Примеры использования The sovremennik на Английском языке и их переводы на Русский язык
{-}
-
Official
-
Colloquial
Of all the proposals, Nikita chose the Sovremennik Theatre.
The Sovremennik Theatre opened in 1957 with the play"Eternally Alive.
In the same year he joined the troupe of the Sovremennik Theatre, where he worked for many years.
There is the Sovremennik theater, Chistye Prudy, a number of notable buildings and structures not far away from hotel.
Artur Smolyaninov was accepted into the troupe of the Sovremennik Theatre in 2006.
Just like any other theatre, the Sovremennik has experienced ups and downs, survived a period of crisis and enjoyed moments of triumph.
For the main female part a young andlittle-known actress Tatyana Lavrova of the Sovremennik Theatre was invited.
As we have already mentioned, the Sovremennik considered that one of its main tasks was to speak the language of contemporaneity with its spectators.
It well may be that it was exactly that support andthat trust in their theatre shown by spectators that helped the Sovremennik to survive!
Being well aware of the fact that contemporary theatre is a single space, the Sovremennik has always showed keen interest in drama from outside Russia.
From 1985 to 1987 Veniamin worked in the Sovremennik Theatre where he, along with Leonid Filatov and Vitaly Shapovalov, fled after Lyubimov's expulsion from the Soviet Union.
We want to express our gratitude to the event's organizers for the fun and to the"Sovremennik" library for providing us with a venue!
Returning to Russia,Elena Korikova received an offer from Mr. Volchek joined the troupe of the theater"Sovremennik" anand from 2001 to 2004 worked in the"Sovremennik.
By the late 1960s, the Sovremennik had already become a developed art institution, having well-defined creative and civil aspirations as well as a very strong, talented company of actors.
From 1985 through 1987, while the Taganka Theatrewas under Anatoly Efros, Leonid Filatov worked at the Sovremennik Theatre, then later returned to the Taganka.
The Sovremennik was created in the time when theatre was separated from life with an invisible, but solid wall and when the narrow-minded Russia's theatre system had virtually"mummified" the legacy of the founders of Moscow Art Theatre.
In 2008, the publishing house ZebraE released Rogvold Sukhoverko's book of memories, Zigzagi, which is about the Sovremennik Theatre, and his radio and stage activities.
In 1970 he graduated from Zhigalov drama studio at the Central Children's Theatre, where the actor worked until 1978,then went to the Sovremennik Theatre, where he created his major theatrical role.
By the pond stands the Sovremennik Theatre, formerly the Colosseum Cinema, and we wandered between them, stopping by every house to reminisce about all those connected in one way or another with the golden age of Russian culture and with the present.
This idea was especially to the taste of the press, which, by publishing many reflections on the completion of the Sovremennik's mission, did a lot to persuade spectators that this was the case.
A performance based on the play Ascent of Mount Fuji by Aytmatov and Kaltay Mukhamedzhanov, which was staged by Galina Volchek in 1973, demonstrated that the Theatre was not confused, that it remained faithful to its artistic andcivil principles and, in the end, that the Sovremennik was alive and well!
Representatives of the commission visited the Kazan Kremlin, the"Kazan Arena" stadium,the ICDC, the"Sovremennik" apartment complex, the Water Sports Palace, and the Food and Nutrition Department of Kazan.
In the recent years, the Sovremennik very often turned to the classic repertoire: in 1997, Volchek presented a new version of Chekhov's The Cherry Orchard, she also staged Pygmalion by Bernard Shaw; Fokin staged the performance The Karamazovs and the Hell based on later works by Fyodor Dostoyevsky; invited from Lithuania, the stage director Rimas Tuminas proposed the performance We Play Schiller!
Out of over 100 performances that have been staged in the Theatre since its foundation, almost two thirds were written specially for the Sovremennik and were premiered on the stage of the Theatre.
Even though not every play specially written for the Theatre managed to appear on its stage,during the first ten years of its life the Sovremennik tried to be a theatre that would speak with its spectators with the help of plays that reflected the realities and problems of the contemporary world.
Having started with Journey into the Whirlwind, the creative cooperation of Volchek andAleksandr Getman successfully continued ten years later when the repertoire of the Sovremennik included the performance Three Comrades, which immediately and deservingly became part of the Theatre's image.