Примери за използване на Phonograms and broadcasting на Английски и техните преводи на Български
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The Protection of Performers Producers of Phonograms and Broadcasting Organisations.
These include, in particular, the Paris Convention for the Protection of Industrial Property, the Berne Convention for the Protection of Literary and Artistic Works, and the Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations.
The Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations adopted on October 26, 1961, in Rome.
Singers, musicians, dancers and actors enjoyed limited international protection for their performances since the adoption of the Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations in 1961.
In respect of the rights of performers,producers of phonograms and broadcasting organizations not provided under this Agreement;
The protection provided for in this Convention shall not prejudice any protection otherwise secured to performers,producers of phonograms and broadcasting organisations.
In respect of performers, producers of phonograms and broadcasting organizations, this obligation only applies in respect of the rights provided under this Agreement.
International Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations.
(21) Whereas it is necessary to ensure that protection for authors, performers,producers of phonograms and broadcasting organizations is accorded in all Member States and that this protection is not subject to a statutory licence system;
Singers, musicians, dancers and actorshave enjoyed international protection for their performances since the adoption of the Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations(the Rome Convention) in 1961.
The Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations adopted on October 26, 1961, in Rome.
Singers, musicians, dancers and actors have enjoyed limited international protection for their performances recorded in audiovisual productions since the adoption of the Rome Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations(the Rome Convention) in 1961.
It shall be open until June 30, 1962 for signature by any State invited to the Diplomatic Conference on the International Protection of Performers,Producers of Phonograms and Broadcasting Organizations which is a party to the Universal Copyright Convention or a member of the International Union for the Protection of Literary and Artistic Works.
Furthermore, those provisions should not prevent Member States from providing for a rebuttable presumption of the authorisation of exploitation in respect of the exclusive rights of performers provided for in the relevant provisions of this Directive, in so far as such presumption is compatible with the International Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organisations(hereinafter referred to as the Rome Convention).
(1) Whereas the Berne Convention for the protection of literary and artistic works and the International Convention for the protection of performers,producers of phonograms and broadcasting organizations(Rome Convention) lay down only minimum terms of protection of the rights they refer to, leaving the Contracting States free to grant longer terms;
The Diplomatic Conference on the International Protection of Performers Producers of Phonograms and Broadcasting Organizations.
Nothing in this Treaty shall derogate from existing obligations that Contracting Parties have to each other under the International Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organizations done in Rome, October 26, 1961(hereinafter the“Rome Convention”).
Relation to other conventions 1. Nothing in this Treaty shall derogate from existing obligations that Contracting Parties have to each other under the International Convention for the Protection of Performers,Producers of Phonograms and Broadcasting Organisations done in Rome, October 26, 1961(hereinafter the"Rome Convention").
The harmonisation of legislation envisaged in this Directive entails the harmonisation of the provisions ensuring a high level of protection of authors,performers, phonogram producers and broadcasting organisations;….
Whereas the harmonization of legislation envisaged in this Directive entails the harmonization of the provisions ensuring a high level of protection of authors,performers, phonogram producers and broadcasting organizations;
Duration of related rights Without prejudice to further harmonization,the rights referred to in this Directive of performers, phonogram producers and broadcasting organizations shall not expire before the end of the respective terms provided by the Rome Convention.
Article 4 of the Satellite and Cable Directive relates to the rights of performers, phonogram producers and broadcasting organisations.
For the purposes of communication to the public by satellite,the rights of performers, phonogram producers and broadcasting organisations shall be protected in accordance with the provisions of Articles 6, 7, 8 and 10 of Directive 92/100/EEC.
Also protected through copyright and related(sometimes referred to as"neighbouring") rights are the rights of performers(e.g. actors, singers and musicians),producers of phonograms(sound recordings) and broadcasting organizations.
Notwithstanding paragraph 1, Parties may provide for the same kinds of limitations with regard to the protection of performers,producers of phonograms, broadcasting organisations and producers of the first fixations of films, as they provide for in connection with the protection of copyright in literary and artistic works.
Irrespective of paragraph 1, any Member State may provide for the same kinds of limitations with regard to the protection of performers,producers of phonograms, broadcasting organizations and of producers of the first fixations of films, as it provides for in connection with the protection of copyright in literary and artistic works.
Member States shall provide a right in order to ensure that a single equitable remuneration is paid by the user, if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public, and to ensure that this remuneration is shared between the relevant performers and phonogram producers.
Member States shall provide a right in order to ensure that a single equitable remuneration is paid by the user, if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public, and to ensure that this remuneration is shared between the relevant performers and phonogram producers.
Each Party shall provide a right in order to ensure that a single equitable remuneration is paid by the user, if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public, and to ensure that that remuneration is shared between the relevant performers and phonogram producers.
Member States shall provide a right in order to ensure that a single equitable remuneration is paid by the user, if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public, and to ensure that this remuneration is shared between the relevant performers and phonogram producers.