What is the translation of " X-DEVIAN " in Danish?

• x-devian

Examples of using X-devian in English and their translations into Danish

X-Devian also emphasizes the collective character of free-software.
X-Devian peger også på fri softwares kollektive karakter.

But as the name indicates, X-Devian is also a special"variant"4.
Men som navnet indikerer er X-Devian også en særlig"variant.

Free Software on the Surface, Behind the Screen and in a Cultural Kaleidoscope: X-Devian.
Fri software på overfladen, bag skærmen og i et kulturelt kalejdoskop: X-Devian.

X-Devian distinguishes itself from much of the technological art that is today presented at festivals such as Ars Electronica.
X-Devian adskiller sig fra megen af den teknologikunst, der i dag præsenteres på festivaler som Ars Electronica.

Free Software on the Surface, Behind the Screen and in a Cultural Kaleidoscope: X-Devian. Daniel G. Andujar Archive.
Fri software på overfladen, bag skærmen og i et kulturelt kalejdoskop: X-Devian Daniel G. Andujar Archive.

In the second part of the installation, you get behind the X-Devian interface to the software itself and the free software as environment, network and activity.
I installationens anden del kommer man bag X-Devians interface til selve softwaren og fri software som miljø, netværk og aktivitet.

Formally, X-Devian is a so-called'distribution' of the Ubuntu operating system, which within the free-software community refers to a variant of a system based on GNU/Linux, e.g. Ubuntu3.
Formelt er X-Devian en såkaldt"distribution" af styresystemet Ubuntu, hvilket inden for fri software-miljøet refererer til en variant af et system baseret på GNU/Linux, som fx Ubuntu.

But perhaps such festivals are not the right context for X-Devian, just as it might be a misunderstanding to comprehend the work in relation to"technological art.
Men måske er sådanne festivaler heller ikke den rette kontekst for X-Devian, ligesom det måske er en misforståelse at begribe værket i forhold til'teknologikunst.

They are informally gathered in front of a computer in a boutique landscape that, with its glass walls and hectic activity signals that X-Devian addresses itself to an open and dynamic environment.
De er uformelt samlet foran en computer i et butikslandskab, der med sine glasvægge og hektiske aktivitet signalerer, at X-Devian henvender sig til et åbent og dynamisk miljø.

Technological Art beyond the Technology X-Devian distinguishes itself from much of the technological art that is today presented at festivals such as Ars Electronica.
Teknologikunst hinsides teknologien X-Devian adskiller sig fra megen af den teknologikunst, der i dag præsenteres på festivaler som Ars Electronica.

He turns the system's own resources and values against itself, while at the same time- which is especially clear in X-Devian- he symbolically reverses the sign and the actual content.
Han vender systemets egne midler og værdier mod det selv, samtidig med at han, hvilket er særlig tydeligt i X-Devian, skifter symbolsk fortegn og reelt indhold.

In its aesthetic form, X-Devian thus reflects free software's idea of changeability and adaptability in relation to specific situations utilizing local distributions as far as possible.
I sin æstetiske form afspejler X-Devian således fri softwares forestilling om mulighed for forandring og tilpasning i forhold til specifikke situationer.

Besides connecting the two worlds of the work, the slogan dramatizes a general uncertainty and ambivalence that encodes the access to X-Devian with a mixture of skepticism and idealism, distrustful and visionary views.
Udover at forbinde værkets to verdener iscenesætter sloganet en gennemgående usikkerhed og ambivalens, der koder tilgangen til X-Devian med en blanding af skepsis og idealisme, mistroiske og visionære forestillinger.

Even though X-Devian is an idealistic statement like Stallman's, its emphasis is the aesthetic staging of free software as a cultural discourse where meanings are in play.
Selvom X-Devian er et idealistisk udsagn lig Stallmans, så er dets pointe den æstetiske iscenesættelse af fri software som en kulturel diskurs, hvor betydninger er i spil.

While they consist predominantly of self-referential texts and symbols, Andujar refers to a world and activity beyond the work. Instead of internal organization and structuring, the information economy in X-Devian is based on activeness, production and relations in a non-institutional context.
Hvor de nævnte konceptkunstneres værker overvejende bestod af selvrefererende tekster og tegn, refererer tekster, koder og filer hos Andújar til en verden og aktivitet hinsides værket. I stedet for intern struktur er informationsøkonomien i X-Devian funderet i handlekraft, produktion og relationer i en ikke-institutionel kontekst.

In that way, Information Society and X-Devian are”role-models” for a non-authoritative culture where knowledge is produced in an exchange between autonomous subjects in a network.
I den forstand udgør Information Society og X-Devian'modeller' for en ikke-autoritær kultur, hvor viden produceres i en udveksling mellem autonome subjekter i et netværk.

Technology is understood and exhibited predominantly as valuable in itself, and the function of art is reduced to aesthetics- to embellishment.16 But perhaps such festivals are not the right context for X-Devian, just as it might be a misunderstanding to comprehend the work in relation to"technological art.
Teknologien begribes og udstilles overvejende som værdifuld i sig selv og kunstens funktion er reduceret til at æstetisere, i betydningen at forskønne den.[16] Men måske er sådanne festivaler heller ikke den rette kontekst for X-Devian, ligesom det måske er en misforståelse at begribe værket i forhold til'teknologikunst.

Spread about the room there are tables with online computers- running X-Devian- on which you can aquaint yourself with the content of the homepage and experience how the software actually functions.
Spredt i rummet står borde med online-computere, der kører X-Devian, hvor man kan orientere sig i hjemmesidens indhold og gøre sig erfaringer med hvordan softwaren rent faktisk fungerer.

X-Devian is also a distribution, in that the installation hands out the newest version of Ubuntu on CD-ROM, so that visitors can take the program home and run it on their own computers.
X-Devian er også en distribution i den forstand, at installationen faciliterer onlinebestilling af den nyeste version af Ubuntu på cd-rom, så publikum kan få styresystemet tilsendt og køre det på deres egne computere.

It is an inclusive and generous economy, where engagement counts. In its expression and its thematizing of information economy X-Devian lies in extension of installations by conceptual artists of the 60's such as Joseph Kosuth, Mel Bochner and Art& Language. However, even though there are formal aesthetic similarities, there are also significant differences between X-Devian and these works.
Det er en inklusiv og generøs økonomi, hvor det er engagement, der tæller. I sit udtryk og sin tematisering af informationsøkonomi ligger X-Devian her i forlængelse af installationsværker fra 60ernes konceptkunst af blandt andre Joseph Kosuth, Mel Bochner og Art& Language; men selvom der er formelle æstetiske ligheder, så er der også betydelige forskelle mellem X-Devian og disse værker.

In X-Devian, the focus, on the other hand, is on representation and conceptualization as a strategy to discuss free software in relation to a number of themes that do not deal with software alone, but also with software culture.
I X-Devian er fokus omvendt på repræsentation og konceptualisering som en strategi til at italesætte fri software i forhold til en række tematikker, der ikke udelukkende handler om software, men om softwarekultur.

Technologies To The People® Publicity Department, Alicante 2000 8 ibid 9 Since Andujar exhibited X-Devian for the first time, Apple has updated Mac OS X several times, and the homepage that was made for the installation in the Århus Kunstbygning is thus from the newest version Mac OS X Leopard, while the promotional video is for Mac OS X Panther.
Technologies To The People Publicity Department, Alicante 2000.(egen oversættelse)[9] Siden Andújar udstillede X-Devian første gang har Apple opdateret Mac OS X flere gange, og hjemmesiden som er blevet lavet til installationen i Århus Kunstbygning er således fra den nyeste version Mac OS X Leopard, mens reklamevideoen er for Mac OS X Panther.

X-Devian intentionally misreads Apple's"X" as a symbol for the undefined and potential, an essential figure for the development of free software- instead of reading it as an exact character for the description of Apple's operating system.
X-Devian fejllæser bevidst Apples"X" som en figur for det udefinerede og potentielle, en essentiel figur for udviklingen af fri software, frem for at læse det som en eksakt numerisk værdi til beskrivelse af en version af Apples styresystem.

