Examples of using Comic opera in English and their translations into Russian
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Colloquial
A comic opera, in two acts.
Théophile Semet composed a comic opera on Gil Blas in five acts 1860.
A comic opera in three acts.
This time you will be offered Dmitry Shostakovich's comic opera"The Nose.
February 1: Comic opera in three acts by J. Rossini. Cost: 250-450 soms. Staring at 5.00 p.m.
He began his stage career in Australia in the 1890s, with J. C. Williamson's comic opera companies.
Sullivan returned to comic opera, but because of the fracture with Gilbert, he and Carte sought other collaborators.
In 1905 Blauvelt signed a six-year contract with Fred Whitney to appear in comic opera.
There is no connection, apart from the title, between the story and the comic opera by Adolphe Adam called"Si j'étais roi" English: If I Were King.
Pergolesi was one of the most important early composers of opera buffa comic opera.
His most famous comic opera was Amor vuol sofferenza(1739), better known as La Finta Frascatana, highly praised by De Brosses.
As part of the Astana EXPO 2017 cultural program, the Italian troupe will present the bright comic opera"Falstaff" by Giuseppe Verdi.
Neuendorff began to compose comic operas and operettas himself, most of which were written to librettos in German as well as in English.
In 1911 he worked on the ballet performances of the Maly Drama Theatre in St. Petersburg and the comic opera MA Kuzmin"Fun virgins", set in the same place, in 1912.
The comic opera was completed first: The Gondoliers(1889) was a piece described by Gervase Hughes as a pinnacle of Sullivan's achievement.
Verne accepted, using the opportunity to write and produce several comic operas written in collaboration with Hignard and the prolific librettist Michel Carré.
He authored of number of college songs during this period, including"Sons of the Stanford Red","Sons of Eli" and"Fight,Men of Michigan", and wrote a comic opera, the"Pranks of Paprika".
Tomorrow the film version of Dmitry Shostakovich's comic opera"The Nose"(the production by William Kentridge) will be shown at the"Yasnaya Polyana" Cultural Center.
Comic opera was relatively rare during the Baroque era in France and the musicologist Cuthbert Girdlestone expresses his surprise that none of Rameau's contemporaries seem to have remarked on the innovative nature of Platée.
In 1913 she shared the male role of Alan-a-Dale with actress Florence Wickham in the comic opera Robin Hood by Reginald De Koven and Harry B. Smith.
The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
Emblematic places such as the Plaza Mayor, Las Vistillas and Pradera de San Isidro Park provide the backdrop for such events as the Gigantes y Cabezudos parade andunforgettable evenings of Zarzuela and comic opera.
Sergei Prokofiev's first comic opera, derived from a play by the 18 th century Italian writer Carlo Gozzi, is a work infectiously cheerful, captivating with its adolescent ingeniousness, freshness and richness of musical colours.
Carte believed that a school of wholesome, well-crafted,family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s.
When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons("quarrel of the comic actors") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau andsupporters of new Italian comic opera.
Martha, oder Der Markt zu Richmond(Martha, or The Market at Richmond) is a romantic comic opera in four acts by Friedrich von Flotow set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges.
These are"religious" paintings, stern-themed, bitter, contemplative lessons that leave us in a world that is completely and utterly temporal, where a man lives, withers, and dies, without"being in the[God's]image," in which all the neo-Platonist pretense to distill the material to the spiritual is nothing but another comic opera.
The composer's talent was revealed most clearly in his comic operas, he successfully applied commedia dell'arte principles in modern opera becoming one of the few worthy successors of the of Italian opera buff tradition.
In early 1920 he went to Petrograd and entered the class of Nathan Altman in the Free Art Workshops formerly Imperial Academy of Arts(today the St. Petersburg State Academic Institute of Painting, Sculpture and Architecture named after I.Y. Repin) andat the same time directed at the Studio Theater Comic Opera, led by Kote Marjanishvili.
The foreword to Cui's edition, dated October 1916, explains the state of affairs at the time, and translates thus: The comic opera Sorochyntsi Fair was begun by Mussorgsky in 1875, was composed slowly and in fragments, and after the composer's death in 1881 remained unfinished.