Examples of using Feininger in English and their translations into German
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Lyonel Feininger and Paul Klee.
Viaduct, author: Lyonel Feininger, 1920.
However, Feininger had actually started out in the applied arts.
Exhibition view, Lyonel Feininger and Alfred Kubin.
Lux Feininger, the indexcard from Carnegie Int.
People also translate
The blue color as the color of the sea and the sky demonstrates Feininger's turning to the nautical and the marine.
The chemist bequeathed the city, in which he spent the last year of his life, an art collection which includes works by Franz Marc, Emil Nolde, Max Beckmann,August Macke and Lyonel Feininger.
The oil painting'Viaduct' shows the viaduct of Arceuil near Paris, which Feininger painted repeatedly from 1906, in its most abstract guise.
It includes firstly, artistic photographs: 6000 prints(4000 of which are vintage prints) by 117 photographic artists from the Bauhaus and its circle and successors- including works by László Moholy-Nagy,Walter Peterhans and the Feininger family.
Among others these artworks include sheets by Lyonel Feininger, Gretel Haas-Gerber, Karl Hofer, Adolf Hölzel, Paul Klee, Franz Marc, August Macke, Emil Nolde, Max Pechstein, Hans Reichel and Christian Rohlfs.
It stands on same square as the Marktkirche(the church to the left in the background) which Feininger chose as a motif in his work.
The Bauhaus as the place of the development of a new art, with Kandinsky,Klee, Feininger and the others, and the Bauhaus as the place of a goal-oriented creation of a standardization of equipment with a view towards industrial production.
He took the architecture course at the Bauhaus in the summer semester of 1919,and starting in 1921 studied in the printing workshop(under Lyonel Feininger) and in the stage workshop run by Lothar Schreyer.
Double self portrait on the terrace of the Feininger Master House Dessau(left: T. Lux Feininger, right: Andreas Feininger), photo: Andreas Feininger, around 1928, Bauhaus-Archiv Berlin/© Andreas Feininger Archive c/o Getty Images/ Estate of T. Lux Feininger.
Streuli, whose interests include film and literature, and who enjoys skiing, was a longtime member of the Scharoun Ensemble and plays in various chamber music formations such as the Berlin Baroque Soloists andwith David Riniker in the Feininger Trio.
Just like his brother Andreas, T. Lux Feininger increasingly dedicated himself to photography towards the end of his studies. Between 1927 and 1931, he worked as a photo reporter for the Berlin DEPHOT agency, as well as for various periodicals and illustrated magazines.
Walter Gropius employed a series of acclaimed artists as professors,among them not only Johannes Itten, Lyonel Feininger and Gerhard Marcks, but also Paul Klee, Oskar Schlemmer, Wassily Kandinsky and László Moholy-Nagy.
It illuminates the principal milestones in Kandinsky's artistic and private life, providing an insight into his legacy and focusing in particular on his years at the Bauhaus,where he taught together with artist colleagues like Paul Klee and Lyonel Feininger.
Significant portfolios of graphic art by the Bauhaus masters were created,including Zwölf Holzschnitte by Feininger, the Ypsilon series of etchings by Georg Muche, the Kleine Welten(Small Worlds) portfolio by Wassily Kandinsky and the Meistermappe des Staatlichen Bauhauses master portfolio of the Bauhaus.
Only a few minutes walk away from the Bauhaus building, you will find the Dessau Masters' Houses designed for their first occupants to live and workin- the famous Bauhaus Masters Kandinsky, Klee, Muche, Schlemmer, Moholy-Nagy, Feininger and the Houses' architect itself Gropius.
He enjoys playing chamber music with his wife Paola DePiante Vicin(Piano Duo Paola&Adrian Oetiker), in the Feininger Trio Berlin, but also with Eduard Brunner, Ana Chumachenco, Homero Francesch, Mario Hossen, Wen-Sinn Yang and many other friends.
Several LIFE magazines from the 40s with pictures by A. Feininger, which are also included in the exhibition, a LEICA camera, a ROLLEIFLEX camera, models with which he took pictures in New York in the 40s, several rolls of the KODAK-Super XX film and film packs A. Feininger liked to use at the time, and a facsimile view of Manhattan from the 40s, in which Feininger marked camera positions for shootings, are also available.
Compared with the sense of anxiety and the complex visual vocabulary encountered in Room 36, the Bauhaus artists Oskar Schlemmer, Paul Klee,Lyonel Feininger und Laszlo Moholy-Nagy present a more optimistic sense of a new beginning and a more constructive notion of form.
The housing estates in Magdeburg and Leuna, the Burg Giebichenstein University of Art and Design inHalle, the works of Lyonel Feininger in Quedlinburg and the Diakonissen-Mutterhaus Neuvandsburg in Elbingerode are all well worth a visit and examples of the New Architecture in Saxony-Anhalt and testimony to the spirit of optimism and dynamism of the 1920s in Central Germany.
Fifty years of important exhibitions, independently curated catalogues, cooperations and fairs exposed amongst the most important Italian artists as Fontana, De Chirico, Cremonini, Depero, Marini, Mattioli, Plattner, Schifano, Severini, Vedova, also European artists such as Beckmann, Dix,Ernst, Feininger, Grosz, Kokoschka or for example Frohner, Fuchs, Flora, Hrdlicka, Hoke, Hundertwasser, Mack and Weiler.
The body's cubist splitting into colouredareas reminds of the German-American painter Lyonel Feininger and his prismatic style, whose abstraction of churches and urban landscapes arose out of the motive's adaption into a crystalline geometrical construction.
Early Drawings and Prints 1906-1921October 22- December 12, 2002 Deutsche Bank Lobby Gallery in New Yorkis featuring an exhibition of works by Lyonel Feininger(1871-1956) that surveys the American artist's early drawings and prints devoted to the human figure.
The reflections of the people and situations in the pictures are circulinearly curved; they are endowed withthe perspective that was discovered by the architects Albert Flocon and Andreas Feininger around 1950 to be the actual, natural one, resulting in the triumphant advances of the so-called fish-eye lens.
The photo At the appearance of things brings together the famous photograph Die Weberinnen auf der Bauhaustreppe[The Weavers on the Bauhaus Steps] of 1928,by T. Lux Feininger(original photograph 10.8 x 8.3 cm, Collection Bauhaus-Archiv, Berlin) with a narrow passageway and an imposing, brilliantly green natural fragment.