Examples of using Master CD-R in English and their translations into Polish
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Computer
The Master CD-R sounded worse.
The solution would be to release our material on a gold Master CD-R.
Compared to the Master CD-R, classic pressings sound grey and dull.
This reminds me of a comparison between SHM-CD and Platinum SHM-CD,in which the latter version sounds like Master CD-R.
Opinions were divided as Master CD-R sounded more like Bakoon and CD as Ayon.
I know from experience that they sound much better than the basic ones andare closer to what you hear with the Master CD-R.
With First Impression Music releases the Master CD-R is much cleaner, more distinct.
Once heard, SHM-SACDs or simply single-layered ones make us seriously deal with the issue,on the same level as with the Master CD-R.
Visiting this year's Audio Video Show 2017 in the Golden Tulip hotel, I had the pleasure of participating in your lecture on the Master CD-R.
It has everything that we require from a Master CD-R and it is also incredibly musical.
A conclusion concerning the Master CD-R in general that stuck in my memory for a long time, was that the music from them at first seems to be more raw and not as"smooth" as the from CD.
They offer the material in various formats,including the Master CD-R, which bears the company's proprietary name, CD-RIIa.
During the session it turned out, however, that the changes- the answer to question no. 1 was an unequivocal: YES- manifest themselves in different ways, depending on:1 the person who prepared the master CD-R, and 2 on the music itself.
One can also compare Master CD-R with CD- the differences are significant, sometimes even shockingly big.
During the presentation we could clearly hear a huge difference of quality between the Master CD-R and the discs that go to the stores and then to our houses, to our hands.
It perfectly points out the differences between Master CD-R versions and ordinary pressings, which could be witnessed by the readers who are members of the Krakow Sonic Society during meetings in Warsaw, at the Audio Video Show 2017.
The latter doesn't change as much as with higher class speakers but enough to show, for example,a difference between a Master CD-R version of the Polish Jazz Quartet recordings from a regular CD version.
I know what quality to expect from Master CD-R disc, but almost always these are copies from digital"Master" files, and here this was a copy from the analog master-tape.
It is able to, for example, present the size and scale of the vocals captured by a closely-placed microphone andslightly"tweaked" during mixing and mastering, such as Nat'King' Cole's from Master CD-R disc by ABC Int.
And they didn't notice that the Master CD-R was much more resolving and therefore seemed brighter.
However, while listening to records intended for mass distribution, like Ed Sheeran's Divide or intended for a smaller but still enormous group of listeners, like Suzanne Vega's Close-up,but mostly to sophisticated productions such as a Master CD-R with Nat'King' Cole's recordings, we fully realize that the designers mostly wanted smoothness and a richness of tone.
Very similar feelings accompanied my session with Master CD-R discs with the first five volumes of the Polish Jazz remaster prepared by Jacek Gawłowski, with particular emphasis on the Komeda Quintet ASTIGMATIC.
The differences between these cables, but also generally- between The Ultimate Dream andany other cable I had listened to before in my life- are similar to how they Master CD-R(Siltech) and SACD(Crystal Cable) disc differ in terms of the tone, minus differences in resolution.
More important is the fact that- as on the Master CD-R copy with Duets II by Frank Sinatra- the orchestra was swinging, and on the Depeche Mode's Leave in Silence from 1982 the conditioner deepened the bass while maintaining the rhythm of the track and not losing the vocal in the process, which moves on the listening axis- sometimes coming closer, sometimes moving further away.
Also Polish discs,such as the Kurylewicz Go Right played from Master CD-R, remastered by Jacek Gawłowski was outstanding more HERE.
And so I listened to such a different recordings as: Chet Baker and Art Pepper's The Route from the 1989 remaster, Schubert performed by Nathalie Stutzmann and Inger Södergren,OK Computer by Radiohead in the new version OKNOTOK released on Ultimate HiQuality CD, a Master CD-R with electronic music of my friend Robet Kowalski and sophisticated released on gold Songs my mother tought me, where Arturo Delmoni plays the Stradivari violin from 1721.
Whatever they come up with next, however,in the digital world the Master CD-R is something that- to paraphrase Stanislaw Lem, one could called"the voice of the Lord"….
This is Brian Eno, of course, so we're talking about a well-thought-out sound,it's a good 2004 remaster from a Master CD-R, but thanks to these elements Accuphase could play in this particular way and the amplifier became the last element of this chain.
With sophisticated, purist recordings, such as the recorded in a"direct" mode, without signal manipulation,The Bassface Swing Trio album, as well as a Master CD-R with"pre-mastering" recordings of Bogdan Hołownia, which were released on the Chwile album- similarly as with all other discs- they all sounded as if they were subject of some smoother mastering. .