghost of Tom Joad album that have continued to have a significant presence in Springsteen's concert repertoire.
Ova i pjesma"Youngstown" su jedine pjesme s albuma The Ghost of Tom Joad koje su se češće pojavljivale na Springsteenovu koncertnom repertoaru.

However, like the rest of the album,"The Ghost of Tom Joad" is set in the early-to-mid-1990s, with contemporary times being likened to Dust Bowl images: Men walkin''long the railroad tracks, Goin' someplace, there's no goin' back.
Međutim, kao i ostatak albuma,"The Ghost of Tom Joad" je smještena u prvu polovicu devedesetih iako sa sličnim prizorima tridesetih iz doba Velike depresije: Men walkin''long the railroad tracks, Goin' someplace, there's no goin' back.

The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances.
Na dugoj svjetskoj, akustičnoj, solo turneji Ghost of Tom Joad Tour na maloj pozornici, odsvirane su i starije poznate pjesme, ali u akustičnoj verziji, pa je Springsteen morao tražiti od publike da bude mirna tijekom nastupa.

Beginning with the 1995-1997 solo acoustic Ghost of Tom Joad Tour and associated promotional media appearances, Springsteen radically recast"Born in the U.S.A." once again, playing an acoustic guitar version that was unlike both the original Nebraska and full band performances.
Počevši sa samostalnim akustičnim Ghost of Tom Joad Tourom(1995.-1997.) i povezanim promotivnim nastupima, Springsteen je ponovno radikalno izmijenio pjesmu, svirajući verziju na akustičnoj gitari koja se razlikovala i od originalne verzije s Nebraske i grupne izvedbe.