Examples of using Four strings in English and their translations into Danish
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So we have four strings.
Closely-woven imitations of a theme through all four strings.
What are the four strings called?
Melody and accompaniment soon merge into a close texture of parts where all four strings are melody-bearing.
Bass has four strings, guitar has six.
There are only four strings.
This instrument has only four strings, so it's as easy to learn the game on it as to learn how to play the Russian balalaika.
In Mali, the lute is an instrument n'goni three or four strings rather répandu.
It has four strings- double melody and two single course strings, which can be tuned easily thanks to the individual open machine heads.
When I met John,he had four strings on his guitar.
One stark block of chords succeeds another with increasing intensity andleads on to an elegiac, descending motion through all four strings.
Chez the Soninke,where he has three or four strings, each with their own name and is called Ganbare.
By contrast the sound-picture in the dark, compact, elegiac Adagio movement is quite different, borne up by long,expressive melodic lines in all four strings.
Like a typical Fender bass,this model has frets and four strings, as well as the familiar split coil humbucking pickup.
Vocal student Live Foyn Friis already has started a good career andnow she just regained a great review, this time for the CD"With Strings" with Foyn Trio! and four strings.
It was flanked by other major works such as the three quintets for flute and four strings, opus 51, and Kuhlau's masterpiece in the opera genre, Lulu.
As early as this first quartet, Ole Schmidt employs a technique that becomes typical of his whole quartet output until today:closely-woven imitations of a theme through all four strings.
Then it is the viola that takes over the solo- this time more expressively, until the four strings end the movement by repeating the material from the introduction.
And while the rhythmic motionis thus on the whole constant, it is primarily with timbre effects that contrast is created in the central section of the movement, since all four strings play muted here.
This is stated in unison, but expands melodically,rhythmically and in the use of the four strings, which contrapuntally play off theme fragments against one another and create an overall powerful forward movement.
Here the four strings present their favourite melodies from Nordic folk music- including the 400 years old bridal music from the island of Fanø that has spread far and wide as a video with over 50,000 plays on YouTube and Vimeo.
The second movement, Presto leggiero,is played by all four strings, muted throughout.
Its simmeringly bright feel is underscored not only by the way all four strings consistently play muted throughout the movement, but also by the way both viola and cello constantly play at a very bright pitch.
There is a fingering chart to help you find notes on the first four strings in all three tunings.
In Mali, the lute is an instrument n'goni three or four strings rather répandu. Chez the Fulani, it has three strings and is called GAAC. This instrument, when used in music entertainment, marriage, or tabaski Ramadan, may be accompanied by other instruments, singing and clapping.
A rich, expressive viola solo leads into a close four-part passage that culminates fortissimo with all four strings at a high pitch, before the movement falls calm in a long, dying coda, now led by the first violin.
After this the pitch begins to move up again, but still falls calm again after several local climaxes and imperceptibly thins out more and more. The second movement, Presto leggiero,is played by all four strings, muted throughout.
And while the rhythmic motion is thus on the whole constant,it is primarily with timbre effects that contrast is created in the central section of the movement, since all four strings play muted here. The short fourth movement, Adagio e tranquillo, primarily functions as suspenseful anticipation of the finale, dominated on the one hand by long, upward-striving melody lines in the cello, and on the other by descending, elegiac melody lines in the first violin.
It is the same for the instrument molaaru monotone, either alone or supported by public during performances gourds, tunbudè, serving tambour. Chez the Soninke,where he has three or four strings, each with their own name and is called Ganbare.
All four strings play throughout the movement with mutes, and the dynamic level, with the exception of a single passage, is extremely delicate; nevertheless there is a contrast between the outer sections- parallel with the first movement- with their slowly rocking, airy sonority with many pauses between notes and motifs in the melody lines, and the middle section's lightning-fast trembling scale runs at twice the pulse; on the other hand the characteristic falling semitone figure follows on directly from the preceding section.