Examples of using Stravinsky in English and their translations into German
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Good, Mr. Stravinsky, what did you have in mind?
Some more time after"+яюыыюэp" Stravinsky is involved with antiquity.
There is suddenly tension in the tether attached to the Stravinsky.
The Stravinsky Foyer, a chamber venue in the public area of the theatre, is located on the fourth floor.
Stylistically, he initially looked to Bartók and Stravinsky, and later also to John Cage.
People also translate
In his works dating from the twenties,both timbre and harmonic detail occasionally recall Stravinsky.
Stravinsky had in mind a ballet to be danced in white tutus, without much plot or elaborate stage decor.
If to speak about ancestors of such ensemble it is possible to name"PTpфxcъs" Stravinsky, appeared in 1923.
In Stravinsky Simfonija's creative biography of psalms takes a place similar on value to a place, occupied"-xëэющ ëT Ëxээющ.
During the time, the theatre was the place of world premieres of works by Rossini, Bellini, Donizetti,Verdi and Stravinsky.
For his concert on 21 March he has chosen Debussy's La Mer and Stravinsky's The Firebird- two of the most richly coloristic scores in the repertoire.
As an opera conductor, Harding has enjoyed a close relationship with the Aix-en-Provence Festival since 1998,where he led Stravinsky's The Rake's Progress in 2017.
Set in Hengelo,1.7 km from Fanny Blankers-Koen Stadion, Stravinsky Slapen has a number of amenities, including a terrace, a bar and free WiFi.
Gerald Finley made his debut with the Berliner Philharmoniker at the end of September 1994 under the direction of Pierre Boulez in works by Anton Webern andIgor Stravinsky.
In each of first three ballets forming a kernel"Ësëëъюyю яxËшюфp" Stravinsky, through different sides national lines of its musical thinking refract.
In this concert, the Berliner Philharmoniker, conductor Iván Fischer and theviolinist Lisa Batiashvili prove the opposite to be the case in spirited works by Stravinsky and Prokofiev.
Noteworthy Guests: Marcel Proust, Pablo Picasso, James Joyce,Igor Stravinsky, Sergei Diaghilev, and George Gershwin, who wrote the music for"An American in Paris" at the hotel in 1928.
Especially Stravinsky avoids statements from the first person, is afraid"Iъëyшcшчшюэшчbp" that is"ëpbююcэpцxэш" Considering that business of the composer- to create music, instead of to open itself through music.
Other famous guests include Cardinal Sarto, at the time Patriarch of Venice, the musicians Malipiero,Igor Stravinsky, the dialect poet Pasto and Gabriele dâ€TMAnnunzio, friend of Count Pietro Foscari.
The Friendship with Stravinsky, Fokinym, Dyagilev has even more pull together Ravel with Russian art; it is possible to judge it on several products of the different plan and scale: that is the small piano play"- to a manner….
In the Pas de deux from the ballet Apollon musagète which recalls the Viennese waltz,Igor Stravinsky, the creator of such energetic works as L'Oiseau de feu and Le Sacre du printemps, shows his elegant, carefree and tender side.
Composition==Igor Stravinsky and George Balanchine first met in 1925, as Balanchine, who just had started working for Sergei Diaghilev's"Ballets Russes", choreographed the ballet version of Stravinsky's"Le chant du rossignol.
Sacred works from Bach to Bruckner andHaydn's Creation are part of her repertoire as are Les Noces by Stravinsky, Carmina Burana by Carl Orff, the Maria Triptych by Frank Martin, and works by the Spanish composer Joaquín Rodrigo.
In the course of his critique of Stravinsky, Theodor W. Adorno famously argued that Stravinsky's music denied the musical subject a basis from which to engage the rhythmic displacement that so forcefully and so thoroughly characterised his music.
Resting in peace here are quite a few famous personalities like American poet Ezra Pound,Russian composer Igor Stravinsky, Russian-American poet Joseph Brodsky, French designer Jean Schlumberger, and Russian ballet personality Sergei Diaghilev.
For his»Pictures from Pagan Russia«, Stravinsky invokes the archaic by incorporating traditional musical motifs and giving them a space which certainly creates a time continuum and infuses the work with the type of identity that Adorno repudiates.
In the years leading up to 1915 he met other significant figures such as Stravinsky, Satie and Picasso, with whom he initiated projects that would have a decisive influence on the artistic climate of the early 20th century.
In this lecture, I will suggest that Stravinsky employed a fundamentally mechanical,›automated‹ procedure for generating his irregular rhythms and metrical schemes, one that ultimately provided a template for Nijinsky's choreographic innovations.
Sandwiched between the revolutionaries Schoenberg and Stravinsky on one side and Nono, Boulez and Stockhausen on the other, the"1914 generation" was left with only third place in the official historiography of music.
Attentively enough to peer- to listen attentively to the music created by Stravinsky for last two and a half decade, to notice process gradual, instead of sudden maturing of the composer for dodekafonicheskogo"yËx§юяpфxэш.