Examples of using Border scenes in English and their translations into Russian
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Colloquial
The centerpiece is surrounded by nine border scenes.
The icon is composed of 14 border scenes featuring the Mother of God and the saints.
The centerpiece is surrounded by twenty border scenes.
The twelve border scenes on the icon margins depict the life of the Prophet Elijah.
The centerpiece is surrounded by fourteen border scenes.
A series of illustrations consisting of 24 border scenes corresponding to 12 kondaks and 12 ikoses of the Akathist to Jesus the Sweetest.
The centerpiece is surrounded by fourteen border scenes.
The composition of the icon's border scenes and its iconography, rarely encountered in the local art, obviously reflected the client's wishes.
The original image is surrounded by more twelve border scenes of the saint Life.
This explains the inclusion in border scenes or in the central panel the scene depicting St. Catherine praying for the people, such as an icon of St.
A special feature of the 17th century northern iconography is the presence of border scenes representing the local life.
These events are featured in the icon border scenes- the awakening of the bishop, the appearance of a bridge across the Volga and the bishop's return to the camp.
Out of this monastery came the earliest surviving image of St. Catherine with border scenes of her Life dating back to the 13th century.
On many icons around St. Nicholason the top and side margins there are certain saints or the saint's hagiographical border scenes. .
The centerpiece is surrounded by 18 border scenes from the life of the saint.
The border scenes cycle doesn't reproduce any redaction of the Tale of Peter and Fevronia but is close to its Second redaction and the redaction by Patriarch Hermogen.
The Miracle at Chonae is encountered as an isolated scene in border scenes of the Archangel Michael icons and book miniatures.
While the number and composition of the border scenes coincide in all the cases, the Murom icon significantly varies in terms of the border scenes' sequence and iconography.
Such as John the Theologian on Patmos- a centerpiece of a late 14th century icon with 44 border scenes from the Andrei Rublev Museum.
Some icons contain several dozen border scenes showing life events and miracles of the saints, with each iconographic program being noted for its own set of scenes. .
In a separate case on the left, there is the icon of St. Nicholas with eight border scenes, a copy of the wonder-working icon.
This is exactly how the saint is shown on an icon frame with border scenes depicting torments of the five Sebastian martyrs from the Church of the Beheaded John the Baptist at Starokonyushenny lane in Moscow(now located at the Kolomenskoe Museum).
His right arm, pulled aside and folded in a benedictory gesture,is stretched to one of the border scenes, with his right holding a long sword by his side;
It is very likely that the icon of Our Lady of Tikhvin with 24 border scenes of the Akathist- a programmatic and very expensive work- was executed for Pskov's Holy Trinity church at the commission of Misyur Munekhin or his close associates.
The icon of the Holy Trinity was painted by a respectful icon painter of the Kremlin Armoury Tikhon Filatiev in 1707. The other was made on a cypress board with the Kolomna Kremlin at the foot.The icon of Our Lady of the Sign had border scenes that depicted her appearance and Novgorod view with a Kremlin wall and churches. The icon of Revered St. Sergius of Radonezh was the local sacred object.
One of the earliest surviving life cycles is represented in the border scenes of a 1503 icon of St. Dimitri of Priluki with 16 border scenes of his life by Dyonisius from the Vologda Museum.
The most complete hagiography of the saint is represented on a late 15th century icon with 44 border scenes from the Boris and Gleb monastery in Dmitrov(presently held in the Andrei Rublev Museum).
His right arm, pulled aside and folded in a benedictory gesture,is stretched to one of the border scenes, with his right holding a long sword by his side; behind his left shoulder is a shield.
In the Russian icon painting the scene of Conception of the Holy Virgin is part of the border scenes of the icons of the Mother of God or festivals of the Nativity;
The painting uses a layout that was traditional for a hagiographical icon:a large central image is surrounded by small border scenes, in this case scenes showing the sequence of events in the life of the murdered Tsarevich.