Examples of using Spatial movement in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
But i arge spatial movements can, however, not be represented!
A concrete visual space replaces the preceding abstraction of spatial movement.
Spatial movement of the detectors will change the intensity and energy of this line.
And so mobility by the middle of the 21st century will notbe limited to new types of engines and spatial movement.
The work alternates solid sonic blocks with spatial movements of fragile, volatile materials.
The second theme is the transformation of aninnerly moved surface of sounds into an outer, spatial movement.
Spatial movement of the trigger actuates the light, transforming the air current into a visual experience.
And so mobility by the middle of the 21st century will not be limited to new types of engines and spatial movement.
Different approaches have shown that the spatial movements of a mobile device can be used as an alternative to touch input.
Varèse's work had always sought the abstract and, in part,visually inspired concepts of form and spatial movements.
We experiment with the spatialisation and spatial movement of sounds, the perception of sounds and how they change in our awareness.
In this paper,we compared traditional multitouch navigation on mobile devices with spatial movements for pan and zoom.
This spatial movement involves proximity and distance, coming close to the object and drawing away to contemplate the installation as an architectural whole.
People are in love with linear time--with the counted time abstracted from spatial movement-- because it still promises power.
The new audio work Slide, initially reminiscent of a minimalist sculpture, combines two soundbars with found acoustic representations,the auditory equivalents of spatial movement.
The spatial movement of the wheel during spring deflection and steering(kinematics) is determined by the number as well as relative arrangement of the kinematic points(topology) of the wheel suspension.
The question arises of which rules should be applied to transform sound into image, spatial movement into timbre, or harmony into color.
When using a portable computer, spatial movement can thus occur in two respects: first, as physical change of place or a change of place in the space of the medium; second, in the virtual realm or in the space of mediality.
Rather the editing creates a repetition of lines of movement of people and machines andgenerates a visual abstraction of spatial movement.
The two works entitled“Entwurf für eine große Figur”(Design for a Large Figure) and the equally larger-than-life, sitting“Polyanthe” develop a dynamic all of theirown from the tension between their massive physical presence and their spatial movement. They seem clumsy and yet at the same time as if dancing, taking their elemental force from the ground on which they stand, and from their immediate surroundings.
For the acrylic pictures the artist chose in the first version of the installation, that was exhibited at the New York Armory Show in early 2014, a dark-red background for the, which binds with the emblematicpresence of the reddish-yellow arrow‑like forms to create a spatial movement.
The music is dynamised via an abstract movement network in different filters,as if the sound is perceived by the observer in spatial movement: coming, going, approaching.
This third work from the cycle, focused more on the internal magnitude of the instrumental space,provides a counterpoint to those preceding it whose dramaturgy are shaped by the spatial movement of the sound and performers.
The sudden resolution of this ambivalence and state of tension through the explosion of the plane and the bridge(> EMU 3) can be seen as a shocking short-circuit of these two established poles,which itself initiates the gestural and spatial movement of another character, Hardy> EMU 4.
This work from the cycle, in which all the musicians play on stage for the first time, focuses more on the internal magnitude of the instrumental space,providing a counterpoint to those preceding it whose dramaturgy is shaped by the spatial movement of the sound and the performers.
There then follows the question of whether colour orsurface structure of the visual task are significant, whether movement and spatial arrangement have to be recognized or whether reflected glare is likely to be a problem.