Examples of using Hyperdub in English and their translations into German
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Colloquial
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Official
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Ecclesiastic
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Medicine
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Financial
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Ecclesiastic
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Political
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Computer
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Programming
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Official/political
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Political
It's hard to believe that Darkstar used to release their music on Hyperdub.
Hyperdub Recordings is a London-based record label, founded in 2004 by Steve Goodman.
We wouldn't have expected any less of Hyperdub than this kind of deceleration and re-definition of electronic music.
Hyperdub saw this maverick nature as a blessing, and so he's gone into the studio and done what he needs to make the music he wants.
Advanced minimalism: after a few short trips to the sound-carrier-business of Hyperdub, Cooly G has finally released her debut.
First up comes"Hyperdub 10.1", a double CD covering the label's dance floor dimension.
The album‘Narst/ Love Dub', for which she earned great respect in the UK bass music scene, followed shortly thereafter on Kode 9's prestigious Hyperdub label.
All Nite" EP is the young Mancunian WALTON's second set on Hyperdub, after his very well received"Walton EP" debut for the label in 2011.
Hyperdub present a brilliant and subtle curveball courtesy of Philly's finest, King Britt, in his new guise as Fhloston Paradigm.
Yet despite this, his music speaks loud and wide, and the worldhas been listening ever since his"South London Boroughs" EP debut on Hyperdub in March 2005.
As a prelude to his second album for Hyperdub, due in September,'Dark Crawler' sees Terror Danjah drop punchy, manic beats and claustrophobic stabs on this bloodthirsty grime banger.
After three albums for as many labels, Dean Blunt and Inga Copeland, also of the group Hype Williams,release their debut Hyperdub LP,'Black Is Beautiful.
After Hyperdub's first compilation of 10th anniversary dancefloor heaters,, Hyperdub 10.2" features some of the label's best songs of the last five years or so.
Researched andcurated by Diggin In The Carts writer/ co-director Nick Dwyer and Hyperdub label head Kode9, the collection plunges deep into the rare archives of the chip era of Japanese video game music.
Hyperdub has long been a fan of grime don Terror Danjah's razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles,"gremlin cackle"… Kat.
Chicago Footwork legendDJ Rashad rounds off an impressive year on Hyperdub with his first album for the label, building on two EPs which have shown the extent to which his and his numerous Teklife… Kat.
After Hyperdub's first compilation of 10th anniversary dancefloor heaters,, Hyperdub 10.2" features some of the label's best songs of the last five years or so. Hyperdub is often associated with dark… Kat.
His razor sharp productions are bringing his unique and very influential- especially on Bristol's"Purple" sound-skills back into the public eye with releases on Hyperdub, as well as Planet Mu, Butterz, and his own Hardrive imprint.
Terror Danjah's first Hyperdub single of 2011 is an amazing coup, pulling out of the archive a near-perfect collaboration with singer Meleka, where Terror tempers his grimey production, veering… Kat.
On Friday Bodi Bill invite you toBodi Bill and friends atMaria, though, the whole night could be drowned out by the heavy bass coming from neighbouring Josef club,since here Newham Generals and Hyperdub's highly praised Ikonika with her tremendous, just released debut album will deejay.
To celebrate, Hyperdub will release four compilations which cluster thematic highlights from the last five years, all augmented with new material, as well as staging a number of international showcase events across the year.
After his recent killer collaboration with Kode9 on'Bad'/'2Bad', LD returns in fine style with two more lean and muscular tracks, each richly percussive and aimed squarely atthe dancefloor, yet each still imbued with the thought-ful melodic overtones that are fast becoming a Hyperdub calling-card.
After the widely acclaimed BURIAL debut album, Hyperdub throw out another tangential long player, a mutant satellite to the grime/dubstep scenes, this time from label boss KODE9 and resident vocalist… Kat.
Hyperdub has long been a fan of grime don Terror Danjah's razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles,"gremlin cackle" signature and general ear for a catchy tune.
After the widely acclaimed BURIAL debut album, Hyperdub throw out another tangential long player, a mutant satellite to the grime/dubstep scenes, this time from label boss KODE9 and resident vocalist SPACEAPE.
Terror Danjah's first Hyperdub single of 2011 is an amazing coup, pulling out of the archive a near-perfect collaboration with singer Meleka, where Terror tempers his grimey production, veering uncharacteristically towards featherlight lushness, while lacing Meleka's sensuous, pitched melisma with a deceptively vicious sub.
Chicago Footwork legendDJ Rashad rounds off an impressive year on Hyperdub with his first album for the label, building on two EPs which have shown the extent to which his and his numerous Teklife collaborators' sound have evolved in 2013.
After a string of 12s on Hyperdub over the last couple of years starting with the now classic'Please' in 2008,'Contact, Want, Love, Have' is the debut album from Sara Abdel-Hamid a. k. a IKONIKA.
Recordings at Festsaal Kreuzberg; Hype Williams and Pariah on Thursday at the same venue;Friday's big Hyperdub night at Panorama Bar-parallel to the dreamlike combination of MIT(photographed by Walczyna above), The Field, mysterious Mancunian newcomers Wu Lyf aus Manchester plus Gold Panda at Maria; and finally Siriusmo, Modeselektor, Girl Unit and Bok Bok on Saturday ibidem and at Chez Jacki.
Since Danielle Mana's 2017 debut EP for Hyperdub,'Creature', which was a taut, evocative suite of beatless, almost neo-classical electronics, we now find his music has caught an alien virus and started hallucinating.