Приклади вживання Salieri Англійська мовою та їх переклад на Українською
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Who was Antonio Salieri?
Who says, Salieri was so proud.
Salieri wants to annihilate Mozart.
Murray Abraham played in this film, Antonio Salieri.
Mozart and Salieri in a famous movie scene“Amadeus”.
This requiem was conducted by the student of Gluck, A. Salieri.
Salieri triumphantly blows out the candle on the cake.
However, when the mind returned to Salieri, he was greatly frightened by his confession and immediately refused it.
Salieri, who rarely commented on the music of his contemporaries, said little about Mozart's.
As a result, until his death at moments of enlightenment, Salieri repeated that he could confess everything except the murder of Mozart.
Did Salieri silence one of the world's true musical geniuses?
Works of Pushkin:"Eugene Onegin","Gypsies","Mozart and Salieri; the poem"the Village","Prophet","To Chaadaev","I loved you: love still, perhaps….
Less than a year after arriving in Vienna he had become convinced, as he wrote to his father Leopold,that the Emperor‘cares for no one but Salieri'.
Mozart and Salieri for stolom. SaleriChto you today Pasmurov?
In 1786 the Austrian EmperorJosef II organised a competition between Mozart and Salieri, commissioning both to compose one-act operas based on backstage plots.
Probably, Salieri himself did not want such glory, it's better to be completely oblivious.
Milos Forman followed that with Hair and 1981's Ragtime before Amadeus, a look at the life of 18th Century composer WolfgangAmadeus Mozart through the eyes of his rival Antonio Salieri.
It's 1781 and Antonio Salieri is the competent court composer to Emperor Joseph II.
The audience always wants to know what is going on behind the stage, expressing consuming interest in theatre rumours, scandals and intrigues. So it was two and three centuries ago, when in 1786 the Austrian Emperor Joseph II announced a competition between Mozart and Salieri for the best one act opera about a theatre. Salieri won the competition then, but the time showed that the true winner was Mozart.
Antonio Salieri had nothing to do with the commission and hence the death of Mozart.
A more objective view of the gestation of Les Danaïdes,and of the relationship between Gluck and Salieri, is that of Joseph Martin Kraus, a young composer who encountered Gluck in Vienna in the winter and spring of 1782-83.
The composer Salieri has just written an opera entitled L'Hypermnestre ou Les Danaïdes, and he did so almost under the dictée of Gluck.
Michael Kelly, who arrived at the Imperial court as a singer in 1783,remembered Mozart being‘as touchy as gun-powder'; Salieri, by contrast,‘would make a joke of anything, for he was a very pleasant man, and much esteemed in Vienna'.
To the whole world, Salieri is known as a villain who poisoned the great Mozart with envy.
With the success of Tarare,first performed in the summer of 1787, Salieri might reasonably have expected to receive a steady flow of commissions from the Paris Opera.
It is believed that Salieri was a mediocre composer, and lawyers and psychiatrists know even the syndrome of his name.
Since Gluck will probably not be in a state to go to Paris himself, I ask you, my dear Count,to tell me if Salieri would do well to go there, and if you think that his work might be accepted there and performed, because, being employed by me and at the theatre here, he would not want to make this journey in a state of incertitude and to stay in Paris for no reason.
Thereafter, except for Salieri no one received more commissions from Joseph than Mozart.