Examples of using Viewer's perception in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
The viewer's perception exchanges their roles.
His elegy plays with the viewer's perception.
The viewer's perception is then focused on how the project differs from non-artistic projects.
This change of position has quite some impact on the viewer's perception.
Magritte liked to challenge the viewer's perception and encourage them to use their intuition.
They do not represent new knowledge, but rather attempt to deepen the viewer's perception.
Isabel Simões plays with the viewer's perception by making slight interventions into existing spatial structures.
These four works are examples of Greer's effort to alter the viewer's perception of his/her self.
They train the viewer's perception if not conceptual issues of perception, reality or even painting itself are the central concern.
It is a construction, playing with the viewer's perception and expectations.
This new, artificial reality winds itself fold for fold,stroke for stroke, around the viewer's perception.
The viewer's perception is steered toward the extraordinary aspects of common things, but also to their exchangeability and therefore the nonexistence of the individual.
Stella Geppert's works create whole new surroundings that shift the viewer's perception.
Part of reality in her perception and in our viewer's perception is, as it were, elevated to the magic level, becomes the screen of her dreams.
Thus the image of the ORNAMENT is being constructed not only in space and time, but also in the viewer's perception.
Raw, unplaned material contrasts with filigree forms,thus focusing the viewer's perception on the constitution of everyday surroundings.
Within the canvas as well, the colourzones create new relationships to the(pictorial) space, thus challenging the viewer's perception.
With black threads he produces a space bodythat defies the solder of real space and places the viewer's perception in an area of tension between spatiality and perceived spatiality.
Kronental: With this series I wanted to create the atmosphere of a paralleluniverse, possibly to mix the past and the future and by virtue of this kind of spatiotemporal dissonance unsettle the viewer's perception.
Her figures, whose age, cultural origin and hierarchy is unclear,question the viewer's perceptions and preconceptions about worth.
The secret of this impact rests on the finely balanced relationship between motif and color that regularly oscillates between the poles of abstraction and reality andwhich keeps the viewer's perception in motion.
In a climate of increasing intolerance towards people who are different,I needed to challenge the viewer's perception, to question the gap between what we project and who we really are.
In this way Graeser places the strict form of the square ina dynamic relationship that permits the eye no rest, and keeps the viewer's perceptions in constant motion.
It's so easy to make movies, you just shoot and every picture really comes out right",means that the viewer's perception swings ceaselessly between a structurally indifferent registration of the object represented and an object-indifferent registration of the structure.
In her works, the artist uses simple arrangements andapparatuses to observe and examine the relationship between the artistic object, the viewer's perception and her own position.
One experiences that colors have a true life oftheir own which surpasses everything else in its"abstractness. The succession of test prints of one and the same motif in various"keys has a decisive influence on the viewer's perception of the work: it is possible to comprehend here in this microcosm what one man might overlook for example from the green impression to the nocturnal blue version of Gräser.
Always closer to the world of objects than to the construct of language or a signification through images, Greer starts to tempt the man-made constructs in his work through mirror-pieces that work on a very intimate level,tempt the viewer's perception at the moment of encounter.
Annette Sauermann's sculptures done inconcrete and coloured acrylic glass sensitise the viewer's perceptions to subtle materialisations of light.
The ceiling opening can be covered with a movable dome, which is then illuminated with a second light installation,thus irritating and distorting the viewer's perception in a colour dialogue with the main room.
Facts are mixed with fiction,layers are built upon layers to create scenarios that manipulate a viewer's perception of what was and is truly real.