Examples of using Stam in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
Geeske comes from Stam 50 witch mean, very interesting for breeding.
For additional colors orvariants of the Thonet S 43 by Mart Stam PVST please send us a request.
Mart Stam Gesellschaft and see up, centre for graduates, organize an evening with stimulating lectures and conversations.
This is a tribute to the great master Mart Stam and its cantilever chair designed in 1926.
Funded by Mart Stam Gesellschaft, the Mart Stam Preis was first awarded in 1997 to graduates of weißensee academy of art berlin.
Not only as a dining room chair Mart Stam Cantilever chair is popular in its application.
The Mart Stam Award 2017 was realized with the support of GASAG, BSR and ruksaldruck and in cooperation with the Kunstraum Kreuzberg/ Bethanien.
Born on August 5th 1899 in Purmerend, Netherlands, Mart Stam spent a large part of his life in Germany, Switzerland and the Soviet Union.
Alongside various scholarships, she is the recipient of the GWK Förderpreis Kunst(the GWK Art Grant) and the Förderpreis der Mart Stam Gesellschaft Berlin the Mart Stam Society Grant.
The works of the eight winners of the Mart Stam Award 2017 will be exhibited from May 26, 2018 in the Kunstraum Kreuzberg/ Bethanien.
The famous architect andBauhaus-teacher Ludwig Mies van der Rohe got to know the experiments with steel tube of Mart Stam- the creator of the legendary S 33 and S 34 cantilever.
Well-known Bauhaus designers such Marcel Breuer, Mart Stam or Ludwig Mies van der Rohe were the first to experiment with the new construction method.
She has been a scholarship holder of the German AcademicScholarship Foundation and received travel grants from Mart Stam Foundation and Marianne Ingenwerth Foundation.
In addition to Breuer's designs there are also numerous tubular steel design classics by Mart Stam, Le Corbusier and Ludwig Mies van der Rohe in the product portfolio of the furniture manufacturer from the German community of Frankenberg Eder.
With its bent tubular steel frame and wooden shelves the B 22 shelving system is highly reminiscent of many other Breuer designs, such as the S 285 desk, but also of the furniture of Ludwig Mies van der Rohe andMart Stam, which arose at the same time.
In all living areas as well as in offices, clinics,bars and restaurants of Mart Stam chair is a piece of furniture gladly seen as a designer furniture classics.
Since the successful launch of the Wagenfeld Lamp Tecnolumen have expanded their portfolio to includes lamps by other Bauhaus luminaries including Gyula Pap and Josef Albers,as well as non-Bauhaus designers such as Mart Stam and Egon Eiermann and contemporary design talents.
In the furniture area, these include, among others, the cantilever chair of Mart Stam, the Tulip series of Saarinen, the RZ 62 of Dieter Rams, the Bauhaus or Le Corbusier classics.
In particular, for the May 2007 issue of American"Vogue", Rhoda was featured on the cover with fellow models Doutzen Kroes, Caroline Trentini, Raquel Zimmermann, Sasha Pivovarova, Agyness Deyn,Coco Rocha, Jessica Stam, Chanel Iman, and Lily Donaldson as the"World's Next Top Models.
In 1950 the Dutch architect and designer Mart Stam founded- as director of the"University of Applied Arts" in Berlin-Weißensee- the"Institute for Industrial Design", located in Berlin-Mitte, Clara-Zetkin-Straße 28.
With the B 117 the Thonet design team let themselves be inspired by the designs of famous tubular steel furniture designed by the likes of Marcel Breuer,Mart Stam or Ludwig Mies van der Rohe; consequently, the Thonet tubular steel table B 117 has been a popular classic since its launch in 1934.
Wil Stam from the Netherlands supports the international distribution, in particular, in the APAC region. She concentrates on the market of P.A. systems for theatres, operas, and concert and multipurpose halls. Stam is perfectly familiar with both that market and the specific features of that region.
We got talking about tubular steel furniture,mainly about the development of the first cantilever chairs by Stam, Breuer and Mies, about the copyright situation in Germany, and the technical possibilities and challenges of tube bending etc. in those days.
These included chairs from the Aluminium Group, designed by Charles and Ray Eames, Wagenfeld lights, designed by Wilhelm Wagenfeld, seating, designed by Le Corbusier, the occasional table called the‘Adjustable Table' and‘Tubelight' lamps, designed by Eileen Gray, and tubular steel cantilever chairs,designed by Mart Stam.
A variation of this design classic is the Cantilever Chair S43, designed by Mart Stam for Thonet in the year 1931, while the Cantilever Chair S 43 Classics in Colour is a re-edition from the year 2014, the first to feature a coloured, lacquered steel tube frame.
Other founder members included Karl Moser( first president), Hendrik Berlage, Victor Bourgeois, Pierre Chareau, Sven Markelius, Josef Frank, Gabriel Guevrekian, Max Ernst Haefeli, Hugo Häring, Arnold Höchel, Huib Hoste, Pierre Jeanneret( cousin of Le Corbusier), André Lurçat, Ernst May, Max Cetto, Fernando García Mercadal, Hannes Meyer, Werner M. Moser, Carlo Enrico Rava, Gerrit Rietveld, Alberto Sartoris, Hans Schmidt,Mart Stam, Rudolf Steiger, Szymon Syrkus, Henri-Robert Von der Mühll, and Juan de Zavala.
Consequently from the very early days there was confusion about the authorship of the Bauhaus chair, and although in 1932 the Supreme Court awarded Mart Stam artistic authorship of the cantilever chair today the debate still rages as to whether Mart Stam or Marcel Breuer is the real spiritual father of the cantilever chair.
The tubular steel cantilever chair Thonet S 32 without armrests and the Thonet S 64 with armrests weren't developed by Breuer until the late twenties:so after Mart Stam and Ludwig Mies van der Rohe had presented their models of cantilever chairs at the Stuttgart exhibition"Die Wohnung.
Soloists for the project were among others Lisa Larsson, Sandrine Piau, Sibylla Rubens, Barbara Schlick,Caroline Stam, Deborah York and Johannette Zomer(soprano), Bogna Bartosz, Michael Chance, Franziska Gottwald, Bernhard Landauer, Elisabeth von Magnus, Annette Markert and Kai Wessel(alto), Paul Agnew, Jörg Dürmüller, James Gilchrist, Christoph Prégardien and Gerd Türk(tenor) and Klaus Mertens bass.
Soloists for this project included sopranos Els Bongers, Ruth Holton, Lisa Larsson, Marlis Petersen, Sandrine Piau, Dorothea Röschmann, Sibylla Rubens, Barbara Schlick,Caroline Stam(a member of the choir from the beginning), Deborah York, Ruth Ziesak and Johannette Zomer, altos Bogna Bartosz, Michael Chance, Franziska Gottwald, Bernhard Landauer, Elisabeth von Magnus, Annette Markert, Andreas Scholl, Nathalie Stutzmann and Kai Wessel, tenors Paul Agnew, Jörg Dürmüller, James Gilchrist, Guy de Mey, Christoph Prégardien and Gerd Türk, and bass Klaus Mertens.