The installation is built up around a two-part”story” of the operating system X-Devian, which unfolds in an advertizing campaign in which you are introduced to X-Devian as a product, and also in a sort of laboratory environment in which you have access to hands-on exploration of the operating system and to various information on free software.
Installationen er bygget op omkring en todelt'fortælling' om styresystemet X-Devian. Fortællingen udspiller sig henholdsvis i en reklamekampagne, hvor man præsenteres for X-Devian som en vare, og i et slags laboratoriemiljø hvor man har adgang til at udforske styresystemet på egen hånd og til forskellig information om fri software.

Formally, X-Devian is a so-called'distribution' of the Ubuntu operating system, which within the free-software community refers to a variant of a system based on GNU/Linux, e.g. Ubuntu3. X-Devian is also a distribution, in that the installation hands out the newest version of Ubuntu on CD-ROM, so that visitors can take the program home and run it on their own computers.
Formelt er X-Devian en såkaldt”distribution” af styresystemet Ubuntu, hvilket inden for fri software-miljøet refererer til en variant af et system baseret på GNU/Linux, som fx Ubuntu.[3] X-Devian er også en distribution i den forstand, at installationen faciliterer onlinebestilling af den nyeste version af Ubuntu på cd-rom, så publikum kan få styresystemet tilsendt og køre det på deres egne computere.

Ambiguous Backdrop The installation of X-Devian in the Århus Kunstbygning involves both the advertizing campaign and the laboratory and connects them in a more literal way than in Andujar's earlier installations of the work.
Dobbelttydigt bagtæppe Installationen af X-Devian i Århus Kunstbygning involverer både reklamekampagne og laboratorium og forbinder dem på en mere bogstavelig måde end i Andújars tidligere installationer af værket.

As a work, X-Devian is an actual distribution of GNU/Linux via a narrative of a fictional variant of a system that exists"only" as an artwork and whose representation and conceptualization of the system is substantially different from Ubuntu's own.
Som værk er X-Devian en reel distribution af GNU/Linux gennem en fortælling om en fiktiv variant af systemet der'kun' eksisterer som kunstværk og hvis repræsentation og konceptualisering af systemet er væsentligt forskelligt fra Ubuntus egne.

In its expression and its thematizing of information economy X-Devian lies in extension of installations by conceptual artists of the 60's such as Joseph Kosuth, Mel Bochner and Art& Language. However, even though there are formal aesthetic similarities, there are also significant differences between X-Devian and these works.
I sit udtryk og sin tematisering af informationsøkonomi ligger X-Devian her i forlængelse af installationsværker fra 60ernes konceptkunst af blandt andre Joseph Kosuth, Mel Bochner og Art& Language; men selvom der er formelle æstetiske ligheder, så er der også betydelige forskelle mellem X-Devian og disse værker.

Since Andujar exhibited X-Devian for the first time, Apple has updated Mac OS X several times, and the homepage that was made for the installation in the Århus Kunstbygning is thus from the newest version Mac OS X Leopard, while the promotional video is for Mac OS X Panther.
Siden Andújar udstillede X-Devian første gang har Apple opdateret Mac OS X flere gange, og hjemmesiden som er blevet lavet til installationen i Århus Kunstbygning er således fra den nyeste version Mac OS X Leopard, mens reklamevideoen er for Mac OS X Panther.

By hacking the representation of software- in the sense of setting it free- X-Devian displays free software as fundamentally different, partly as a differently distributed form of discourse than the centralized form that the proprietary software industry uses, partly as a different social and autonomous cultural context for conceiving of"the most advanced operating system.
Ved at hacke repræsentationen af software- i betydningen at sætte den fri- præsenterer X-Devian fri software som en fundamental forskel, dels som en anderledes distribueret diskursform end den centraliserede form som den proprietære softwareindustri opererer med, dels som en anderledes social og autonom kulturel kontekst for forestillinger om"verdens mest avancerede styresystem.