Examples of using At la scala in English and their translations into Hebrew
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Colloquial
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Ecclesiastic
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Computer
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Programming
We loved to eat- at La Scala.
But when I was at La Scala, I had I had a fling with a tenor.
Smaller, like the chopped salad at la scala.
It was first performed at La Scala on 26 December 1831.
I have a 7:30 appointment to explore my intimacy issues at La Scala.
The first performance at La Scala in Milan was on 26 December 1818.
My birthday dinner at La Scala.
Unlike the tour at La Scala, this was one of the most enjoyable and interesting tours ever!
She appeared regularly at La Scala, Milan, between 1865 and 1877.
The conductor Riccardo Muti saw her performance andinvited her to audition at La Scala.
You chose it with Mum in your dressing room at La Scala before the premiere of Il Trovatore.
At La Scala, under the direction of the brilliant and exacting principal conductor Arturo Toscanini, Pinza's career blossomed during the course of the next few seasons.
In 1978, Marton made her debut at La Scala in Milan as Leonora in Verdi's Il trovatore.
Nearly all were successful at their first performances until the disaster of Armida at La Scala during carnival of 1780.
De Sabata became the music director at La Scala in Milan, a post he would hold for over 20 years.
His father and uncle were violinists in London theatre orchestras, notably the Leicester Square Empire,though they had also played at La Scala, Milan, under Arturo Toscanini.
This version, which premiered at La Scala, Milan, on 27 February 1869, has become the standard performance version.
The first time my sonmentioned Emma was when we were at La Scala, on St. Ambrose's feast day.
In 1953, Scotto auditioned at La Scala for the role of Walter in Catalani's La Wally with Renata Tebaldi and Mario del Monaco.
A Londoner, from a musical family, his father and uncle being violinists in London theatre orchestras, notably the Leicester Square Empire,though they had also played at la Scala, Milan, under Toscanini.
Her 1953 debut at La Scala as Elvira in Rossini's L'Italiana in Algeri marked the first time a black artist ever sang in that famed opera house.
A production of Joseph Haydn's Il mondo della luna was heard by Arturo Toscanini andled to him recommending Giulini for the musical directorship at La Scala, where Giulini remained from 1953 to 1956.
Singer, contralto appeared at La Scala, opera houses Petersburg and Warsaw, retired from the operatic stage, now living in London, makes occasional concert appearances.
Schwarzkopf later made her official debut at the Royal Opera House on 16 January 1948, as Pamina in Mozart's Die Zauberflöte,in performances sung in English, and at La Scala on 29 June, 1950 singing Beethoven's Missa Solemnis.
She went on to appear regularly at La Scala, performing nineteen roles between 1957 and 1983 including Leonora in La forza del destino, Elisabetta in Don Carlos, the title role in Aida, Lady Macbeth in Macbeth, the title role in Norma, Ottavia in L'incoronazione di Poppea and Alceste.
In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 asDonna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles.